Predator: Killer of Killers

So the very first episode the viking is running around killing people with BROKEN WOODEN SHIELDS. How strong would someone have to be to hack of heads and limbs with broken shields?!? Like seriously did they get the idea for this from Elden Ring or Assassin's Creed Valhalla?? Also the bad guys went to the Prometheus School of attacking one at a time. I was confused as to why the writing was so atrociously bad until I remember this was done by the person that wrote Prey. I know Vikings were pretty handy in a fight, but to imply one would run around with two broken shields instead of spear and shield? Axe and shield? Sword and shield?

I genuinely didn't know what to expect from this, turning a live action property into animation doesn't always work. That being said, this was absolutely amazing. I loved the animation style, the sound design, especially for the predator was excellent, the different settings, the voice acting was on point, the action absolutely top notch, as to be expected. Of course the storylines of the 3 vignettes were a bit lacking, some better than others, but who comes into a predator movie for the riveting story telling? This really was a legitimate predator movie, and did the titilur character justice. Very gory, great pacing, I highly recommend this.

I was skeptical about an animated Predator movie. But the animation was very good and the style lends its self very well to the subject matter.

It seems to be an anthology but its all tied together at the end and leaves things open for much more in the future.

Speaking of tying things together there are interesting references to the other films and hint at a much wider universe that we hopefully get to see.

Don't be put off that its a cartoon its much cheaper to tell a story this way than with live action so more chance of followups.

In Dan Trachtenberg it seems they have someone who can take the Predator franchise in a much better direction than it had been going prior to Prey.

I recently watched Predator: Killer of Killers (2025) on Hulu. The storyline follows Predator warriors on Earth across different countries and historical eras, battling human warriors to the death.

The film is co-directed by Dan Trachtenberg (Prey) and Joshua Wassung, and features the voices of Michael Biehn (Aliens), Doug Cockle (Band of Brothers), and Rick Gonzalez (Old School).

I really loved this. Every segment felt solid, and the ending was tremendous. Funny enough, I spent most of the movie underselling the writing-there were even a few moments that made me roll my eyes-but the conclusion pulled everything together in a way that was much smarter than I expected.

The animation is excellent, with striking visuals: the flying scenes, blood effects, fire, and fight choreography all looked fantastic. The initial Viking sequence was easily my favorite. I also appreciated how each segment included its own human conflict or war that naturally led into the showdown with a Predator.

The different Predator designs-variations in size, shape, and weaponry-were cool and added depth to the world.

In short, Predator: Killer of Killers is a unique and worthwhile addition to the Predator universe. I'd score it a strong 7.5 to 8 out of 10 and highly recommend it.

Predator: Killer of Killers is a bold and refreshing entry in the Predator franchise, delivered through a stylish animated anthology format. Set across three distinct eras-a Viking battlefield, feudal Japan, and the skies of WWII-the film cleverly blends historical conflict with sci-fi terror. Each story stands strong on its own, with intense action, emotionally driven characters, and visually stunning animation that gives each setting its own identity. The fights aren't just about survival; they're personal, with each protagonist having something to prove or redeem, making their clash with the Yautja feel more meaningful.

What sets this film apart is how it balances spectacle with substance. While the Predator remains a deadly force, the real focus is on the humans and their internal struggles. The film also deserves credit for using native languages and unique visual techniques that elevate the storytelling. Though the final act tries to connect the stories in a big way and stumbles slightly in pacing, it still offers a satisfying payoff. Overall, this is a well-crafted addition to the franchise that doesn't try to copy the past but expands the universe in a creative and engaging way. A solid 7.5/10 from me.