Bessie

Bessie is a nicely produced flick about 'Bessie Smith the singer' with a little suggestion of 'Bessie Smith the person' sprinkled throughout the story. At movies end you don't feel you know something about her outside of her remarkable singing.

There are scenes of her rise from rags to riches and the family she tries to make but that's all you get through brief scenes and then it's back to her as a singer.

This isn't a bad movie, it's entertaining and Queen Latifah pulls out all the stops as Bessie the singer. But the ending leaves you pretty much where you were when you started the movie as far as Bessie the person is portrayed.

an introduction to a splendid career and bitter life. beautiful, seductive, impressing in few scenes. but only a good and useful introduction to the universe of Bessie Smith. and this is not a real surprise. it represents the recipes of many biopics who use great cast, splendid costumes, recreates the spirit of period but the afraid to make mistakes impose only a sketch of presented personality. sure, it is enough to listen her music for understand it. and against my belief than Viola Davies could be the best choice for the role of Bessie Smith, Queen Latifah does a great job. but not the slices of life, as isolated pieces from a puzzle are the wrong fact but the end who seems be not reasonable. to difficult to recreate in the most inspired manner a spectacular career, Bessie Smith becomes a symbol. a reasonable choice. but, maybe, not the best.

The year was 1972 and the challenge for director Sidney J. Furie was how to translate the biography of Billie Holliday into something that had "bite" for the mainstream.

He succeeded, in large part by his decision to make the story as much about the music as the personal travails of the famous singer.

At the time it seemed the obvious choice. Yet, flash forward 43 years and today the team behind this project, faced with the exact same choice, took the road less travelled.

It is not as if Queen L. does not have a set of pipes. After years of appearing in a string of "commodity" lifetime/lifestyle/X-mas movies -- in parts which leveraged off her infectious natural sweetness -- she stunned audiences worldwide with her performance of I KNOW WHERE I've BEEN in 2007.

(For the record, how perfect was she in that performance?? This reviewer has that song in every mix he owns and never gets tired of it. Her performance was so flawless that she could have won IDOL on that single track alone.)

This is a hard film to review. A lot of talent behind the camera, a lot of talent in front of the camera, and all of it hamstrung by the executive decision to downplay the music and focus on the strife.

Larger than life people have larger than life problems. But we already knew that. Personally, I missed the tunes.

Queen Latifah (Chicago) stars as the title character Bessie Smith in HBO's Bessie, a biopic on the life of the American legendary blues singer. The film focuses on Smith's transformation from a struggling young singer into the "Empress of the Blues," one of the most successful recording artists of the 1920's. Times were rough for ol Bessie growing up and even after her rise to fame. Her parents and brother died when she was young and was looked after by her older sister, this on top of the fact that she was black, bisexual and growing up in Tennessee in the mid 1900's… lets just say they could of gone a lot better for her. To help ends meet for her family Bessie and her brother sung and danced in a duet on the streets of Chattanooga. By 1912 Smith was a known singer in her part of town, delighting people with her voice and dancing, well… most people. Although she had a great voice a lot of people were judgmental about her appearance. One scene in the movie she is mortified during an audition when she is given the paper bag test. Basically they hold a regular brown paper lunch bag up to her face, if her skin tone is lighter than the bag, she passes. They only wanted light skin black preforming; Smith didn't pass and is laughed off stage. Little did the producer know that Smith had a volatile temper and proceeded to push him down to the floor.

Her temper was pretty notorious back in the day, not saying she would fly off the handle for no reason, no. As a matter of fact (from what the film showed me) all of her violent outbursts were for good reason. The opening shot of the film, Smith is in the alleyway of a performance making out with a man, he wants to take it to third base, Bessie doesn't, so the man punches her in the face and leaves a scar on her head. She returns the favor by cutting his thigh with a piece of broken glass. Her temper would catch up with her though, one night after a successful performance she and a large group of people are partying backstage when another man calls Bessie a "fat bitch." Bessie corrects the man by slapping him and is just about to bash him over the head with a vase when she takes pity and tells him to leave. The man waits hours for her outside and stabs her prison style as she leaves the party. She survives of course, but takes a licking.

I loved the movie Bessie for the most part. All the performances from everybody in the film were fantastic, literally everybody brought they're "A" game. The one performance I was most impressed with was Mo'Nique (Precious) as Ma Rainey, Bessie protégé. Rainey was the first person to give Bessie a job as a dancer for her troupe having already earned success as a blues singer. She would later take note of Bessie's great singing voice and move her up the ladder from dancer to singer. Mo'Nique absolutely nails it as Rainey, a fair but tough business lady. Before Bessie, Rainey was the hot ticket in town. She was so hot she was able to waltz into any white owned dance club and make a list of demands including higher pay, and they would give into her. This performance proves that her academy award for the movie Precious was well deserved.

One big drawback for the film was that it felt extremely rushed. I know it's often hard to make a two-hour film chronicling a person's entire life, but scene and characters seemed to come and go within a matter of minute. It has also been pointed out on many message boards that this film to a lot of liberty in what actually happened in Bessie life, mostly her relationship with Ma Rainey. In the film it makes it look like Rainey was the one that taught Bessie to sing, when in real life this wasn't the case. The DVD for Bessie is barebones; a short documentary into the making of the film featuring interviews with the stars is all we get. Picture and audio are top notch, but I would have liked some more extra features.

With all that said Bessie is still an entertaining film with excellent acting. It probably won't be one you go back to watch that often, but if you're a fan of the blues, this movie should tickle your fancy

A movie about some aspect of Bessie Smith's life is decades overdue, considering the broad cultural shadow she casts. A few episodes of her tumultuous life explored in depth would resonate, but like too many biopics, this one suffers from the creators' attempt to tell the whole story, or most it, and the results are mechanical, predictable and force-fitted into various agendas. Most biopic makers stumble upon these rocks. Their task is difficult.

From the start of "Bessie" we are told five things over and over: Bessie was haunted throughout her life by memories of the mother she lost as a child. Bessie had lesbian dalliances. Bessie loved to drink straight gin, preferably right out of the bootlegger's glass jar. Bessie had a violent temper. Bessie was a fiercely independent, take-charge kind of gal. But the main thing about Bessie that is presented only sporadically and by rote is her distinctive singing and how it came to be that way. Queen Latifah, who would seem to be a fine choice for this role, does suggest Smith in girth and even in facial features, but despite a strong voice which she tries to adapt to the Smith groove, she never makes us feel the rafters rising as the Smith legend tells us. The only time she approaches the true Smith sound is near the end when hard living had begun to ravage her vocal chords. And in the early scenes Latifah, given her age and physicality, cannot possibly persuade us that she is a young, unformed artist-to-be.

The attempt to demonstrate how she gradually upstaged her mentor, Ma Rainey (played to the hilt by Mo'Nique), is episodic and sketchy, not organic or dramatic; the same goes for the re-enactments of Smith's altercations with members of the high-toned Manhattan art scene in the 1920s and early 1930s. Some good substance is made of her volatile love affairs with men (Michael Kenneth Williams and Mike Epps). But her mid-career slump is presented as with no explanation or cause, other than perhaps the Great Depression. SPOILER ALERT: Her tragic death (a potential movie in itself) is entirely absent, as "Bessie" ends in mid-air, or mid- road, as we are left with her musings about where she will go next after a picnic with her former bootlegger.

So, a point has been scored for Bessie Smith. It opens a conversation. But more is needed.