IMDb-BEWERTUNG
6,8/10
1117
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThis approach brings history to life through vividly restored archival footage and firsthand accounts of WWII Britain during the Blitz.This approach brings history to life through vividly restored archival footage and firsthand accounts of WWII Britain during the Blitz.This approach brings history to life through vividly restored archival footage and firsthand accounts of WWII Britain during the Blitz.
Frieda Anderson
- Self - Factory Worker
- (Synchronisation)
Ballard Berkeley
- Self - Special Constable
- (as Ballard Berkely)
Tom Betts
- Self - East End Local
- (Synchronisation)
Winston Churchill
- Self
- (Archivfilmmaterial)
Edith Heap
- Self - Plotter RAF Debden
- (Archivfilmmaterial)
- (Synchronisation)
Adolf Hitler
- Self
- (Archivfilmmaterial)
Richard Holsgrove
- Self - Junior Fireman
- (Synchronisation)
King George VI
- Self
- (Archivfilmmaterial)
Bernard Kops
- Self - East End Local
- (Synchronisation)
Gerhard Krems
- Self - Luftwaffe Pilot
- (Synchronisation)
Edward R. Murrow
- Self
- (Archivtonaufnahmen)
Phil Piratin
- Self - East End Communist Leader
- (Archivfilmmaterial)
- (Synchronisation)
Marie Price
- Self - Liverpool Resident
- (Synchronisation)
Queen Elizabeth II
- Self
- (Archivfilmmaterial)
- (as Princess Elizabeth)
Charlotte Salkind
- Joan Wyndham
- (Synchronisation)
Ulrich Steinhilper
- Self - Luftwaffe Pilot
- (Archivtonaufnahmen)
Empfohlene Bewertungen
It is a shame that so many unkind and untruthful posts are allowed to try and distort the truth. This is the first Netflix documentary about the British and WW2 that isn't altered by the "message" and I am genuine in my sincere thanks.
Ella Wright you should receive every appreciation. Watching this I thought often of Raymond Briggs "Ethel and Earnest" because this documentary is so faithful to everything my parents and grandparents experienced. Despite what revisionist cruelty might say these were good people standing up and fighting alone against real tyranny.
My grandparents and my two uncles lived through this. My dad played in the craters and collected shrapnel. My family lost lives, had lives ruined. But they never ever regretted fighting tyranny. This documentary honours them and tells their story truthfully.
I wish those posting reviews with their unkindness would have watched the thing before posting. Thank you again Netflix.
Ella Wright you should receive every appreciation. Watching this I thought often of Raymond Briggs "Ethel and Earnest" because this documentary is so faithful to everything my parents and grandparents experienced. Despite what revisionist cruelty might say these were good people standing up and fighting alone against real tyranny.
My grandparents and my two uncles lived through this. My dad played in the craters and collected shrapnel. My family lost lives, had lives ruined. But they never ever regretted fighting tyranny. This documentary honours them and tells their story truthfully.
I wish those posting reviews with their unkindness would have watched the thing before posting. Thank you again Netflix.
Britain an the Blitz (BatB) is not your "ordinary" war documentary - it does not focus on; strategic decisions, frontline fighting action or the ongoings in the minds of people on the battlefield. Rather it focuses on the social and fatiguing aspects of life during wartime. It does so pretty well.
BatB covers, as the title implies, the period of the most severe bombing of Britain during the Second World War - from the 7th of September 1940 to the 11th of May 1941.
We are let into the world of some those affected by the relentless bombing of indiscriminate targets. Civilians as well as military, women as well as men, children as well as adults. The whole documentary is in colour which arguably adds to the sense of "being there".
BatB offers no insights into the rationale of "this type of warfare" - it does however offer a few compassionate glimpses into the world of those affected. In so doing it offers a different kind of insight into the effects of war and tells a story that, arguably, should be told more often.
BatB covers, as the title implies, the period of the most severe bombing of Britain during the Second World War - from the 7th of September 1940 to the 11th of May 1941.
