Ein Blick auf das Leben des legendären Rock'n'Roll-Stars Elvis Presley.Ein Blick auf das Leben des legendären Rock'n'Roll-Stars Elvis Presley.Ein Blick auf das Leben des legendären Rock'n'Roll-Stars Elvis Presley.
- Für 8 Oscars nominiert
- 92 Gewinne & 236 Nominierungen insgesamt
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Austin Butler is terrific, I want to say that immediately. But, I was waiting for the movie to start, and in the dizzying display of visual pyrotechnics I forgot this was a Buz Luhrmann movie, so it would probable never start. A long, beautifully made trailer that hints at a revolutionary bio-pic. But that's all it is, a hint. Tom Hanks's Colonel Parker is out of a Charles Dickens novel. Yes Fagan. But I must say Austin Butler kept me there. True that sometimes he doesn't look or feel real but neither did the real Elvis. Butler's physicality is astonishing and that's what I took with me and I thought, I would love to see the movie when it comes out,.
There is a lot to unpack about what I did not like about this movie but I also feel I need to 'fess up about my love of Elvis and growing up a fan as a child. I was 11 when he died and it came as a big shock. In rural Norfolk where we lived mostly 20 years in the past so it seemed that he had only just arrived. I spent a long time after following the legend. The Kurt Russel movie, the odd "That's the Way it is / Was" documentaries - stylistically plundered for this movie and of course all the movies. Owning 40 Greatest Hits was pretty much issued to you growing up. Then Punk Rock and New Wave came and Elvis just became the distant past, even if he did shock his audience in a way Johnny Rotten could only dream. Occasionally American Trilogy would come on the radio and I'd crank it up and do an Elvis impersonator sing-along, "Wisha was, inna lanna cotton" I played it on my excited drive to see this movie I had been waiting for, saying to my partner, "If this song is not referenced in the movie, I'll be stunned, it is definitive Elvis".
Once the film started, it was the first track we see enacted by the incredibly brilliant Austin Butler who nails it. Sadly, there is not much else good to say about this movie beyond his performance. It makes sense of course that Baz Luhrmann would open with that. Luhrmann is never one to use a nutcracker when there is a sledgehammer he can bang an idea a few times with until you get it. That's my point. This is not really an Elvis movie. It is a Tom Parker movie that wishes it was an Elvis movie. I am not sure you can be that dark and cynical about Elvis life and hope to get away with it considering what baggage the typical audience are likely to bring to the show. For Elvis to be portrayed as this easily manipulated kid, when anyone who watched the documentaries mentioned above knew The King was always in charge. If you tip the weight of the narrative to Colonel Tom you have to reduce the personality of Elvis. Don't get me wrong when I first heard rumours about this movie I was very keen for a Colonel Tom movie played by Tom Hanks but for that movie to work it needs a less important Elvis, that's a tough trick to pull off.
This movie is only coherent to an Elvis fan. To others not plugged into the folklore, myth and legend, it is long and boring with Luhrmann over egging his point and being cynical and depressive. He either fast forwards too much that is relevant or dwells on insignificance to bolster and pad out the Colonel Tom con artist. There is the art of the conman, the huckster, referenced through this movie. In reality, the biggest card trick is shuffled by the director who promises us a celebration of Elvis but delivers a woeful, tedious tale of a mediocre manager who got lucky clinging to a rocket after it had already launched. Butler is brilliant, no doubt, Hanks is hammy at best. Luhrmann tries to use Elvis to paint Tom Parker which is like I said, using a sledgehammer to crack a nut.
Fun in places but subtle it ain't. Thang yer verry mush.
Once the film started, it was the first track we see enacted by the incredibly brilliant Austin Butler who nails it. Sadly, there is not much else good to say about this movie beyond his performance. It makes sense of course that Baz Luhrmann would open with that. Luhrmann is never one to use a nutcracker when there is a sledgehammer he can bang an idea a few times with until you get it. That's my point. This is not really an Elvis movie. It is a Tom Parker movie that wishes it was an Elvis movie. I am not sure you can be that dark and cynical about Elvis life and hope to get away with it considering what baggage the typical audience are likely to bring to the show. For Elvis to be portrayed as this easily manipulated kid, when anyone who watched the documentaries mentioned above knew The King was always in charge. If you tip the weight of the narrative to Colonel Tom you have to reduce the personality of Elvis. Don't get me wrong when I first heard rumours about this movie I was very keen for a Colonel Tom movie played by Tom Hanks but for that movie to work it needs a less important Elvis, that's a tough trick to pull off.
