Youth in Oregon
- 2016
- 1 Std. 45 Min.
IMDb-BEWERTUNG
5,8/10
1461
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA man is tasked with driving his embittered 80-year-old father-in-law cross country to be legally euthanized in Oregon, while along the way helping him rediscover a reason for living.A man is tasked with driving his embittered 80-year-old father-in-law cross country to be legally euthanized in Oregon, while along the way helping him rediscover a reason for living.A man is tasked with driving his embittered 80-year-old father-in-law cross country to be legally euthanized in Oregon, while along the way helping him rediscover a reason for living.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Nicola Peltz Beckham
- Annie
- (as Nicola Peltz)
Empfohlene Bewertungen
Joel David Moore's "Youth in Oregon" is no masterpiece but is still worth seeing. To my knowledge, it's the only movie that focuses on Oregon's Death with Dignity Act allowing physician-assisted suicide. In this case, Frank Langella plays an elderly man who asks his family to drive him to the Beaver State so that he can take advantage of the law. Not surprisingly, tense familial issues arise.
I'd say that the movie is interesting more than anything. The elderly man and his wife travel across the country driven by their son-in-law, while the daughter stays home to keep an eye on the rebellious granddaughter. Each of the characters has something to say, but I particularly liked the old man's talks about his adventures from his younger days.
Anyway, it's worth seeing. Not a great movie, but an OK one.
I'd say that the movie is interesting more than anything. The elderly man and his wife travel across the country driven by their son-in-law, while the daughter stays home to keep an eye on the rebellious granddaughter. Each of the characters has something to say, but I particularly liked the old man's talks about his adventures from his younger days.
Anyway, it's worth seeing. Not a great movie, but an OK one.
The movie has based on the "right to die" controversial issue ... but never,ind because the script is too emotional till it mostly won't make any sense , the writer is forcing a dying old man to take a torturous exhausting road-trip just because writer's out of any other ideas to fixing up him with his mentally challenged family members ! The old man who can't even walk has to seat inside a compact car for days and tolerate his mental family !! ... This punishment is enough to make ANYONE to commit a suicide , he's living with his crazy bipolar daughter and freaky drunk good for nothing wife and completely jackless grands ... HIS OWN FAMILY IS KILLING HIM, BEFORE ANY DISEASES ! HERE'S AN IDEA : JUST GO AROUND THE WORLD AND WATCH BIRDS TILL YOU DIE !the family should have gone to Oregon instead of him !
Another attempt at fooling people with the trailer that this is another little miss sunshine movie . This movie misses completely I like the actors in this movie that's why I watched it but the script Is poor and the story line isn't great . There was no big lines to sense some closure anytime in the movie it was all over the place . The actors never got into character it seems like and they are trying to hard it's almost annoying I'm a 28 year old man thinking about getting old and doing what the motive was the movie is a waste of time . The point of the movie ? When you find out please tell me cause I am lost Oh yea Josh Lucas reappeared in a movie ! Bad one to chose
Sensitive depiction of an aging and ailing family patriarch whose wish to choose when he will die brings troubled family relationships to a head. The film is deftly propelled by the tension created around whether the old man will get his wish and be euthanized in Oregon. During the cross country road trip Ray, the old guy, sees his troubled family and small pleasures with new eyes. Painful, riveting, true to life, brilliant.
Greetings again from the darkness. This is one of those tough little indie movies that would fit right in at most film festivals. Directed by Joel David Moore and written by Andrew Eisen, the film has a few exceptional scenes, yet once it's over, it's pretty easy to just leave it behind. That shouldn't happen with a story dealing with a theme of death with dignity. Shouldn't there be a desire to talk about the issue, or at least spend some time in thought?
Perhaps the reason this one isn't the gut-punch we expect is that while the central reason for the story is 80 year old Ray's (Frank Langella) desire to end life on his terms, the vast majority of screen time is devoted to the exceptionally dysfunctional family that surrounds him. It's not an "issue" movie, and dysfunctional family movies are about as common as superhero movies these days we've become a bit numb.
