Trapped - Gefangen in Island

The murder drama set is an isolated small town is a well-worn trope, really just an extended version of the locked room mystery, or the country house killing. But when the small town is in northern Iceland, that's an unusually claustrophobic setting and 'Trapped' uses its location perfectly. When the winter storms come in, you feel cold just watching; when the thaw comes, it feels visibly warmer. The stunning scenery is also used to good effect, not least during the chilling opening credits. What I also liked about this story was that, although bad things were done, the motives (and competencies) of those involved are ultimately revealed to be fit to the scale of the world in which they have happened: the story doesn't ultimately depend on some deranged force of pure evil, or inter-galactic conspiracy. The sense of mutual hurt felt in a place where everybody knows everybody else, even if they sure don't all like one another, is also well conveyed. Perhaps there's just a little too much of taciturn people being gloomy in the dark for a perfect drama: it takes time to get to know the protagonists, although perhaps that's just the Icelandic way. Overall, it's very good, and makes one keen to return to Iceland, though probably I'll choose the summer season.

The lead character is engaging and you'll feel for him. Right from his hair to the way he walks to the way he dresses is all so real. And so is his life. The world created is so lovely you'd want to keep going back. Thoroughly enjoying it.

Very much in the dark, foreboding style of Scandinavian police process fiction, Trapped is beautifully produced and acted with realistic characters and enough pot-boiling clues to keep the audience on the edge of its seat. A wonderful setting and the drama of a big storm accentuates the claustrophobic community and gives the crime element a grimness and urgency. The local police chief, Andri, is the focus of the story and his acting is exemplary. Simply enjoyable! Supporting characters, the two other local uniformed police officers, the ferry captain and the Rekyavik cast all contribute to a very watchable and dramatic series. Television at its best, flavoured with an Icelandic blackness provided by the climate and the terrain.

Like a lot of people, I started watching Trapped because of the novelty of seeing a show made in Iceland. But when I finished the series, I had to admit: it's as good as the very best cop/mystery shows out of the UK, or anywhere else.

Trapped has several things going for it:

* The location, and the (icy-cold) atmosphere. What a great concept: a horrible murder, and all the suspects snowed-in in a tiny Icelandic town. (It reminded me of the excellent horror-adventure, 30 Days of Night.)

* The characters. The creators of this show must have used every top actor in Iceland, and even then they had to borrow some. But every role is beautifully played, and intelligently written. Every person depicted in this series has a believable personality, and even the villains remain believable and sympathetic.

* The plot. Unlike so many mysteries, Trapped is resolved in a totally plausible way. There are no lapses in logic, no improbable contrivances. Just human greed and stupidity, playing out in the way you'd expect. This is what really wins that 10/10 rating from me. Very few TV mysteries manage to come up with a really credible plot.

Trapped works perfectly on every level: as adventure, drama and mystery. Bear up with the subtitles (or brush up your Icelandic), and see this show as soon as possible. And join me in hoping that its creators have a lot more like it in store.

If you look for one of the most accomplished police drama series search no further. Excellent writing, photography and acting. You'll be immersed in a small Icelandic town where a series of crimes (murders included) need to be solved. Top notch realism. It's awesome how easily you can fall in love with well built/developed characters even if they're not good looking, dysfunctional, exceptionally smart or heroic: just normal. It's even more awesome you can fall in love with a well written police drama even if no child was killed, no supernatural stuff is hinted as possibly present, no worldwide conspiracy menaces mankind, no criminal mastermind always wins. It's a good lesson for all those creators modeling their products on a dumb target audience: you don't need to. There's already youtube and Hollywood and special effects and cartoons for that: if you write series, do it well.