Matogrosso

Jesuíta Barbosa delivers a phenomenal performance. I really enjoyed his acting and the overall work of the film. There were moments when I felt a bit lost, but the musical performances brought me back. The cinematography, editing, and technical aspects were all very well done, but the real standout here is Jesuíta.

The storytelling could have been a bit better, but I believe it was the intention of the Director and Ney Matogrosso himself, which I respect as a viewer.

I'm not one for comparisons, but I enjoyed it more than "Bohemian Rhapsody".

Please give the World Cup to Jesuíta Barbosa, he deserves it. Thank you, Brazil.

Homem com H is one of those films that doesn't just tell a story - it lives inside it. Elegantly and bravely directed by Esmir Filho, the movie dives into the essence of Ney Matogrosso, delivering a visual, musical, and emotionally powerful experience.

From the very first moments, the narrative shows great care: the film has no unnecessary pauses or dragging scenes. On the contrary - each moment pulses with energy, echoing the restless and rebellious rhythm that has always defined Ney. This is a biopic that avoids clichés, choosing instead a more artistic, performative, and poetic path. In this sense, Azul Serra's cinematography deserves special praise: it not only captures concerts and behind-the-scenes moments beautifully but turns them into living canvases of expression and resistance.

The standout, however, is Jesuíta Barbosa's performance. He doesn't imitate Ney - he becomes him. From body language to his soft yet firm voice, from the stage presence to intimate silences, Jesuíta conveys the raw and delicate strength of one of Brazil's greatest artists. His portrayal is undoubtedly one of the most powerful in recent Brazilian cinema.

The film succeeds in portraying Ney's public and private persona with sensitivity, especially his courageous stance during Brazil's military dictatorship. It's moving to see how Ney, through art and sensuality, challenged censorship, repression, and prejudice during such a fearful time.

That said, some aspects could have been explored in greater depth. Ney's relationship with Marco de Maria, for instance, is briefly mentioned but underdeveloped - the same goes for his connection with Cazuza and the impact of the HIV/AIDS epidemic, which deeply affected his artistic generation. These are glimpses that deserved more time and emotional depth.

Still, Homem com H is a necessary film - for fans, for those unfamiliar with Ney, and especially for a country still in need of revisiting its wounds and recognizing its symbols of freedom. Ney Matogrosso was - and is - one of those symbols. And here, his story receives the tribute it deserves: visceral, intense, artistic, and true.

From its opening shot it's clear 'Homem com H' isn't your average biopic. Lush cinematography sweeps us from the misty Atlantic Forest to the tropicalist explosion of the 1970s, bathing every frame in dreamlike light. The costumes-a hypnotic parade of feathers, leather, and sequins-recreate the era without feeling like a fancy-dress museum.

The film's greatest triumph is its performances. Jesuíta Barbosa doesn't merely imitate Ney Matogrosso; he embodies him with raw, magnetic energy, balancing vulnerability and creative fury.

Director Esmir Filho embraces sensuality without ever sliding into cheap provocation. The hotter scenes are choreographed with tenderness and tact, turning eroticism into a celebration of artistic freedom rather than an easy shock. The script leaps across decades, stitched together by musical numbers that serve as emotional portals; occasionally it trades biographical depth for momentum, yet it never loses its rhythm or exuberance.

Ultimately, 'Homem com H' is cinema that pulses-joyful, intense, sensual, and defiantly liberating. One of Brazil's most memorable films of 2025, it leaves you stepping out of the theater with Ney's music in your head. Unmissable.

It's not easy to create a biopic without clichés and i believe that this movie was able to tell the history of Ney Matogrosso with verve, soul and energy of this great artist. The direction, script, soundtrack, interpretation, edition, every detail of the movie contribute to the film achievement, with a great result. Maybe Homem com H be the best biopic made in Brazil and deserve to be seen in other countries. I hope for its success, here and abroad. Jesuíta Barbosa is impressive as the main character and the others actors are great. The movie is a emocional journey to the heart of a unique human being.

The film reveals Ney Matogrosso's powerful vocals and fascinating musicality, presenting us from his childhood in the interior of Brazil to his stardom. Ney is a man who refuses to change his ideas and his way of being to please others, challenging moral standards and shocking conservative society.

Unlike other biographies of Brazilian singers (Renato Russo and Cazuza), this film stands out for portraying the singer's romantic relationships without puritanism or censorship. Another strong point is the presentation of some of the singer's most famous songs, all very well reproduced in the film, from the vocals, the flashy clothes (or lack thereof) and unique choreography, everything very well done and quite faithful to what the singer always presented. Highly recommended!