James und Danielle treffen sich im Urlaub und verlieben sich. Sie begibt sich auf den dunklen Grund des Nordatlantiks, um das Leben zu finden. Er reist nach Somalia, um einen Terroristen zu ... Alles lesenJames und Danielle treffen sich im Urlaub und verlieben sich. Sie begibt sich auf den dunklen Grund des Nordatlantiks, um das Leben zu finden. Er reist nach Somalia, um einen Terroristen zu finden, bekommt aber eine dunkle Zelle.James und Danielle treffen sich im Urlaub und verlieben sich. Sie begibt sich auf den dunklen Grund des Nordatlantiks, um das Leben zu finden. Er reist nach Somalia, um einen Terroristen zu finden, bekommt aber eine dunkle Zelle.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
- Étienne
- (as Loïc Corbery de la Comédie Française)
Empfohlene Bewertungen
The first half of the film is basically just Alicia Vikander and James McAvoy on the screen against a really beautiful background. The two leads are beautiful, and the scenery is astounding. The second half takes a turn and have no relationship whatsoever with the first half. The second half just drags on. Overall, the story is really boring. It is unfortunate that the filmmakers have concentrated on beautiful visuals and cinematography, at the expense of a plot.
What wasn't at all believable was the script. Oh looordy, lord, there's some bad lines in there. Everything drowned in pointless talks about the ocean and suuuure it's an analogy and all, but yeezus give it a rest, will ya? The story isn't really there. It could have been an epic love story, but it's not - though that's not the actor's fault. Vikander and McAvoy give it everything they have to deliver those at times painful lines.
If you love everything else Vikander has done, you'll probably like this one as well. The male gaze is all over her, and it truly works.
The cinematography for this film is absolutely spectacular and almost worth the time just because of that (almost).
I didn't really mind this lack of overall consistency. There is the first part which is the long, full-fledged love arc in the vacation village. There are some cheesy dialogues and mood music that are reminiscent of weekdays afternoon TV movies but the important cast and the thematic around their characters' jobs (MI6 agent an oceanographer) gave me enough goodwill to care and find some sort of chemistry in their relationship. The second part alternates between him being a prisoner of IS and her going to her day-to-day oceanographic research (before the final dive). Again, it's quite superficial and nothing really stands out, but it's followable. There are nice shots of the sea and of the submarine.
On the technical side the sound mixing was bad and it was hard to understand the dialogues over the background sounds. Some of the framing was awkward, again evocative of TV movies. I watched it without minding, and went on with my life. I've seen way worse and endured way more boredom in films that are considered way better.
Wusstest du schon
- WissenswertesThe location in the Faroe Islands Is not Eidi but Bour.
- Zitate
James More: Death. It gets very real when you're watching somebody die in front of you. You're thinking, is this all I am? Is this all I added up to? And all the clichés are true. You're thinking, why now? Why did it have to be... this happen, before I realize what life truly is? It's direct, it's immediate, and it's their whole life exposed to you.
Danielle Flinders: Did you think about your own death a lot?
James More: I did, and I do.
Danielle Flinders: I've heard people telling me that they've had those exact same thoughts when they fell in love.
James More: No, you don't die when you fall in love.
- VerbindungenReferences Atalante (1934)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Submergence
- Drehorte
- Färöer Inseln(Eiði)
- Produktionsfirmen
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Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 851.960 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1