Zwei Geschwister ängstigen sich bei einem Besuch in den Ferien immer mehr vor dem verstörenden Verhalten ihrer Großeltern.Zwei Geschwister ängstigen sich bei einem Besuch in den Ferien immer mehr vor dem verstörenden Verhalten ihrer Großeltern.Zwei Geschwister ängstigen sich bei einem Besuch in den Ferien immer mehr vor dem verstörenden Verhalten ihrer Großeltern.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 14 Nominierungen insgesamt
Erica Lynne Arden
- Train Passenger
- (Nicht genannt)
Kevin Austra
- Street Walker
- (Nicht genannt)
Richard Barlow
- Police Officer
- (Nicht genannt)
John Buscemi
- Police Officer
- (Nicht genannt)
Evan Charles
- Surfer
- (Nicht genannt)
Empfohlene Bewertungen
In my opinion it's not even half as bad as people say it is. The movie is first of all entertaining which is one of the reasons why you would watch it? But also it is well made. The plot is very good and as far as i know original. The way it was filmed was great, any other way wouldn't be the same. I thought the director of this movie was great before and my opinion def didn't change after seeing this one. The acting was good. It says that it's a comedy/horror, you cant really expect to get scared in it like some people complain about. I wouldn't recommend it to a friend but it's worth the watch if you have spare time and don't know what to do with it.
The Good: The most surprising thing about this movie was how it uniquely found a way to be scary, but still include funny moments throughout the film. It knew when to be funny, and when to be scary, without mixing the two together. The scary parts will provide quite a few jump- scares, and in some scenes they will simply disturb you. The young boy, "Tyler" (played by Ed Oxenbould ), will quickly become a favorite in this film with his various remarks, "swearing", and "skills". I think it's fair to say that "Nana", played by Deanna Dunagan, does a really good job of playing the crazy grandma given all the versatile things she did in the movie. For some, the plot twist in the story will be mild, but good nevertheless.
The Bad: As we've come to know from director M. Night Shyamalan (The 6th Sense, Signs), the "big twist" is to be expected. Because of that, if you're an over-analyzer of movies like me, you'll probably see the twist coming from a mile away. So in that aspect, the story is mildly predictable. (That doesn't ruin the movie though) Many of the scary scenes you'll see coming, and for the most part are not terrifying to the point that will give you nightmares. It's very generic horror and scare tactics that we've seen before.
The Reason: Okay, so here's the real deal about this movie. M. Night Shyamalan is known for having a really bad reputation for putting out movies like Lady in the Water, The Village, The Happening, and others. He started off great with The 6th Sense and Signs, but since then, audiences have been generally disappointed. Luckily for The Visit, this movie was not one of his bad films. It was disturbingly funny and scary at the same time. This film is like his "makeup movie" to audiences. For example, in a relationship, if a guy messes up and constantly disappoints his girlfriend, he may give her flowers as an apology. Now the girlfriend may like the flowers, but that doesn't mean the boyfriend is completely forgiven. Shyamalan is in the same boat. The Visit is his "flowers" to audiences. We'll take it, but he's still got a lot more work to do to make up for all the other not-so-great movies he's given us.
Take caution if you decide to see it. It's a unique movie. Not a Hollywood blockbuster by any means, but I wouldn't be surprised if many would enjoy it. To see this movie I recommend: Go in with low expectations, pay the matinée price, and go with a friend or date. (You'll want to talk about it afterwards)
The Rating: 7/10
For more of my reviews visit: www.EmansMovieReviews.com
The Bad: As we've come to know from director M. Night Shyamalan (The 6th Sense, Signs), the "big twist" is to be expected. Because of that, if you're an over-analyzer of movies like me, you'll probably see the twist coming from a mile away. So in that aspect, the story is mildly predictable. (That doesn't ruin the movie though) Many of the scary scenes you'll see coming, and for the most part are not terrifying to the point that will give you nightmares. It's very generic horror and scare tactics that we've seen before.
