Soft Lad - Liebe auf Umwegen

As a story it somehow it could have been considered a little dated, like it could have been made in the Eighties, closeted husband sleeps with wive's younger brother yada yada. In truth though it's actually a decent film, the story does grab you, it unfolds well, and the acting is excellent. I thought Suzanne Collins was excellent as wronged wife Jane. Daniel Brocklebank, Jonny Labey etc all very good. It's depressing in tone, but in fairness contains some positive messages. Watchable, 8/10

I completely enjoyed this film as it just goes to show how you can devastate lives sometime without realising your actions. It also shows that two wrongs don't make a right and how feeling true love for someone can make you feel that other things are more insignificant. These things happen in real life and it was good that the subject has been approached

Wooden acting, terrible scouse accent, it looked like a film by a bunch of high school students who wrote the script that morning. I lasted four minutes and had to turn it off.

Such a shame, when the description sounds like an interesting dynamic between central character and his sister's husband. And when there's clearly some good people involved, judging by the credits. But ruined by terrible acting, cringe-worthy accents, low production values and general awfulness.

Definitely a film to avoid.

Don't waste your money on it.

This film deals with an interesting dynamic, but it is poorly produced. The dialogue is barely audible at times and the music sound track used is probably the most annoying ever. The acting is very variable, overacted at times a bit like a daytime soap opera. The camera work is shaky and at times one wonders if a hand held iPhone was used for some of the scenes. Heads get cut off, and the shaky images are nausea inducing. There are some scenes that add very little to the main story and could easily have been omitted. The ending seems a bit too tidy, and appears as if it were important to the Director/writer to have a happy ending, no matter if it made sense or not!

At one point in this film, a character says "If I never see you again it will be too soon!". The sentiment also applies to this film.

The film follows an aspiring dancer and his complicated family relationship, but somehow manages to include every stereotype of gay cinema, from the best-friend-he-would-love-if-only-he-were-straight ("I'm gay, remember?" he says at one point, because that's just the kind of thing best friends forget about each other) to the closeted family man having it off on the side. There isn't even any suspense to this - most of the main characters are so bluntly drawn in the first 5 minutes that you could fall asleep until the climax, and if you do I envy you. Of course there is a 'twist' - inverted commas because it's so clearly signposted it might as well be London - but by then the oddly distant directing style had drained all engagement from me.

I know that as a genre, LGBT cinema suffers by not having the history and money behind it available to other films, but even compared to some of the ropier stuff out there this is lacking.

The word that best sums up the plot, the directing, the cinematography, is: dull.