GJLS: Ibuku Ibu-Ibu

"Ibuku Ibu-Ibu" is a genius piece of absurdist comedy that proudly breaks away from the conventions of mainstream Indonesian cinema. The signature chaotic humor of the GJLS trio shines throughout-wild, unpredictable, and unapologetically offbeat.

This film isn't made for everyone, and that's okay. Those unfamiliar with GJLS's comedic DNA or who prefer structured, traditional narratives may find it jarring, even offensive. But to dismiss it as merely sexist or nonsensical is to miss the point entirely. It's satire, it's layered absurdity, and above all, it's refreshingly honest in its refusal to conform.

For fans of experimental, unfiltered humor, this film is a rare gem.

And let's be honest-what other movie casually drops bloopers into the actual film? Wkwk 😂

**Absurdity is the core comedic theme of this movie-hence the title.** While it aims to be funny, much of the humor feels forced and falls flat.

**One unusual choice is including bloopers within the main film itself.** This might amuse the cast's close friends, crew, or fans of their stand-up group, but for first-time viewers, it simply doesn't work. Some scenes even try to *force* laughter by showing the actors cracking up during bloopers-it's almost like hiring someone to tickle the audience.

**The film attempts to channel the spirit of WARKOP DKI** with raunchy humor and adult jokes, but these moments often come off as awkward and cringeworthy rather than genuinely funny.

**In short, fans of the cast's stand-up work might enjoy this movie.** Everyone else? Probably not.

Some people watch GJLS: Ibuku Ibu Ibu and come out confused, disappointed, or eager to overanalyze it like it's an arthouse drama. Which is fascinating, considering the tagline literally says: #SiapGoblok. It's almost poetic - walking into a funhouse and getting mad because the mirrors are distorted.

This film knows exactly what it is: absurd, chaotic, hilarious, and unashamed. It doesn't try to impress with complexity-it invites you to laugh at the very absurdity we often see in everyday life (and in ourselves). The GJLS trio aren't just characters; they're reflections of how we, as a society, often act before we think-loud, messy, but oddly familiar.

And yet, some people still insist on treating every film like an academic paper. If there's no long-winded explanation or symbolic subtext, they dismiss it as "low effort." Ironically, they miss the brilliance hidden in the chaos-because true satire doesn't come with a label saying "please take this seriously."

And to those who'll surely dislike this review? Just scroll down and look for the thumbs down - that's where the "overthinkers anonymous" usually gather.

If you didn't enjoy the film, maybe it's not the movie that didn't get the point-maybe it's you.

GJLS: Ibuku Ibu Ibu is not just a random, silly comedy as some might assume. Every scene carries a clever layer of social commentary-subtle, yet striking. To me, the three GJLS characters reflect the way our society often works: we speak before we think, and sometimes that absurdity is what makes it so relatable and hilarious.

I really love the story. Not because I look down on complex storytelling-many of you are great at analyzing films deeply-but I believe life can be simple: just laugh and be happy. The problem is, some so-called "film enthusiasts" take everything too seriously.

For me, this is the best GJLS film so far. It's funny, original, and delivers their signature style in a way that truly reminds me of Stephen Chow's legendary comedies-silly on the surface, but deeply clever underneath.

This is far from a random comedy. It's GJLS at their most iconic-and it deserves more appreciation.

Critics say it's "shallow", "sexist", full of "body-shaming"? Maybe they missed the part where Rispo's outrageous behavior is not glorified, but thrown in your face so hard it demands reflection. This isn't moral decline-it's a brutal satire of how numb and ridiculous society has become. But sure, go off.

What's even funnier is watching people who clearly don't enjoy absurdist comedy voluntarily sit through 90 minutes of pure chaos... just to write a thesis-length review on how offended they are. At some point, it's not criticism-it's masochism with a keyboard.

No, it doesn't care about your structure.

No, it doesn't want to be "clever".

Yes, it's messy.

Yes, it's supposed to be.

Because chaos, when done right, is honest. And Ibuku Ibu-Ibu is hilariously honest.