The Reason: Okay, so here's the real deal about this movie. M. Night Shyamalan is known for having a really bad reputation for putting out movies like Lady in the Water, The Village, The Happening, and others. He started off great with The 6th Sense and Signs, but since then, audiences have been generally disappointed. Luckily for The Visit, this movie was not one of his bad films. It was disturbingly funny and scary at the same time. This film is like his "makeup movie" to audiences. For example, in a relationship, if a guy messes up and constantly disappoints his girlfriend, he may give her flowers as an apology. Now the girlfriend may like the flowers, but that doesn't mean the boyfriend is completely forgiven. Shyamalan is in the same boat. The Visit is his "flowers" to audiences. We'll take it, but he's still got a lot more work to do to make up for all the other not-so-great movies he's given us.
Take caution if you decide to see it. It's a unique movie. Not a Hollywood blockbuster by any means, but I wouldn't be surprised if many would enjoy it. To see this movie I recommend: Go in with low expectations, pay the matinée price, and go with a friend or date. (You'll want to talk about it afterwards)
The Rating: 7/10
For more of my reviews visit: www.EmansMovieReviews.com
After having spent years squandering the studio money & garnering the wrath of film critics in his past few outings, M. Night Shyamalan takes a break from big-budget productions and decides to return to small-scale projects constrained by shoestring budget in an attempt to rediscover his creative side and with his latest feature, I'd say he has found it.
The Visit tells the story of two siblings who decide to spend a week with their grandparents at their farmhouse while their mother is planning a vacation with her current boyfriend. The two kids, having never met their grandparents in person before, find their company strange at first but as the days pass, they discover a deeply disturbing secret about their hosts.
Written & directed by M. Night Shyamalan, The Visit finds the director away from all sort of studio involvement, thus allowing him to rely on his creativity to overcome the restrictions imposed by its low budget and he does a really good job at it. The film makes use of all his trademarks and successfully blends different genres & shooting techniques into one solidly crafted thriller.
Shyamalan's screenplay isn't bad either. The plot is quite simple, the number of characters are kept to a minimum and all have relevant roles to play in the outcome and it's effectively brought to life on the film canvas. The found-footage camera-work is nicely carried out and its tight editing only helps in establishing an increasingly tense & suspenseful atmosphere, which is brilliantly sustained till the end.
The expected Shyamalan twist is also there, following which the movie becomes somewhat predictable and the pay-off isn't much rewarding. The performances are a definitely plus for the kids waste no time in becoming a nuisance, especially that 13-year old rapping douche, but it's actually their grandparents who leave the most lasting impressions with their eerie renditions, which only gets more menacing as the story nears its end.
On an overall scale, The Visit is a welcome return to form for M. Night Shyamalan after his lengthy string of critical & commercial failures and is a strange mix of horror & comedy that is able to balance the elements of both genres quite nicely. It does create a friction at times but for the most part, the narration is smooth. The few bad decisions taken in the picture lie within the characterisation range and as a whole, The Visit succeeds in delivering a thrilling movie experience, that comes loaded with odd laughs in between.
The Visit tells the story of two siblings who decide to spend a week with their grandparents at their farmhouse while their mother is planning a vacation with her current boyfriend. The two kids, having never met their grandparents in person before, find their company strange at first but as the days pass, they discover a deeply disturbing secret about their hosts.
Written & directed by M. Night Shyamalan, The Visit finds the director away from all sort of studio involvement, thus allowing him to rely on his creativity to overcome the restrictions imposed by its low budget and he does a really good job at it. The film makes use of all his trademarks and successfully blends different genres & shooting techniques into one solidly crafted thriller.
Shyamalan's screenplay isn't bad either. The plot is quite simple, the number of characters are kept to a minimum and all have relevant roles to play in the outcome and it's effectively brought to life on the film canvas. The found-footage camera-work is nicely carried out and its tight editing only helps in establishing an increasingly tense & suspenseful atmosphere, which is brilliantly sustained till the end.