This movie is only coherent to an Elvis fan. To others not plugged into the folklore, myth and legend, it is long and boring with Luhrmann over egging his point and being cynical and depressive. He either fast forwards too much that is relevant or dwells on insignificance to bolster and pad out the Colonel Tom con artist. There is the art of the conman, the huckster, referenced through this movie. In reality, the biggest card trick is shuffled by the director who promises us a celebration of Elvis but delivers a woeful, tedious tale of a mediocre manager who got lucky clinging to a rocket after it had already launched. Butler is brilliant, no doubt, Hanks is hammy at best. Luhrmann tries to use Elvis to paint Tom Parker which is like I said, using a sledgehammer to crack a nut.
Fun in places but subtle it ain't. Thang yer verry mush.
If you liked the great Gatsby you will love this. Austin butler puts his heart and soul into this movie. He simply becomes Elvis for the duration of it. Baz Luhrmann does an excellent job staying true to The kings story (unlike a certain Freddie mercury biopic of a few years prior) and the movie never drags. The ending sequence is simply moving and will bring tears to your eyes. The only downside I would say is the portrayal of Tom Parker, Tom hanks is an amazing actor but there is something about his performance that just feels off, it might just be the accent that he completely butchers however it still isn't enough to distract from the spectacle that is this movie. I cannot wait to watch it again.
Firstly Austin Butler was great , he could actually be Elvis as he looked so much like him and clearly worked hard to do Elvis justice , but I didn't really enjoy the movie but can't put my finger on why , the Main actors did a good job but I couldn't really get an emotional connection with them or the story line until the very end , I thought the legend Tom Hanks had too much of a part to play and Elvis didn't get enough , the story seemed to bounce all over the place and to me just felt and bit disjointed , Im no movie critic or expert so I recommend seeing it as lots have really raved about it but I woo the be watching it again.
It's probably not the best biopic ever made but I personally loved this take on Elvis. I loved that it exposed The Colonel's abuse and gave some insight to just how much Elivs worked for the benefit of others. He took care of everyone.
I'm not gonna give a long review. I just wanted to share how good I thought it was. Austin Butler deserves an award for how brilliant he was in this role. I saw where some reviewers were complaining about him not looking closely enough like Elvis but I thought he was a nice fit. There was only one Elvis folks. We just have to work with what we have and as I mentioned, I believe Austin deserves an award. He put serious thought and effort into playing this role. He wasn't hard on the eyes either!! Great Job!!
Loved it!
I'm not gonna give a long review. I just wanted to share how good I thought it was. Austin Butler deserves an award for how brilliant he was in this role. I saw where some reviewers were complaining about him not looking closely enough like Elvis but I thought he was a nice fit. There was only one Elvis folks. We just have to work with what we have and as I mentioned, I believe Austin deserves an award. He put serious thought and effort into playing this role. He wasn't hard on the eyes either!! Great Job!!
Loved it!
Wusstest du schon
- WissenswertesFor his audition tape, Austin Butler originally recorded himself singing "Love Me Tender." When he watched it, he felt like it was an Elvis impersonation, and refused to submit it. A few days later, he had a nightmare that his deceased mother was dying again. Overwhelmed with grief and with the Elvis audition still on his mind, he decided to pour his emotion into music. Thinking of the lyrics to "Unchained Melody," he remembered, "I always take it for granted that that's to a romantic partner, [but] what if I sing that to my mom?" He sat down at the piano in his bathrobe and filmed it. "And that way of channeling those emotions just felt true," the actor said. The video immediately caught director Baz Luhrmann's attention, as he was both confused and intrigued. Luhrmann stated, "Was it an audition? Or was he having a breakdown?" The director expressed that the audition felt like a spycam. Luhrmann asked to meet with Butler and eventually gave him the part.
- PatzerElvis sings Trouble in 1956. Leiber and Stoller wrote the song in 1958.
- Zitate
Gladys Presley: The way you sing is God-given, so there can't be nothin' wrong with it.
- Crazy CreditsAt the very end of the movie, the voice of Elvis Presley can be heard greeting the audience.
- VerbindungenEdited from Frank Sinatra's Welcome Home Party for Elvis Presley (1960)
- SoundtracksSuspicious Minds
Written by Francis Zambon (as Mark James)
Performed by Elvis Presley
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Kat King
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 85.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 151.040.048 $
- Eröffnungswochenende in den USA und in Kanada
- 31.211.579 $
- 26. Juni 2022
- Weltweiter Bruttoertrag
- 288.670.284 $
- Laufzeit
- 2 Std. 39 Min.(159 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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