Waisenkind Sophie trifft auf den gutmütigen Riesen, der sich trotz seiner einschüchternden Erscheinung als liebenswerte Seele erweist und von den anderen Riesen als Außenseiter angesehen wir... Alles lesenWaisenkind Sophie trifft auf den gutmütigen Riesen, der sich trotz seiner einschüchternden Erscheinung als liebenswerte Seele erweist und von den anderen Riesen als Außenseiter angesehen wird, da er keine Kinder frisst.Waisenkind Sophie trifft auf den gutmütigen Riesen, der sich trotz seiner einschüchternden Erscheinung als liebenswerte Seele erweist und von den anderen Riesen als Außenseiter angesehen wird, da er keine Kinder frisst.
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- 4 Gewinne & 26 Nominierungen insgesamt
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Empfohlene Bewertungen
Before to see the adaptation, the mix of emotion and prudence defines me. because, from an early age, I was one of small fans of the book. and the name of Steven Spielberg, as always, represents a good promise. but each adaptation of a lovely book is a challenge first for viewer. and the film is real beautiful. for that, not only the technology has a significant role but the option, a profound inspired one, of director for the couple Mark Rylance and Ruby Barnhill. Rylance is the expected BFG for me. so familiar and admirable performed than the respect for its performer becomes more than great. Barnhill is and she is not the Sophie who I imagine. but she has the all virtues for become, scene by scene. it is a lovely film. and that is only important thing. because it seems bizarre to compare it with more than the novel of Roald Dahl. and the verdict is real favorable for Steven Spilberg project.
I loved this adaptation, it is charming, funny and engaging. I've read some pretty scathing reviews, saying it's Spielberg's worst film - or one of, and I couldn't disagree more. It's really a kid's story, dressed up as a family movie. It's also a simple tale, requiring a simple plot and that is what you get, along with some Spielberg magic. The (gas) scene in Buckingham Palace is one of the funniest I've ever seen - it was hysterical! If you want to get all serious and pick fault with the plot line, you shouldn't be watching this kind of movie. It's a fantasy movie, involving some.... well... fantasy! There were some stereotypical British elements, which to us might be a bit overdone, but Spielberg isn't British. Whoever is slating this movie's plot and the movie in general obviously doesn't remember: E.T, Back to the Future; Poltergeist etc, who's plot lines were crackpot in the extreme. BFG is what it is... a lighthearted and delightful fantasy, which kids and adults will adore together.
I don't get the bad reviews here, were they watching the same film? or maybe they have lost touch with their inner child. I loved this film and I'm not a kid I'm a 55 year old bloke. The film follows the book faithfully and keeps hold of Roald Dahl's odd humour well. The girl playing Sophie is an excellent Northern British actress who plays the part very well and is well cast, the giant character is funny, magical and full of warmth and charm with the CG very well done. Sure its a kids film but as such it is a very good one, if you want more adult material then don't watch kids films but if you like magical fantasy with humour and great visuals I recommend the BFG wholeheartedly.
The bar has been set so high for Spielberg movies that anything less than Oscar-level quality is often seen as a failure. However, to judge the BFG along those lines would be a great disservice to a movie that has a great many merits, particularly as a family film. Shed of much of the darkness of Roald Dahl's source material, Spielberg breathes a healthy dose of his magic into The BFG, though it never reaches to the greatness of ET. Spielberg, however, does get some very strong performances from Mark Rylance as the title character and newcomer Ruby Barnhill as the young orphan who befriends the giant. The real star of the movie is probably the spot-on motion capture that brings the giants to life. If you're expecting a groundbreaking film like Raiders of the Lost Ark or a crisply directed work like Catch Me If You Can, you're in the wrong movie. But if you have room for close to two hours (which might be a tad overlong) of sweet, touching fun, you should absolutely consider The BFG.
This movie is definitely one to watch with your kids and not only. If you are still a young spirit you can watch it with no fear. It will make you happy! No doubt.
Wusstest du schon
- WissenswertesFinal produced screenplay by Melissa Mathison prior to her death on November 4, 2015. This movie is dedicated to her as a tribute. The closing credits dedication reads: "For our Melissa".
- PatzerWhen the Queen is in residence, the Royal Standard is the flag that should be flying above Buckingham Palace. In this film, it is the Union Flag. This should only fly when the Queen isn't at home. It used to be the case that the Royal Standard should be the only flag above the palace and when the Queen was away, there would be nothing. However, there was an uproar following the death of Princess Diana as Queen Elizabeth II wasn't home so there was no flag to put at half mast. Since then, it's the Royal Standard when she's in, and the Union Flag when she's away.
- Crazy CreditsThe Amblin Entertainment logo has the rare theme in it.
- VerbindungenFeatured in Annoying Orange: Trailer Trashed: The BFG (2015)
- SoundtracksPiper's Maggot Jig
from Barry Lyndon (1975)
Arranged by Leonard Rosenman
Courtesy of Warner Bros Entertainment Inc.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- BFG - Sophie & der Riese
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 140.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 55.483.770 $
- Eröffnungswochenende in den USA und in Kanada
- 18.775.350 $
- 3. Juli 2016
- Weltweiter Bruttoertrag
- 195.243.411 $
- Laufzeit1 Stunde 57 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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