We are let into the world of some those affected by the relentless bombing of indiscriminate targets. Civilians as well as military, women as well as men, children as well as adults. The whole documentary is in colour which arguably adds to the sense of "being there".
BatB offers no insights into the rationale of "this type of warfare" - it does however offer a few compassionate glimpses into the world of those affected. In so doing it offers a different kind of insight into the effects of war and tells a story that, arguably, should be told more often.
Suppose you're an alien tuning into this documentary out of interest in WWII. What would you learn? A bit about the romantic entanglements of two girls, the story of a young firefighter, a refugee child's trauma, and a scattering of personal anecdotes (with a malicious attack on Churchill, in line with N. Policies), none of which framed within any broader historical context.
I get that this may stir emotions among the British audience, but as a foreigner genuinely curious about life in England during the Blitz, I came away with almost nothing - except that Joan found Rupert irresistible, they had a fling, the Army called him up, and she moved on to greener pastures before publishing a memoir 40 years later.
To be fair, the other girl's story with her pilot fiancé was slightly more focused on the events. But in true Netflix fashion, the documentary goes almost out of its way to avoid any mention of the RAF, the pilots who died, or indeed any white adult male who played a role in the Blitz. Apparently, the entire experience belonged to girls, children, and the occasional teenager.
I get that this may stir emotions among the British audience, but as a foreigner genuinely curious about life in England during the Blitz, I came away with almost nothing - except that Joan found Rupert irresistible, they had a fling, the Army called him up, and she moved on to greener pastures before publishing a memoir 40 years later.
To be fair, the other girl's story with her pilot fiancé was slightly more focused on the events. But in true Netflix fashion, the documentary goes almost out of its way to avoid any mention of the RAF, the pilots who died, or indeed any white adult male who played a role in the Blitz. Apparently, the entire experience belonged to girls, children, and the occasional teenager.
The movie seems to have been edited by throwing film clips up in the air and allowed to fall to the floor where they were randomly picked up and spliced together. It is all arbitrary with very little detail given on how it all fits together. It is as if the makers of the film never researched the actual Blitz. The only worthy thing of praise was the colorization. A good job was done on that.
It's not enough to show a series of film clips without sufficient narration on how it all fits together. The viewer is left to fill in the blanks with conjecture often times without knowledge of what how everything took place. A documentary should inform, not confuse.
It's not enough to show a series of film clips without sufficient narration on how it all fits together. The viewer is left to fill in the blanks with conjecture often times without knowledge of what how everything took place. A documentary should inform, not confuse.
Overall a big incoherent potpourri:
Some half-assed love stories, some repetitions of material, choice of footage often questionable, lots seems staged footage, no real structure.
And unlike the superb "The World at War" they had to focus one just one single topic, how can you fail so miserably in telling this story and make it look like an occasional accident?
Had that been on Youtube, I probably would have stopped and switched - well, it was netflix and you keep hoping that it will get better. Alas, it didn't.
Still, the restoration is well done. As for the plot (sic!) you'd rather turn on the radio.
PS: Speaking of restoration , have a look, you'll find a lot of restorated and enhanced footage on youtube.
Some half-assed love stories, some repetitions of material, choice of footage often questionable, lots seems staged footage, no real structure.
And unlike the superb "The World at War" they had to focus one just one single topic, how can you fail so miserably in telling this story and make it look like an occasional accident?
Had that been on Youtube, I probably would have stopped and switched - well, it was netflix and you keep hoping that it will get better. Alas, it didn't.
Still, the restoration is well done. As for the plot (sic!) you'd rather turn on the radio.
PS: Speaking of restoration , have a look, you'll find a lot of restorated and enhanced footage on youtube.
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- WissenswertesAlle Einträge enthalten Spoiler
- PatzerThe sound of the train made during the part detailing the evacuees was of an American train horn rather than the sharp whistle of the British steam trains of the time. The sound editor used the wrong archive sound.
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