Grace & Frankie

Though I see where one may feel it's dull or "Flat" as one reviewer called it. It's because this show has a sense of honesty and a realistic charm to make you forget its a show and not something happening to a friend. When something seems real it loses a bit of edge, real isn't sexy (girls wearing black thongs every night sexy/not real, ugly laundry or period panties so not sexy/ oh so real).This gem of a show has Tomlin, Fonda, Sheen and Waterson, Living Legends and they prove it in each scene. The history their characters have in some part feels more authentic do to the history the cast must actually have. Years working in the same industry, on a number of projects together (West Wing, Newsroom, 9 to 5, to name a few). The added connections brought by their children brilliantly played by Raphael, Vaughn, Decker and especially Ethan Embry legitimizes the story because no matter what we do it always effects our kids even if they're grown. The revolving door of great guest stars is that perfect little finishing touch to an already great freshman year. I cant wait for more , it does not help that I too binge watched in one sitting just created a longer wait for my self.

I started out absolutely loving this show, now I am part way through the 5th season and I find myself hating Frankie.. no longer fun and quirky, just unbearably irrational

Brianna is the best part of the show.

I will admit the first episode is kind of "meh." I wasn't thrilled. I mean this was Lily Tomlin and Jane Fonda! It should have been rolling funny.

It wasn't. And the second episode? Well...

But then!! OMGosh!

By the third episode the writers and cast and crew had found their stride and I was in love. So clever! So funny! So sweet! So engaging! Yes, that is a lot of explanation points but I couldn't help it. The show deserves them all.

Lily is simply wonderful as Frankie. I mean I fell in love with her. I want her as my BFF. Fonda was wonderful as well as the uptight Grace. She could have played it as a cliché but I was happy to find myself slowly warming up her as the episodes passed. In other words, Fonda showed up the person beneath the outer shell.

I liked Sheen but was crazy about Waterston playing the men who leave their wives to be with each other.

I wasn't crazy about some of the kids, but that wasn't the actor's faults. They did great. I just didn't find them very likable people. But again that was all right.

For instance is Brooklyn Decker cold as Mallory--but she was a chip off her old mother (Fonda). And Fonda's other daughter, June Diane Raphael as Brianna, is a bit of a bit*h. But again, she was a product of a mother who was never there and very self involved.

I did however love Ethan Embry as Coyote (one of Tomlin's adopted kids). He is a recovering addict of all kinds and my heart went out to him. The only member of the cast that I was cold to was Baron Vaughn as Nwabudike (the other adopted son). I don't want to be mean but he was terrible. He approached his character as if this show were a 70s sitcom and not a Netflix dramedy--his acting over the top. He jolted me out of the story every time.

I really hope this show comes back for a second season. I loved it!

This is a brilliant and timely series. Sheen, Waterston, Fonda, and Tomlin. I'd guess nearly 200 years of combined acting experience. It shows. The writing in this series is witty and attentive to popular culture. It gently picks away at the nonsense in our contemporary lives and exposes the raw human condition. The only thing that eats at me a little is the upper-class white privilege that penetrates throughout. Despite this, the series makes some very real, critical, and timely social commentary. At the very moment that the Supreme Court of the United States debates gay marriage, we have Martin Sheen and Sam Waterston - two very straight and very accomplished actors - kissing on the screen.

Having met Jane Fonda, Lilly Tomlin, and Martin Sheen, I can tell you that these actors care deeply about their work and the role it plays in advancing social justice.

Sadly, many will critique this show along political lines - whether they support equal rights or not. Watch it for yourself, it's good TV.

I will always love Lily Tomlin. I always enjoyed Jane Fonda in her youthful movie star mode, but since she came out of retirement, she elevates everything she's in. I think she was the primary reason I kept watching Newsroom for three seasons. I kept waiting for her every appearance. In Grace and Frankie, Tomlin and Fonda have to overcome a rather unbelievable situation--that is to face the fact that they husbands they have been married to for over forty years have somehow falling in love and intend to marry each other. Relegated to a kind of "Odd Couple" status, they end up living in a Malibu beach house their husbands bought years earlier. Each couple used the house on separate weekends. Now Grace and Frankie have to pick up the shattered pieces of their lives and move on. Jane Fonda as Grace is at her brittle comedic best. She delivers in spades, looks stunning in her latish 70s and plays off Lily Tomlin's hippy-esque character with spunk and funny nerve. Grace has to face the fact that she's an uptight, judgmental pain in the ass. And Tomlin's Frankie is just the person to remind her over and over again. The scripts are tightly funny. The interplay between the two ex-couples is expert. Sam Waterston and Martin Sheen have nearly thankless roles as the two spouses who dump their wives, but they handle the dialog ad the romantic banter with dignity. But let's face it, you're waiting for Grace and Frankie to spark off each other. It's not the kind of laugh-out-loud absurdest insults The Golden Girls hurled at each other with such glee, but the humor is key here. There is is just enough drama to remind us of the absurdity of life. I couldn't wait to watch this show when it was announced. Fonda and Tomlin were terrific with Dolly Parton in Nine to Five, but they are even better here. This is a terrific show. I'll stick around as long as these two glorious stars are here to make us laugh and cry.