Captain Fantastic: Einmal Wildnis und zurück

Very well crafted and acted film. And it's just short of a masterpiece. But most reviewers here missed the obvious: Ben is a totalitarian monster.

Kielyr explains the movie to us when forced by her dad to explicate Lolita. And Ben finally sees it himself in the end: "It was a beautiful mistake."

Mortensen plays Ben, A father of six children, whose wife suffers from mental illness and Ben thought it would be good for her and the kids to live out in the wild, living off the land and tossing the rules of our society out the window. However, Ben's wife did not get better. Captain Fantastic mostly focuses on the children. On a road trip towards their mother's funeral, they get a culture clash with the rest of the world. It lays out all the info for the question of weather these kids were raised right or raise wrong. Captain Fantastic starts off showing you the children's lifestyle, were organic met growing and hunting your own food and made their own clothes and were home schooled. Then they come into society where everyone looks at them as if they are freaks, but why is it weird that these kids don't know the name brand of sneakers? The look on their faces when they experienced Street Fighter for the first time makes sense when your not use to such things. Besides, it's a shame on our Society that an 8 year old can comprehend the Bill of Rights better than those older than her. Watching these kids tackle the woods than watching them adapt to society was a bit of an eye opener. Some times the movie punches you in the gut, like when the talk about religious "organizations" and how Fat everyone in the city seems to be, but the blow is softer cause it's coming from children. But Captain Fantastic is not all one sided, detailing some down qualities of living in the wild , like the eldest son's overzealous first encounter with the opposite sex or the fact that It was the parents choice to live out in the woods, not the child's. Mortensen played the part well of a man who sometimes got too clouded by his beliefs of doing the right thing by his family and who sometimes went to far to prove a point. Also like Frank Langella's character, the father who just lost his daughter and blames his son-in-law. It's was good cause you really know people like the character he plays. Steve Zahn and Kathryn Hahn were also terrific in the movie playing yin to Ben's yang, as parents who don't fully see eye to eye with what he's doing. Overall, everyone has a upbringing different from everyone else and Captain Fantastic takes that statement to a different level, but at it's core, he's just a parent who loves his children and is trying to do the best he can in a difficult time. This theme radiates from Mortensen and the rest of the cast, which is what makes it so Fantastic.

"Captain Fantastic" (2016 release; 119 min.) brings the story of Ben and his 6 kids. As the movie opens, we are looking onto the breath-taking landscapes of western Washington. The camera then zooms in on a deer, and before we know it, the deer is killed by a brutal knifing (with audible gasps in the theater audience). It turns out to be Ben's oldest son. Ben exclaims proudly "today a boy is dead, in his place is a man!". We get to know Ben and the 6 kids, ranging from 17 to about 7 or 8 in age, as they live completely off the grid. As we wonder "where is Ben's wife/the mom?", we learn that Leslie is in the hospital due to bipolar disorder. One day Ben drives into town to call the hospital to see how Leslie is doing... At this point we're not event 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the second feature length from actor/writer/director Matt Ross, who previously directed the under the radar "28 Hotel Rooms". Here he brings something completely different, and a social experiment at that: what if you raise a family completely off the grid, in a utopian but clear anti-capitalistic setting, without any interaction with the "real" world, and what would happen if at one point those children are forced to confront the "real" world. Fascinating idea, and one that Ross examines quite nicely. The movie excels even more due to the performance of Viggo Mortensen, which is out of this world, but truth be told: the six kids are quite outstanding as well. The movie is pretty much perfect for the first 90 min., but then struggles to come to a reasonable conclusion, regretfully. There is also an outstanding score for this movie, courtesy of Alex Somers and performed by Somers and Jonsi (of Sigur Ros). Apart from the score, there are a number of other good song placements throughout the movie (but not Elton John's "Captain Fantastic and the Brown Dirt Cowboy", if you were wondering). Can't wait to check out the soundtrack.

