GJLS: Ibuku Ibu-Ibu

GJLS: Ibuku Ibu Ibu is not just a random, silly comedy as some might assume. Every scene carries a clever layer of social commentary-subtle, yet striking. To me, the three GJLS characters reflect the way our society often works: we speak before we think, and sometimes that absurdity is what makes it so relatable and hilarious.

I really love the story. Not because I look down on complex storytelling-many of you are great at analyzing films deeply-but I believe life can be simple: just laugh and be happy. The problem is, some so-called "film enthusiasts" take everything too seriously.

For me, this is the best GJLS film so far. It's funny, original, and delivers their signature style in a way that truly reminds me of Stephen Chow's legendary comedies-silly on the surface, but deeply clever underneath.

This is far from a random comedy. It's GJLS at their most iconic-and it deserves more appreciation.

This film is a new breakthrough for the world of cinema from the comedy glass to provide fresh entertainment and outside the cinema box. It's too bold!

From the beginning we watch we will be presented with a plot twist that we will never expect, starting from who his mother is and who feni really is and what kind of ending, besides that this film also raises several social issues that occur in Indonesia that getting married in Indonesia is very costly, then there is the issue of how strong Indonesia believes in the supernatural and then how miserable online gambling and online loans are not used properly.

In a cinematic landscape where many local films still follow familiar structures-whether it's rom-com formulas, horror tropes, or predictable drama arcs-GJLS: Ibuku Ibu-Ibu comes in like a wrecking ball made of pure chaos and comedy. This film is, in the simplest terms, wild. But that's exactly what makes it so entertaining, refreshing, and worthy of attention.

Created by the absurdist comedy trio GJLS (short for "Gilang, Julian, and Sema"), this movie is not just a sketch stitched into feature length-it's a full-blown commitment to a world where logic, structure, and "rules" don't apply the way you'd expect. Instead of playing it safe, the filmmakers dive headfirst into bizarre humor, meta-commentary, and deliberately broken storytelling. The result? A laugh-out-loud, head-scratching, genre-bending experience you won't forget anytime soon.

A Plot That's... Kind of a Plot Trying to explain the plot of Ibuku Ibu-Ibu is almost missing the point. There is a story-something involving a son searching for his mother and ending up entangled with a group of chaotic "ibu-ibu" (mothers) in increasingly ridiculous situations-but the narrative is intentionally loose. The film constantly makes fun of itself, pokes holes in its own storytelling, and plays with audience expectations.

And honestly? That's part of the charm.

This film doesn't try to be coherent in the traditional sense. Instead, it invites the audience into its own ridiculous universe where anything can happen-from sudden musical numbers to out-of-nowhere plot twists that are clearly improvised or purposefully nonsensical. It's not about what happens, but how funny and unexpected it is when it does.

Comedy That Breaks Every Rule At its core, Ibuku Ibu-Ibu is a comedy film that leans into absurdism and satire. It draws heavily from GJLS's roots in internet humor-YouTube sketches, podcast banter, and that raw, unpolished style that feels both chaotic and intimate. If you're familiar with the trio's work, this feels like the natural evolution: longer, louder, and even more unfiltered.

What sets this film apart is its willingness to break the fourth wall, mock its own budget limitations, and even criticize Indonesian filmmaking clichés within the film itself. It's almost as if GJLS is saying, "We know how movies are supposed to be made. But what if we just... didn't?"

And it works. Not every joke lands, and some moments might feel too drawn out or messy, but the sheer commitment to the bit, the raw energy, and the unrelenting pace of the comedy keep the film alive and hilarious.

A New Experience in Indonesian Cinema Ibuku Ibu-Ibu feels revolutionary in its recklessness. It doesn't care about awards or critics or pleasing everyone-it cares about being fun. It breaks kaidah (rules) of filmmaking not for the sake of rebellion, but to open space for something new: freedom in storytelling.

We don't often see Indonesian films that are brave enough to go full absurd, full meta, full anti-structure. That's what makes this film so exciting. It feels like a breath of fresh air-especially for audiences who are tired of formulaic content and looking for something bold, unpredictable, and genuinely funny.

It's also a sign that internet-native creators like GJLS have the power to shake up the traditional film industry. They know what makes their audience laugh, and they're not afraid to take risks that more "mainstream" productions wouldn't dare.

Final Thoughts GJLS: Ibuku Ibu-Ibu is not a film for everyone-and that's okay. If you're someone who likes clean, logical narratives and polished, traditional filmmaking, this might not be your cup of tea. But if you're open to a comedy experience that's chaotic, self-aware, and unafraid to be completely ridiculous, this film delivers.

It's not just funny-it's an experience. And in an era of safe, formulaic content, that makes it something special.

Some people watch GJLS: Ibuku Ibu Ibu and come out confused, disappointed, or eager to overanalyze it like it's an arthouse drama. Which is fascinating, considering the tagline literally says: #SiapGoblok. It's almost poetic - walking into a funhouse and getting mad because the mirrors are distorted.

This film knows exactly what it is: absurd, chaotic, hilarious, and unashamed. It doesn't try to impress with complexity-it invites you to laugh at the very absurdity we often see in everyday life (and in ourselves). The GJLS trio aren't just characters; they're reflections of how we, as a society, often act before we think-loud, messy, but oddly familiar.

And yet, some people still insist on treating every film like an academic paper. If there's no long-winded explanation or symbolic subtext, they dismiss it as "low effort." Ironically, they miss the brilliance hidden in the chaos-because true satire doesn't come with a label saying "please take this seriously."

And to those who'll surely dislike this review? Just scroll down and look for the thumbs down - that's where the "overthinkers anonymous" usually gather.

If you didn't enjoy the film, maybe it's not the movie that didn't get the point-maybe it's you.

This film is an absurd comedy film directed by Monty Tiwa and starring the trio Rispo, Rigen, and Hifdzi. This film "dares" to break the rules of conventional cinema by showing bloopers, shooting errors, and chaotic editing styles which fortunately become a source of laughter in this film. The story will follow three siblings who try to thwart their father's plan to marry a young SPG, because they are worried about losing their inheritance. Although ridiculous, this film still inserts light family drama.

The humor is presented spontaneously and recklessly, although some scenes touch on sensitive issues such as disability and sexism which are felt to make some people offended or uncomfortable when hearing them. However, for viewers who want to enjoy unexpected comedy and full of creative chaos, this film can be an exciting watch that is certainly very different from the usual comedy films.