IMDb-BEWERTUNG
5,3/10
18.786
IHRE BEWERTUNG
Als ein ambitionierter junger Anwalt einen großen Fall gegen eine mächtige und rücksichtslose Führungskraft eines großen Pharmaunternehmens übernimmt, gerät er schnell in eine Affäre von Erp... Alles lesenAls ein ambitionierter junger Anwalt einen großen Fall gegen eine mächtige und rücksichtslose Führungskraft eines großen Pharmaunternehmens übernimmt, gerät er schnell in eine Affäre von Erpressung und Korruption.Als ein ambitionierter junger Anwalt einen großen Fall gegen eine mächtige und rücksichtslose Führungskraft eines großen Pharmaunternehmens übernimmt, gerät er schnell in eine Affäre von Erpressung und Korruption.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
Christopher Rodriguez Marquette
- Giffords
- (as Christopher Marquette)
Nathan Moore
- Lawrence
- (as Nathan J. Moore)
Chris J. Fanguy
- Cop #2
- (as Chris Fanguy)
Kamilla Bjorlin
- Susie
- (as Milla Bjorn)
Empfohlene Bewertungen
I didn't liked this movie. The acting seemed to me unnatural, all of the actors were over-calm an emotionless, it was like a film for androids, at least in most of it. The plot had a potential but it was unrealized for a lot of reasons, I think mostly the directing. As the action was moving towards the end the whole thing became even more messy and sporadic and it all ended with a grand finale of nonsense.
Sorry about my poor English but I felt obliged to prevent other people from seeing that movie. I'm a simple man and I don't know much about the art cinematography but I can distinguish a bad movie when I see it, believe me.
Sorry about my poor English but I felt obliged to prevent other people from seeing that movie. I'm a simple man and I don't know much about the art cinematography but I can distinguish a bad movie when I see it, believe me.
Somebody mentioned the emotionless acting, and even if I can second that to some degree, there was a requirement for some of them to display that psychotic trait so the movie would make sense, and therefore a strange thing to comment on in my opinion. I wouldn't bash on the acting so much as maybe the screenplay. The movie is built up as a true thriller should, to leave clues along the way until the last final scene which then will uncover the truth. It got a little too scrambled up, to try to follow the timeline, but I still enjoyed the dark feeling to the movie. Although I'm still not quite sure I understood what really happen I think I will give it another look to pick up clues I didn't get the first time. I think there's something to be told here, I'm just not sure the director got the message clear.
When first seeing the cast of Josh Duhamel, Al Pacino and Anthony Hopkins, among others, one would expect an intense thriller, yet "Misconduct" is an arbitrary endeavor that has seriously crippling pace and lacking any suspense. It may look nice at first, potentially promising a wit exchange, yet it's painfully slow and honestly a shallow display of crime drama.
Ben (Josh Duhamel) is contacted by her unstable ex-girlfriend who has secret files about her billionaire boss. He takes this chance without knowing that he'll walk on a series of increasingly dangerous conspiracy. The line-up is riddled with famous names, yet their performance is inconsistent. Duhamel looks decent for a leading role, although he doesn't have the poise or sense of urgency when the moments call for it.
The chemistry between him and veterans like Al Pacino and Anthony Hopkins is also shaky. There are some good thrilling moments, yet there are also times when they look ironically silly as though impersonating plot from Law and Order. Female characters share the same fate of incompatibility. Julie Stiles as the operator only appears too cocky for the tough female stereotype.
Meanwhile, Malin Akerman and Alice Eve are seemingly trapped in love triangle gig, and not a good one at that. Its attempt to showcase debauchery is appreciated, yet there's barely any passion involved here. Byung-hun Lee makes a supporting role, and it's quite intriguing when he makes an entrance, yet his character feels underutilized and only serves as a glorified henchman. When they interact it creates a tangled web of a plot.
It does have clear cinematography and direction to portray vices such as greed and lust, yet it shifts significantly slow between unintentionally detached characters that ultimately become mundane and restricting.
Ben (Josh Duhamel) is contacted by her unstable ex-girlfriend who has secret files about her billionaire boss. He takes this chance without knowing that he'll walk on a series of increasingly dangerous conspiracy. The line-up is riddled with famous names, yet their performance is inconsistent. Duhamel looks decent for a leading role, although he doesn't have the poise or sense of urgency when the moments call for it.
