Füge eine Handlung in deiner Sprache hinzuA teenage delinquent orphan rebels against her evil family during a global virus outbreak.A teenage delinquent orphan rebels against her evil family during a global virus outbreak.A teenage delinquent orphan rebels against her evil family during a global virus outbreak.
Allisyn Snyder
- Aimy Micry
- (as Allisyn Ashley Arm)
Charlie Tacker
- Kenneth
- (as a different name)
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The costumes, set design, music, and acting are all superb. The film has themes of abuse, alienation, gaslighting. It's about the end of the world. Millions die while they're trapped in quarantine. We don't know who to root for after a while because everyone is the victim of everyone. The movie attempts to find the gray area in every extreme situation. At the same time there is a feeling like judge TV shows or wrestling shows that it's pure crazy fun.
I will be looking for more of Allisyn in future movies though. I did like the dancing through the movie. It gave me the feel of Alice in Wonderland. I cant say that I liked much of the movie though. The lighting was surreal. There was just way too much screaming through the whole movie. It really just gave me a headache by the end.
"Aimy Micry, a teenage orphan and delinquent, rebels against her family against the backdrop of a global plague outbreak." After watching a few minutes of it, I realized it was a pretty good story. I liked the music a lot, too. Every character in this thing is weird as hell and the situations are outrageous! I thought it was a ton of fun. I love the whimsical nature of this movie. It is one trippy experience.
Odd. Crazy. Confusing. But I had to keep watching to see what it was all about. I didn't skip anything and I watched into the credits. I have no idea. The performances were good. I've seen the odd obscure experimental theatre production (usually after a couple of beers) and this was in that realm. It was strangely enjoyable.
I can imagine Aimy in a Cage causing great distress to a casual audience during screenings. Not so much for the content, as it's artistic and experimental form. I pity those who don't have the imagination or capacity to dream of cinema outside of a prescribed copy & paste format. There is a lot owed to Tim Burton - with the colored lighting, gaudy sets, costumes and props reminiscent of Burton's earlier works. The theme of being a repugnant and excluded artist is also present throughout. I saw the film as a subverted allegory for a girl struggling with an eating disorder, but who knows. Like the best surrealist cinema, the film flows subconsciously, like coming in-and-out of deep sleep. The cuts don't necessarily match and the audio isn't always synced, but it only adds to the orchestrated chaos of the film. Intentionally or not, I found the film hilarious in parts, especially scenes involving the Grandmother or Crispin Glover. Unfortunately, the narrative does fall-apart around the 50-minute mark (somewhat amusing in itself) as the cast shrinks downs to a trio. No doubt due to budget constraints. Still, I commend the filmmakers for creating this nightmarish fairytale, experimenting with cinema as an art-form. Which - lets face it, in recent times has reverted to being spoon-fed warm diarrhoea by major corporations.
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- WissenswertesCrispin Glover was given a frame and outline for his character and filled in the rest via improvisation. Hooroo Jackson likened his casting in the film to 'having his own Picasso.'
- VerbindungenReferenced in The 'Weird Al' Phabet (2016)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Amy in a Cage
- Drehorte
- Charlestown, Massachusetts, USA(The Micry Household)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 19 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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