The expected Shyamalan twist is also there, following which the movie becomes somewhat predictable and the pay-off isn't much rewarding. The performances are a definitely plus for the kids waste no time in becoming a nuisance, especially that 13-year old rapping douche, but it's actually their grandparents who leave the most lasting impressions with their eerie renditions, which only gets more menacing as the story nears its end.
On an overall scale, The Visit is a welcome return to form for M. Night Shyamalan after his lengthy string of critical & commercial failures and is a strange mix of horror & comedy that is able to balance the elements of both genres quite nicely. It does create a friction at times but for the most part, the narration is smooth. The few bad decisions taken in the picture lie within the characterisation range and as a whole, The Visit succeeds in delivering a thrilling movie experience, that comes loaded with odd laughs in between.
This is Shayamalan's second film after the Last Airbender fiasco. It's a return to his light horror and small, contained story roots. The acting and script were good, and combined with the hand-held mockumentary conceit it felt very real. If you like Shayamalan movies and scary movies about crazy old people, give it a try.
It's hard to talk about any M. Night films these days without discussing his career trajectory, how he started off incredibly strong with a triple knockout of The Sixth Sense, Unbreakable, and Signs, only to have his potential squandered, or at least questioned, with films like The Happening, The Last Airbender, and After Earth. As a fan of Shyamalan myself, even I had to admit that he may have lost his luster. With that being said, I'm overjoyed and elated to say that The Visit is Shyamalan's best film since The Village over 10 years ago (my personal favorite). And it's not so bad it's good. The Visit is a legitimately good film, with great performances, terrific setups and even better payoffs, and an overall simple but satisfying story, which is all Shyamalan needs right now.
It's difficult to say much about the story without revealing too much, because The Visit is essentially the type of film where it's better the less you know going in. It's not to say the film is filled with plot twists left and right, but how cleverly it subverts expectations, especially based on the film's misleading marketing campaign. Let this be known: The Visit is a horror AND comedy. It's downright hilarious (intentionally so) during a majority of the film but also equally scary and creepy, which is what M. Night is known for. I was laughing hysterically and screaming, sometimes at the same time! The success of the film is how effectively it jumps in between the two genres and frequently on the dime. The third act showcases this in the best possible way and in full Shyamalan fashion.
Though there are plenty of laughs and screams to be had, The Visit is also filled with surprising moments of drama. There are, at the very least, three genuinely beautiful scenes. One of those involves a zoom in of a certain character, and it's utterly heartbreaking. Credit must be given to Shyamalan who manages to get great performances from his actors, a welcome change after the stilted and wooden performances in his last few films. Olivia DeJonge and Ed Oxenbould play the leads, and they're completely likable in their roles. Oxenbould, in particular, steals every scene he's in, providing many of the film's biggest laughs. Seriously, the jokes in here are funnier than most comedies released these days. Deanna Dunagan and Peter McRobbie are also rightfully creepy as the kids' offbeat grandparents. Last but not least, Kathryn Hahn leaves a great impression, despite the limited screen time she has. She's truly wonderful here.
Overall, The Visit is ridiculously entertaining and a total crowd pleaser. It's the film we were all hoping for Shyamalan to make to get him out of the slump. No, it's not as great as his first four films, but it's a step towards the right direction. Recently, it's been revealed that he'll reunite with producer Jason Blum and Joaquin Phoenix for a new project. If it's another low budget feature like The Visit, which it most likely will be, we might be witnessing an era of Shyamalascance. After all, going back to basics is his greatest asset right now. Who says horror/comedy can't work?
