Füge eine Handlung in deiner Sprache hinzuThree of the fiercest warriors in human history become prey to the ultimate killer of killers.Three of the fiercest warriors in human history become prey to the ultimate killer of killers.Three of the fiercest warriors in human history become prey to the ultimate killer of killers.
Michael Biehn
- Vandy
- (Synchronisation)
Doug Cockle
- Einar
- (Synchronisation)
Rick Gonzalez
- Torres
- (Synchronisation)
Damien C. Haas
- Anders
- (Synchronisation)
- (as Damien Haas)
Lauren Holt
- Freya
- (Synchronisation)
Lindsay LaVanchy
- Ursa
- (Synchronisation)
Jeff Leach
- Ivar
- (Synchronisation)
Cherami Leigh
- Young Ursa
- (Synchronisation)
Alessa Luz Martinez
- Delgado
- (Synchronisation)
Piotr Michael
- Gunnar
- (Synchronisation)
Andrew Morgado
- Chief Zoran
- (Synchronisation)
Louis Ozawa
- Kenji & Kiyoshi
- (Synchronisation)
Brock Powell
- Krivich Prisoner
- (Synchronisation)
Felix Solis
- Torres' Dad
- (Synchronisation)
Britton Watkins
- Warlord Predator
- (Synchronisation)
Alex Albrecht
- Additional Voice
- (Synchronisation)
James Bannon
- Additional Voice
- (Synchronisation)
Jeffrey Cannata
- Additional Voice
- (Synchronisation)
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Stepping into an animated Predator experience, one anticipates a certain level of visceral thrill. This film delivers: the animation itself is exceptionally stylish, painting each frame with a polished sheen, and the action sequences unfold with brutal, well-choreographed fluidity. Visually, it's often stunning, from the glint of alien blades to the stark landscapes. The pacing, effective in its quick jumps from era to era, initially promises a sprawling, epic hunt.
However, and I realize this might sound a bit contrarian given its visual appeal, my core expectation for substantive storytelling found itself at odds with the film's execution. While I often appreciate simplicity, Killer of Killers veers into being too paint-by-numbers for its own good. The initial two chapters, though visually distinct - one draped in the furs and steel of 841 A. D. Scandinavia amid clashing Viking war parties, the other sharp with the silks and swords of 1609 feudal Japan as samurai duel - quickly reveal strikingly similar narrative beats. Each sees a protagonist on a quest for revenge, dispatching numerous foes, only for a Predator to suddenly appear with little narrative justification, leading to a mirrored, predictable resolution. The repetition dulls any potential for surprise.
Worse, the characters inhabiting these vivid backdrops are frustratingly undernourished archetypes, given little room for genuine psychological complexity or authentic emotional depth. Their struggles feel shallow, failing to justify any true investment. The third chapter, set against the grim backdrop of World War 2, suffers even more dramatically; its protagonist, Torres, seems to exist merely to fly, and then flies to save comrades from a Predator in a flying vessel. Action and gore are plentiful - from the spray of blood against ancient stone to the metallic whine of alien tech - but the narrative content is sparse. The predictable finale attempts to tie these disparate threads together, hitting familiar "work together instead of fighting amongst ourselves" notes that feel more like an obligatory Avengers trope than an earned thematic conclusion.
Ultimately, I'm not upset by Predator: Killer of Killers; it certainly offers moments of visual spectacle and satisfies the primal urge for creature-feature action. But for me, it simply doesn't deliver enough narratively or thematically to earn more than a recommendation as a casual diversion. I suspect, however, that it may be the straightforward, action-heavy romp that many viewers are looking for.
However, and I realize this might sound a bit contrarian given its visual appeal, my core expectation for substantive storytelling found itself at odds with the film's execution. While I often appreciate simplicity, Killer of Killers veers into being too paint-by-numbers for its own good. The initial two chapters, though visually distinct - one draped in the furs and steel of 841 A. D. Scandinavia amid clashing Viking war parties, the other sharp with the silks and swords of 1609 feudal Japan as samurai duel - quickly reveal strikingly similar narrative beats. Each sees a protagonist on a quest for revenge, dispatching numerous foes, only for a Predator to suddenly appear with little narrative justification, leading to a mirrored, predictable resolution. The repetition dulls any potential for surprise.
Worse, the characters inhabiting these vivid backdrops are frustratingly undernourished archetypes, given little room for genuine psychological complexity or authentic emotional depth. Their struggles feel shallow, failing to justify any true investment. The third chapter, set against the grim backdrop of World War 2, suffers even more dramatically; its protagonist, Torres, seems to exist merely to fly, and then flies to save comrades from a Predator in a flying vessel. Action and gore are plentiful - from the spray of blood against ancient stone to the metallic whine of alien tech - but the narrative content is sparse. The predictable finale attempts to tie these disparate threads together, hitting familiar "work together instead of fighting amongst ourselves" notes that feel more like an obligatory Avengers trope than an earned thematic conclusion.
Ultimately, I'm not upset by Predator: Killer of Killers; it certainly offers moments of visual spectacle and satisfies the primal urge for creature-feature action. But for me, it simply doesn't deliver enough narratively or thematically to earn more than a recommendation as a casual diversion. I suspect, however, that it may be the straightforward, action-heavy romp that many viewers are looking for.
10Oni-Wulf
I genuinely didn't know what to expect from this, turning a live action property into animation doesn't always work. That being said, this was absolutely amazing. I loved the animation style, the sound design, especially for the predator was excellent, the different settings, the voice acting was on point, the action absolutely top notch, as to be expected. Of course the storylines of the 3 vignettes were a bit lacking, some better than others, but who comes into a predator movie for the riveting story telling? This really was a legitimate predator movie, and did the titilur character justice. Very gory, great pacing, I highly recommend this.