Ray and his wife Estelle (Mary Kay Place) are living with their daughter Kate (Christina Applegate), her husband Brian (Billy Crudup) and Kate and Brian's teenage daughter Annie (Nicola Peltz). It's a crowded house where emotions run high, voices are usually amped to 11, and Kate and Brian's marriage is stressed to the limit with responsibilities.
Bad news at the doctor's office leads Ray to the crucial decision on his future. He announces this while giving the most uncomfortable birthday speech ever at dinner that evening "I want to die." It's a terrific scene and each person's reaction is priceless – to the point where we almost wish it were in slow motion so as not to miss anything.
Typically poor teenage judgment by daughter Annie means mother Kate stays at home for discipline, while Brian reluctantly agrees to drive Ray cross country to Oregon to find out if he qualifies under the mercy killing law. Estelle and her always present booze come along for the ride, but it's mostly the strained relationship between Ray and Brian that generate the fireworks. Along the way, they add Ray's estranged gay son Danny (Josh Lucas), as well as Brian's angry college age son Nick (Alex Shaffer). Once they reach Oregon, another wonderful scene/sequence occurs as Ray meets up with a longtime friend who has made the same decision. It's a well handled and well acted portion of the story.
Ray's decision to hide his medical diagnosis from the family is the source of the most recent conflict, but there's a history in this family. Isn't that always the case? A lack of communication often causes even more issues than too much honesty. The abundance of dysfunction can't be offset by some peaceful bird-watching, and all of the frustration and anger prevents the necessary conversations on the more interesting topic a reason to live vs. a desire to die. A slight re-focus would have taken more advantage of the terrific performance of Langella, and added some fun to the post movie discussion.
Perhaps the reason this one isn't the gut-punch we expect is that while the central reason for the story is 80 year old Ray's (Frank Langella) desire to end life on his terms, the vast majority of screen time is devoted to the exceptionally dysfunctional family that surrounds him. It's not an "issue" movie, and dysfunctional family movies are about as common as superhero movies these days we've become a bit numb.
Ray and his wife Estelle (Mary Kay Place) are living with their daughter Kate (Christina Applegate), her husband Brian (Billy Crudup) and Kate and Brian's teenage daughter Annie (Nicola Peltz). It's a crowded house where emotions run high, voices are usually amped to 11, and Kate and Brian's marriage is stressed to the limit with responsibilities.
Bad news at the doctor's office leads Ray to the crucial decision on his future. He announces this while giving the most uncomfortable birthday speech ever at dinner that evening "I want to die." It's a terrific scene and each person's reaction is priceless – to the point where we almost wish it were in slow motion so as not to miss anything.
Typically poor teenage judgment by daughter Annie means mother Kate stays at home for discipline, while Brian reluctantly agrees to drive Ray cross country to Oregon to find out if he qualifies under the mercy killing law. Estelle and her always present booze come along for the ride, but it's mostly the strained relationship between Ray and Brian that generate the fireworks. Along the way, they add Ray's estranged gay son Danny (Josh Lucas), as well as Brian's angry college age son Nick (Alex Shaffer). Once they reach Oregon, another wonderful scene/sequence occurs as Ray meets up with a longtime friend who has made the same decision. It's a well handled and well acted portion of the story.
Ray's decision to hide his medical diagnosis from the family is the source of the most recent conflict, but there's a history in this family. Isn't that always the case? A lack of communication often causes even more issues than too much honesty. The abundance of dysfunction can't be offset by some peaceful bird-watching, and all of the frustration and anger prevents the necessary conversations on the more interesting topic a reason to live vs. a desire to die. A slight re-focus would have taken more advantage of the terrific performance of Langella, and added some fun to the post movie discussion.
Wusstest du schon
- WissenswertesThe Oregon Death with Dignity act only allows residents of the state to be eligible for physician assisted suicide.
- SoundtracksStarlight Serenade
Courtesy of APM Music
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Youth in Oregon?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Молодость в Орегоне
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen