IMDb-BEWERTUNG
4,4/10
31.382
IHRE BEWERTUNG
Ein Haus ist von einem rachsüchtigen Geist verflucht, der diejenigen, die es betreten, mit einem gewaltsamen Tod bestraft.Ein Haus ist von einem rachsüchtigen Geist verflucht, der diejenigen, die es betreten, mit einem gewaltsamen Tod bestraft.Ein Haus ist von einem rachsüchtigen Geist verflucht, der diejenigen, die es betreten, mit einem gewaltsamen Tod bestraft.
- Auszeichnungen
- 2 Nominierungen insgesamt
David Lawrence Brown
- Sam Landers
- (as Dave Brown)
Demián Bichir
- Goodman
- (as Demian Bichir)
Bruno the Dog
- Frank the Dog
- (as Bruno)
Marina Stephenson Kerr
- Woman Neighbor
- (as Marina Stephenson-Kerr)
Empfohlene Bewertungen
I see some people here calling this a remake and I'm thinking "Where they even paying attention!?!". This movie is a sequel and takes place during the same timeline of the 2004 version and the years 2005 and 2006. Only this time the curse has been brought to the US by the first nurse that was taking care of the elderly lady from the first movie. Anyways, I have to say the editing is a mess and most of the characters are lifeless, but the actors did their best with what was given. I actually like the cast and I think Lin Shaye and Jacki Weaver are the highlights of the film. Its biggest mistake was not bringing back the iconic ghosts that fans have grown to love. This is their franchise.
This played out like a soft reboot, similar to Rings (sequel from The Ring, which ignored The Ring Two). It clearly exists in the same universe as the previous three American releases, but with time between them and other characters into the mix (plus new audiences watching), it kind of throws elements at you that the previous films had. Therein lies the problem.
Although this may be the slightly superior film to Rings, it also was a less necessary sequel. When you look back at what you saw, you ask yourself how the pitch meeting went to green-lighting this installment. I mean, what was the lure that got them to say this was worthy? Rings happened to evolve and modernize its story in a very sensical manner, but The Grudge didn't really breathe new life... and when it tried to, it fell a little flat on its face.
I don't know how much money was thrown at this, but it felt a little too produced. A lot of it had to do with the fact that it was brought to the States. I know that little Asian ghost girl horror was so two decades ago, but having that traditional Japanese setting that stemmed from the Ju-On series (shot on a taller frame and on film) gave the previous movies a bit of a rawer, grittier chill factor that this one loses. Not to mention the way they edit the jump scares this time around is Rings-cheesy. They are by far the worst parts of the movie, sadly enough. Props for the R-rating and I think that was excellently used, but I don't think the tone matched the maturer audience that was watching it... as it still had a PG-13 feel to the scares.
The thing that I liked most about this movie though was the nonlinear storytelling. They borrowed this from The Grudge 2, although that was kind of a twist in that film that you were jumping different timelines. I liked it so much from that one that you really had to work hard in what you were watching, and all it had to take from this movie was removing the big white lettering telling the year that it was in on shots. The timelessness feel kind of became a theme to the movie, and I think if they made the audience work a little harder at it then it would have a nice full circle feeling to it. But alas, you are always reminded where you are at in the film, so it's not quite as fun. Nevertheless, it was a cool ride to flash back and forward, though it was all exposition vomit anyway. I could have allowed them to stretch the film another 15-20 minutes for more present day substance if they could have found a way to fill it, but for what it did I'd say it was okay.
The movie whimpers out at the end for me though, and that was really where I wish it had something else to say about the franchise's evolution when it plainly couldn't. I think that's where it hits its weakest stride. I can imagine sequels to this happening, but they just won't be as fun or freaky unless they return to Tokyo again and have Kayako and Toshio again, throwing less money at it and making it raw and gritty if they're able to. This is a skipper, even for die-hard Grudgies.
One last note: This movie has the intentionally funniest scene transition since Napoleon Dynamite's "It's a sledgehammer" moment. That alone was actually worth the price of admission.
Although this may be the slightly superior film to Rings, it also was a less necessary sequel. When you look back at what you saw, you ask yourself how the pitch meeting went to green-lighting this installment. I mean, what was the lure that got them to say this was worthy? Rings happened to evolve and modernize its story in a very sensical manner, but The Grudge didn't really breathe new life... and when it tried to, it fell a little flat on its face.
I don't know how much money was thrown at this, but it felt a little too produced. A lot of it had to do with the fact that it was brought to the States. I know that little Asian ghost girl horror was so two decades ago, but having that traditional Japanese setting that stemmed from the Ju-On series (shot on a taller frame and on film) gave the previous movies a bit of a rawer, grittier chill factor that this one loses. Not to mention the way they edit the jump scares this time around is Rings-cheesy. They are by far the worst parts of the movie, sadly enough. Props for the R-rating and I think that was excellently used, but I don't think the tone matched the maturer audience that was watching it... as it still had a PG-13 feel to the scares.
The thing that I liked most about this movie though was the nonlinear storytelling. They borrowed this from The Grudge 2, although that was kind of a twist in that film that you were jumping different timelines. I liked it so much from that one that you really had to work hard in what you were watching, and all it had to take from this movie was removing the big white lettering telling the year that it was in on shots. The timelessness feel kind of became a theme to the movie, and I think if they made the audience work a little harder at it then it would have a nice full circle feeling to it. But alas, you are always reminded where you are at in the film, so it's not quite as fun. Nevertheless, it was a cool ride to flash back and forward, though it was all exposition vomit anyway. I could have allowed them to stretch the film another 15-20 minutes for more present day substance if they could have found a way to fill it, but for what it did I'd say it was okay.
The movie whimpers out at the end for me though, and that was really where I wish it had something else to say about the franchise's evolution when it plainly couldn't. I think that's where it hits its weakest stride. I can imagine sequels to this happening, but they just won't be as fun or freaky unless they return to Tokyo again and have Kayako and Toshio again, throwing less money at it and making it raw and gritty if they're able to. This is a skipper, even for die-hard Grudgies.
One last note: This movie has the intentionally funniest scene transition since Napoleon Dynamite's "It's a sledgehammer" moment. That alone was actually worth the price of admission.
Detective Muldoon (Andrea Riseborough) moves to a small town in Pensylvannia with her son Burke (John J. Hansen) to work in the local Police Department. She is assigned to be partner of Detective Goodman (Demián Bichir), who has recently lost his partner Detective Wilson (William Sadler) that was obsessed by a murder case. When Muldoon and Goodman find the remains of a woman in a car in a closed road, Muldoon realizes that her address was the same of the murder case Wilson was investigating. She decides to investigate the house and soon she learns that there is a curse for those who enter in the house.
"The Grudge" (2020) is a horror movie based on the vengeful spirit from the excellent "Ju-on" (2002) and the American version "The Grudge" (2004). The cinematography is uncomfortable and the viewer startles in a couple of scenes and in the end, it is a reasonable entertainment. The conclusion is predictable. My vote is five.
Title (Brazil): "O Grito" ("The Scream")
"The Grudge" (2020) is a horror movie based on the vengeful spirit from the excellent "Ju-on" (2002) and the American version "The Grudge" (2004). The cinematography is uncomfortable and the viewer startles in a couple of scenes and in the end, it is a reasonable entertainment. The conclusion is predictable. My vote is five.
Title (Brazil): "O Grito" ("The Scream")
Went into this seeing the 4.3 rating and being like aww man it's gonna suck, it's really not that bad, the film does a lot of time jumping around but you can follow it, the story line is mehhh, but theres a lot of scares, cringe moments, anticipation, it's not a 4.3! Watch it alone, late at night with headphones on and you will enjoy!
So this movie is not Ju-On. Not even close to it.
The story places itself in it's universe, it uses it's known sound effect and the idea of the curse. That's all.
Otherwise, you are going to see terrible actors without character. There's is no character arc at all. The story is just a CHEAP (with big letters) ripoff...
It's all about weak jumpscares (you even know when to expect it as they turn the sound off to warn you) and plotholes ofc.
I would not make horror movies as it's not my style, but there was a scene in a wardrobe.. How an Earth did anyone on set thought that it was the right setup?
They missed everything that made Ju-On good and put their amateur thinking into this movie instead.
Not worth the money. (There were 2 people walking out of it.)
Btw, the cinematography, the editing, the acting, the directing (especially) was just awful.
I wouldn't recommend it to anyone even if you liked any of the Grudge movies.
The story places itself in it's universe, it uses it's known sound effect and the idea of the curse. That's all.
Otherwise, you are going to see terrible actors without character. There's is no character arc at all. The story is just a CHEAP (with big letters) ripoff...
It's all about weak jumpscares (you even know when to expect it as they turn the sound off to warn you) and plotholes ofc.
I would not make horror movies as it's not my style, but there was a scene in a wardrobe.. How an Earth did anyone on set thought that it was the right setup?
They missed everything that made Ju-On good and put their amateur thinking into this movie instead.
Not worth the money. (There were 2 people walking out of it.)
Btw, the cinematography, the editing, the acting, the directing (especially) was just awful.
I wouldn't recommend it to anyone even if you liked any of the Grudge movies.
Wusstest du schon
- Wissenswertes(at around 34 mins) Faith Matheson at one point plays peekaboo with Melinda's unseen ghost, an intentional homage to Saito, a man with dementia who played peekaboo with Toshio in Ju-on: The Grudge (2002).
- PatzerActor Demián Bichir has his name spelled wrong on the back of the Blu-ray cover as "Damian Bichir."
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: The Grudge (2020)
- SoundtracksDevil's Daughter
Performed by Laura St. Jude
Written by Laura St. Jude
Courtesy of Bleed101
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- La maldición renace
- Drehorte
- Winnipeg, Manitoba, Kanada(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.221.803 $
- Eröffnungswochenende in den USA und in Kanada
- 11.404.113 $
- 5. Jan. 2020
- Weltweiter Bruttoertrag
- 49.511.319 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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