UPDATE: The film is even better the second time around, and I noticed a lot of details I missed during the first viewing. There's even clever meta humor sprinkled throughout that might not be apparent at first. Additionally, I'd like to put a spotlight on Deanna Dunagan, who I didn't give enough credit to beforehand. She was fantastic. How great and fulfilling it is for an actress her age to have a role that is complicated and complex as is the character of Nana, to be sweet and motherly in one scene only to switch (convincingly) to creepy and insane the next. In one especially dramatic scene, you will even ache for her. Only if you stop to think will you notice the many layers Dunagan has to play with, and for that reason, she should be praised.
It's difficult to say much about the story without revealing too much, because The Visit is essentially the type of film where it's better the less you know going in. It's not to say the film is filled with plot twists left and right, but how cleverly it subverts expectations, especially based on the film's misleading marketing campaign. Let this be known: The Visit is a horror AND comedy. It's downright hilarious (intentionally so) during a majority of the film but also equally scary and creepy, which is what M. Night is known for. I was laughing hysterically and screaming, sometimes at the same time! The success of the film is how effectively it jumps in between the two genres and frequently on the dime. The third act showcases this in the best possible way and in full Shyamalan fashion.
Though there are plenty of laughs and screams to be had, The Visit is also filled with surprising moments of drama. There are, at the very least, three genuinely beautiful scenes. One of those involves a zoom in of a certain character, and it's utterly heartbreaking. Credit must be given to Shyamalan who manages to get great performances from his actors, a welcome change after the stilted and wooden performances in his last few films. Olivia DeJonge and Ed Oxenbould play the leads, and they're completely likable in their roles. Oxenbould, in particular, steals every scene he's in, providing many of the film's biggest laughs. Seriously, the jokes in here are funnier than most comedies released these days. Deanna Dunagan and Peter McRobbie are also rightfully creepy as the kids' offbeat grandparents. Last but not least, Kathryn Hahn leaves a great impression, despite the limited screen time she has. She's truly wonderful here.
Overall, The Visit is ridiculously entertaining and a total crowd pleaser. It's the film we were all hoping for Shyamalan to make to get him out of the slump. No, it's not as great as his first four films, but it's a step towards the right direction. Recently, it's been revealed that he'll reunite with producer Jason Blum and Joaquin Phoenix for a new project. If it's another low budget feature like The Visit, which it most likely will be, we might be witnessing an era of Shyamalascance. After all, going back to basics is his greatest asset right now. Who says horror/comedy can't work?
UPDATE: The film is even better the second time around, and I noticed a lot of details I missed during the first viewing. There's even clever meta humor sprinkled throughout that might not be apparent at first. Additionally, I'd like to put a spotlight on Deanna Dunagan, who I didn't give enough credit to beforehand. She was fantastic. How great and fulfilling it is for an actress her age to have a role that is complicated and complex as is the character of Nana, to be sweet and motherly in one scene only to switch (convincingly) to creepy and insane the next. In one especially dramatic scene, you will even ache for her. Only if you stop to think will you notice the many layers Dunagan has to play with, and for that reason, she should be praised.
Wusstest du schon
- WissenswertesAccording to statements made on Twitter, director M. Night Shyamalan prepared three different cuts of the film: one that was "pure comedy," another that was "pure horror," and a final one that "fell somewhere in between."
- PatzerThe amount of snow covering the landscape varies dramatically from day to day and even between scenes taking place on the same day.
- Alternative VersionenIn the FX broadcast, to keep the TV-14 rating, the defecation featured in the movie are censored. In addition, two scenes involving nudity is blurred out.
- SoundtracksPossession
Written by Harry Revel
Performed by Les Baxter and His Orchestra and Chorus
[Theremin - Dr. Samuel Hoffman]
Courtesy of RCA Records
By arrangement with Sony Music Licensing
Top-Auswahl
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- How long is The Visit?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Los huéspedes
- Drehorte
- 3049 Merlin Road, Chester Springs, Pennsylvania, USA(Exterior House)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 65.206.105 $
- Eröffnungswochenende in den USA und in Kanada
- 25.427.560 $
- 13. Sept. 2015
- Weltweiter Bruttoertrag
- 98.450.062 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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