The chemistry between him and veterans like Al Pacino and Anthony Hopkins is also shaky. There are some good thrilling moments, yet there are also times when they look ironically silly as though impersonating plot from Law and Order. Female characters share the same fate of incompatibility. Julie Stiles as the operator only appears too cocky for the tough female stereotype.
Meanwhile, Malin Akerman and Alice Eve are seemingly trapped in love triangle gig, and not a good one at that. Its attempt to showcase debauchery is appreciated, yet there's barely any passion involved here. Byung-hun Lee makes a supporting role, and it's quite intriguing when he makes an entrance, yet his character feels underutilized and only serves as a glorified henchman. When they interact it creates a tangled web of a plot.
It does have clear cinematography and direction to portray vices such as greed and lust, yet it shifts significantly slow between unintentionally detached characters that ultimately become mundane and restricting.
"New events have come to light that change the nature of this allegation." Arthur Denning (Hopkins) is a pharmaceutical executive that is being sued for negligence, and to top it off his girlfriend has disappeared. Ben Cahill (Duhamel) is an up and coming lawyer that is assigned to the case. When Ben becomes personally involved with what is happening lives and careers are in jeopardy. I was very excited about this movie. Al Pacino and Anthony Hopkins together seems like a dream paring and I was looking forward to seeing those two together. Little by little my hopes were vanishing and by the time they were on screen together it was so anti-climatic that I didn't even care. Pacino and Hopkins were on screen total for about 15 min, not together. The movie is told through present day and flashbacks, but I didn't realize that until almost the end. The movie is decent but because of my high expectations involving the first paring of Pacino and Hopkins I was severely disappointing. Overall, this for me was just too disappointing for me to have enjoyed like I could have if it was two lesser actors. I give this a very disappointing and frustrating C.
The plot is twisting, twisting and twisting again, while characters that seem to be one thing are revealed to be another, interacting in all kinds of ways. However, in order for a story to be successful, the plot needs to be interesting and the characters well defined before you do the plot twisting. Bottom line: a lot atwist about nothing. Now there's some Shakespeare for you.
Yet somehow things are getting worse and worse: known actors have puny or plain bad roles, the acting is mediocre at best, the editing of the scenes, vague and not linear in time, confuses the hell out of the viewer. The girls: Julia Stiles, Malin Akerman, Alice Eve - they do the best with their roles, in fact they are the best actors in this film, far outclassing old farts like Pacino and Hopkins, who's only purpose in life nowadays is to give megalomaniacal speeches.
A special mention for Alice Eve. She did a weird kind of interpretation which was awesome. I don't know if it was her idea or the director's, but her character gave me the creeps. It just wasn't completely right for this movie.
Conclusion: a waste of time and talent. A confusing story that feels like someone's ego trip, a boring film, a pointless story.
Yet somehow things are getting worse and worse: known actors have puny or plain bad roles, the acting is mediocre at best, the editing of the scenes, vague and not linear in time, confuses the hell out of the viewer. The girls: Julia Stiles, Malin Akerman, Alice Eve - they do the best with their roles, in fact they are the best actors in this film, far outclassing old farts like Pacino and Hopkins, who's only purpose in life nowadays is to give megalomaniacal speeches.
A special mention for Alice Eve. She did a weird kind of interpretation which was awesome. I don't know if it was her idea or the director's, but her character gave me the creeps. It just wasn't completely right for this movie.
Conclusion: a waste of time and talent. A confusing story that feels like someone's ego trip, a boring film, a pointless story.
Wusstest du schon
- WissenswertesMade just £97 (about $125) in its U.K. opening weekend, with an average of four viewers per screen.
- PatzerIt would be close to impossible for any law firm to draft, finalize, and arrange formal service of a fraud complaint against a billionaire, plus schedule a deposition with him, all in less than one week. A demand for production of documents is usually needed first, with a minimum of two weeks for the plaintiff to respond, then a deposition is scheduled to obtain the plaintiff's testimony about the documents.
- VerbindungenReferenced in Cinematic Excrement: 2nd Look: Hillary's America (2023)
- SoundtracksHead Trip
Written & Performed by Lee Coombs
Courtesy of Cutting Edge Music (Holdings) Limited
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Falta de ética
- Drehorte
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Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 2.049.761 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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