Terror in Tokio

A really enjoyable anime, especially for those who like psychological anime. The characters were complex and mysterious and I liked the humanity in them. The ending was sad. The art really good as well was the action scenes. I do wish there was another season though. So eight out of ten.

"Zankyou no Terror" is truly a masterpiece. It handles moral ambiguity and anti-heroism with rarely seen grace. It is respectful to the characters, fleshing them out, highlighting the good, the bad, and the ugly alike. It is respectful to the viewers, allowing them to come to their own conclusions about the characters, or the moral justification of their actions. It is powerful enough on its own to allow the viewers to feel emotion naturally, rather than forcing the characters' emotion onto them. The plot is beautiful and excellently executed. The ending leaves the viewers with a sense of satisfaction and hope, rather than leaving them feeling like there was more to be done or said. The voice acting is wonderful, minus failed attempts at "Engrish" a number of times. Elements of the animation, such as the dynamic lighting and imperfect "camerawork," give it a very realistic atmosphere. The soundtrack is excellent, complementing the atmosphere of each scene flawlessly. "Zankyou no Terror" is a work of art that should not be missed!

When I saw the poster advertising this show on the internet I was immediately intrigued. I googled the show and then saw it was directed by Shinichiro Watanabe (of Samurai Champloo and Cowboy Bebop). Knowing then that my initial interest was well founded, I began to watch. From the opening minutes the thing that struck me most was the art. It is absolutely gorgeous. It's so vivid and beyond anything I have seen before. On that front this show is perfect

Story-wise this is also very strong. Far from shonen anime, this is deeply rooted in reality and the present day. It features terrorism, a topic not usually explored in this medium and it is refreshing to find it so well done.

This series started amazingly and had me hooked, but as the episodes went on I found myself watching out of habit rather than eager anticipation. The plot was rushed and REALLY could have done with at least 25ish episodes rather than the meager 11 we got. Also, Lisa Mishima as a character is mostly predictable and even annoying throughout the series. When learning about her home-life, I thought we would get a 3 dimensional character, not a snivelling weakling who ends up causing trouble for everyone.

In fact, most characters are pretty standard. There aren't really any characters apart from Five who are actually that interesting. Overall, this is a high quality anime, but lacks in a few areas which holds it back from greatness. If you are expecting Death Note 2.0, you are going to be disappointed. It is not as complex and thrilling as DN, although it looks much better and doesn't have a shitty second half like DN had.

Good Points: Art Style, Story, Ending Bad Points: 1Dimensional Characters, WAY too short

Okay, so Terror in Resonance (残響のテロル) has only began airing on July 10, 2014 but to tell the truth? Hell, yeah! This anime is high-quality if it's comes to entertainment and thrill! Shinichirō Watanabe (director),Kazuto Nakazawa (character designs) and Yoko Kanno (music) just nailed a perfect balance and it's staying. Oh, it's staying! I love this anime and I can't stand the time I have to wait until I can see the next episode! I'm not saying these because we have a name Shinichirō Watanabe here, who is responsible for Cowboy Bebop, Samurai Champloo and Space Dandy - thus quality isn't really a question now - but because these guys just made something that so rare, masterful you could say.

I don't know guys, maybe I'm a little too passionate about this series but I really don't mind. It got me.

It's about a broken system that lets down the most vulnerable. The system crushed them in the name of power and control. Nine and Twelve weren't villains - they just wanted their story to be heard. They wanted to avenge the children who were used as lab rats. They never hurt anyone; they just wanted to be understood. Shibazaki is truly the only adult who saw them for who they really were.

At the end, for a split second, I thought we were getting a happy ending - but then it all came crashing down.

VON wasn't just graffiti or a code name - it was their voice, their pain, and their message to the world. A reminder that even those forgotten by society deserve to be heard. Lisa and Shibazaki fulfilling Nine's and Twelve's legacy, and helping their story be known after everything, was truly heartwarming.