"Captain Fantastic" won Matt Ross the best director award in the "Un Certain Regard" showing at the Cannes Film Festival in May. The movie finally opened at my local art-house theater here in Cincinnati and I couldn't wait to see it. The Saturday early evening screening where I saw this at was attended very nicely, I am happy to say. It seems that, other than the gasps in the opening scene of the movie, the audience really enjoyed the movie. I know I did. If you are interested in a very solid family drama with a unique social experiment, you cannot go wrong with this, be it in the theater, on VOD or eventually on DVD/Blu-ray. "Captain Fantastic" is HIGHLY RECOMMENDED!

"I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived." Henry David Thoreau

I just happen to be reading Henry David Thoreau's book Walden for a philosophy club. When I saw this trailer I told myself I had to see this before it left my city. The similarity between the book Walden and this film are pretty high. With similar topics of arguments against commercialism and full industrialism. Then throw on top a yearning for spiritual truth and self-reliance. Still, this isn't just a stick your middle finger at the system film. It's way more than that.

Matt Ross has an interesting meditation on what it means to live outside society in America. He shows a couple reasons why someone would do this and show the pros and cons in a very interesting way. The views evolve as the story moves on. Such is life eh?

Viggo Mortensen acting is amazing in this role. With that said, don't overlook Jack (Frank Langella) acting in the film. For a good portion of the film, we only see the point of view from the family and mostly Ben (Viggo Mortensen) at that. But later in the film, you see Jack's motives too. I can see why he acted the way he did and I may have done this same if I was in his spot too.

Bo (George MacKay) gets a couple good scenes too. It's great to see him fumble through interactions throughout the film and to discover what he wants out of adult life. This may or may not conflict with what his dad wants.

I highly recommend this film and can't wait to see what Matt Ross does in the future. If this film comes to your town do yourself a favour and see it. Clever films are rare and need to be supported.

Greetings again from the darkness. There seems to be no end to the theories on how to be an effective parent and raise kids who are productive, well-adjusted and successful. Writer/director Matt Ross offers up a creative, entertaining and thought-provoking story of one family's unconventional approach in a world that seems to expect and accept only the conventional.

We are first introduced to Ben (Viggo Mortensen) and his six kids as they are stalking a deer while deep in the Pacific Northwest forest … only this isn't your buddy's weekend deer hunting trip. Each family member is covered head-to-toe in mud and other means of camouflage, and the oldest son Bodevan (George MacKay) takes the lead with his knife in what is presented as a rite of passage into manhood.

The family carries out a daily ritual that includes extreme physical conditioning, lessons on survival and living off the land, and advanced education that includes reading such diverse material as Dostoevsky and Lolita. Each evening is capped off with an impromptu musical jam. It's evident that self-sufficiency, intelligence and family loyalty are crucial to Ben's approach … an approach that is challenged when circumstances require the family board their Partridge Family bus (named Steve) and take a cross-country road trip into a civilization that doesn't know what to make of them (and vice-versa).

The film is jam-packed with social commentary on education, parenting, societal norms, societal influences, and even grief. Who gets to decide what is best for a family or what's the best method for education? Sometimes the dysfunctional family isn't so easy to identify. Director Ross proves this in a gem of a dinner table scene as Ben and the kids visit Kathryn Hahn, Steve Zahn and their two sons in suburbia.

In addition to the terrific performance by up-and-comer George MacKay, the other actors playing the kids are all very strong and believable: Samantha Isler as Kieyler, Annalise Basso as Vespyr, Nicholas Hamilton as Rellian, Shree Crooks as Zaja, and Charlie Shotwell as Nai. Screen vets Frank Langella and Ann Dowd bring presence to the role of their grandparents and provide the greatest contrast to the off-the-grid existence of the kids.

Viggo Mortensen truly shines here and gives a performance full of grace and depth as he displays many emotions (some of which aren't so pleasant). He even goes full-Viggo for one of the film's many humorous moments … though the comedy is balanced by plenty of full scale drama. His best work comes in the scenes when he begins to question that there may be some flaws in his plan … the moments of self-realization are stunning.

Many will note some similarities between this film and Little Miss Sunshine (2006), though this one carries quite a bit more heft. It's beautifully photographed by cinematographer Stephane Fontaine (A Prophet, Rust and Bone) and captures the danger and solitude of the forest, while also capturing the more personal family dynamics. It's a film that should generate plenty of discussion, and one of the questions is … will Noam Chomsky Day ever match Festivus in popularity?