From the animation, cinematography, choreography, score, messaging, and overall themes this movie does it all by sticking to a familiar formula and character tropes in a flawless way that makes for what unironically might be the best predator movie. The pacing is also very good for Its 80 minute run time. The film is so good at conveying what it's trying to be that for a quarter of the runtime there is little to no dialogue and yet you understand everything. Whether you're a fan of the predator franchise, wanting to get into it, or just want to turn on a gory, fun animated flick this film has it all!
Predator: Killer of Killers brings fresh animation and brutal, bloody action to the franchise - but the story lacks real substance.
The gritty, raw animation creates a strong atmosphere, backed by heavy textures and punchy sound design. When fists fly and blades clash, it feels impactful.
But the anthology format holds it back. Each part is short, and there's no time to build emotional weight. Especially in Part 1 (The Shield). However, the story itself feels generic and predictable.
The characters? Mostly flat archetypes. Character deaths feel hollow, and themes like teamwork were presented flat.
Part 1 (The Shield) - The fight against the Predator felt too smooth, as if every move had been carefully planned and choreographed.
Part 2 (The Sword) - stands out with its feudal Japan setting and a visually impressive fight, particularly due to the conflict between two brothers.
Part 3 (The Bullet) - Creatively staged and visually appealing. The Story reminds me a lot of classic movies.
Scores: The Shield - 5.5/10 The Sword - 7.5/10 The Bullet - 7.0/10 The Finale - 6.5/10
Overall : 6.5/10
A visual treat with raw energy - just don't expect depth.
The gritty, raw animation creates a strong atmosphere, backed by heavy textures and punchy sound design. When fists fly and blades clash, it feels impactful.
But the anthology format holds it back. Each part is short, and there's no time to build emotional weight. Especially in Part 1 (The Shield). However, the story itself feels generic and predictable.
The characters? Mostly flat archetypes. Character deaths feel hollow, and themes like teamwork were presented flat.
Part 1 (The Shield) - The fight against the Predator felt too smooth, as if every move had been carefully planned and choreographed.
Part 2 (The Sword) - stands out with its feudal Japan setting and a visually impressive fight, particularly due to the conflict between two brothers.
Part 3 (The Bullet) - Creatively staged and visually appealing. The Story reminds me a lot of classic movies.
Scores: The Shield - 5.5/10 The Sword - 7.5/10 The Bullet - 7.0/10 The Finale - 6.5/10
Overall : 6.5/10
A visual treat with raw energy - just don't expect depth.
I recently watched Predator: Killer of Killers (2025) on Hulu. The storyline follows Predator warriors on Earth across different countries and historical eras, battling human warriors to the death.
The film is co-directed by Dan Trachtenberg (Prey) and Joshua Wassung, and features the voices of Michael Biehn (Aliens), Doug Cockle (Band of Brothers), and Rick Gonzalez (Old School).
I really loved this. Every segment felt solid, and the ending was tremendous. Funny enough, I spent most of the movie underselling the writing-there were even a few moments that made me roll my eyes-but the conclusion pulled everything together in a way that was much smarter than I expected.
The animation is excellent, with striking visuals: the flying scenes, blood effects, fire, and fight choreography all looked fantastic. The initial Viking sequence was easily my favorite. I also appreciated how each segment included its own human conflict or war that naturally led into the showdown with a Predator.
The different Predator designs-variations in size, shape, and weaponry-were cool and added depth to the world.
In short, Predator: Killer of Killers is a unique and worthwhile addition to the Predator universe. I'd score it a strong 7.5 to 8 out of 10 and highly recommend it.
The film is co-directed by Dan Trachtenberg (Prey) and Joshua Wassung, and features the voices of Michael Biehn (Aliens), Doug Cockle (Band of Brothers), and Rick Gonzalez (Old School).
I really loved this. Every segment felt solid, and the ending was tremendous. Funny enough, I spent most of the movie underselling the writing-there were even a few moments that made me roll my eyes-but the conclusion pulled everything together in a way that was much smarter than I expected.
The animation is excellent, with striking visuals: the flying scenes, blood effects, fire, and fight choreography all looked fantastic. The initial Viking sequence was easily my favorite. I also appreciated how each segment included its own human conflict or war that naturally led into the showdown with a Predator.
The different Predator designs-variations in size, shape, and weaponry-were cool and added depth to the world.
In short, Predator: Killer of Killers is a unique and worthwhile addition to the Predator universe. I'd score it a strong 7.5 to 8 out of 10 and highly recommend it.
New and Upcoming Sequels, Prequels, and Spin-Offs
New and Upcoming Sequels, Prequels, and Spin-Offs
Discover some of the most anticipated sequels, prequels, and spin-offs coming to theaters and streaming.
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- WissenswertesThe film was animated using Unreal Engine, one of the first feature films ever to do so, and drew stylistic influences from Katsuhiro Ôtomo's Akira (1988) and Netflix's Arcane (2021), aiming to embrace both stylized violence and visual spectacle in ways Dan Trachtenberg felt would be less effective in live-action. Several artists from Arcane contributed to the production, including lead character animator Steven J. Meyer.
- PatzerAt 1:15:54 when Ursa helps Kensington to his feet, the artists have drawn the explosive collar back around her neck. This was removed several scenes earlier.
- Zitate
Warlord Predator: A fight to the death... only one will live... and the survivor... will face me!
- VerbindungenFollowed by Predator: Badlands (2025)
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What is the German language plot outline for Predator: Killer of Killers (2025)?
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