Füge eine Handlung in deiner Sprache hinzuIn 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been res... Alles lesenIn 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.In 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.
Arianne Martin
- Dr. Lucy Mills
- (as Arianne Margot)
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The arrival of a new patient at a home for the mentally ill stirs up ghosts from the past, causing the staff and residents to exhibit severe personality changes.
S.F. Brownrigg's cult 1972 horror Don't Look In The Basement gets a belated sequel courtesy of Brownrigg's son, Tony. Unlike his father's film, which was a cheap, grainy, lo-fi effort (none of which prevented it from being an effective shocker), Tony's film is surprisingly polished, boasting crisp cinematography and solid performances. What it is lacking, however, is a decent pace and a strong story.
The first forty minutes of Don't Look In The Basement 2 are extremely uneventful and unfold at a snail's pace, introducing the viewer to the characters, none of whom are as memorable as those in the original film. At around the halfway mark, the plot gets a little more interesting as people begin to act strangely, but the leaden pace persists. There's a smattering of gore to help liven up proceedings (including some graphic gut munching), but on the whole I found the whole thing frustratingly lacklustre, and not really worth the 40+ year wait.
S.F. Brownrigg's cult 1972 horror Don't Look In The Basement gets a belated sequel courtesy of Brownrigg's son, Tony. Unlike his father's film, which was a cheap, grainy, lo-fi effort (none of which prevented it from being an effective shocker), Tony's film is surprisingly polished, boasting crisp cinematography and solid performances. What it is lacking, however, is a decent pace and a strong story.
The first forty minutes of Don't Look In The Basement 2 are extremely uneventful and unfold at a snail's pace, introducing the viewer to the characters, none of whom are as memorable as those in the original film. At around the halfway mark, the plot gets a little more interesting as people begin to act strangely, but the leaden pace persists. There's a smattering of gore to help liven up proceedings (including some graphic gut munching), but on the whole I found the whole thing frustratingly lacklustre, and not really worth the 40+ year wait.
If you're a fan of the horror genre, you have to slog through a lot of crap and once in a while, you come across a truly pleasant surprise. "Don't Look in the Basement 2" is one of those happy surprises.
For those who are unaware, "Don't Look in the Basement" was a 1973 horror film by S.F. Brownrigg that involved a young nurse going to an asylum where murder and mayhem ensues. It garnered some serious notoriety because it was acquired by Hallmark Pictures and was given the same marketing campaign as the original "Last House on the Left" ("It's only a movie... only a movie...").
And now, over 40 years later, comes a direct sequel directed by Anthony Brownrigg, son of the original director. In this one, a doctor goes to work at a small, country asylum after a tragedy involving his wife. The director of the asylum informs the staff that a very special patient is coming. And it is a man named Sam, who was one of the lone survivors of the events in the original film.
Once Sam gets there, strange things start to happen. Patients and staff start acting strange, and seem to be taking on the persona of the characters of the original movie. And as you might expect, murder and mayhem seem to be on the menu again...
The movie is way, way better than you'd expect. The acting is professional, there is creepiness, scares, intentional comic relief, and some truly disturbing scenes. It's well photographed and solidly directed. And it's got an actual, honest-to-goodness ENDING.
It helps to have seen the original (otherwise the characters seem to be just acting weird instead of channeling other characters) but it's not a necessity.
I was really surprised by how good this was. Definitely recommend it.
For those who are unaware, "Don't Look in the Basement" was a 1973 horror film by S.F. Brownrigg that involved a young nurse going to an asylum where murder and mayhem ensues. It garnered some serious notoriety because it was acquired by Hallmark Pictures and was given the same marketing campaign as the original "Last House on the Left" ("It's only a movie... only a movie...").
And now, over 40 years later, comes a direct sequel directed by Anthony Brownrigg, son of the original director. In this one, a doctor goes to work at a small, country asylum after a tragedy involving his wife. The director of the asylum informs the staff that a very special patient is coming. And it is a man named Sam, who was one of the lone survivors of the events in the original film.
Once Sam gets there, strange things start to happen. Patients and staff start acting strange, and seem to be taking on the persona of the characters of the original movie. And as you might expect, murder and mayhem seem to be on the menu again...
The movie is way, way better than you'd expect. The acting is professional, there is creepiness, scares, intentional comic relief, and some truly disturbing scenes. It's well photographed and solidly directed. And it's got an actual, honest-to-goodness ENDING.
It helps to have seen the original (otherwise the characters seem to be just acting weird instead of channeling other characters) but it's not a necessity.
I was really surprised by how good this was. Definitely recommend it.
Technically, the film is very strong. Excellent cinematography, great use of the location, which is the same location as the original film. I swear some of the furniture looks the same! There is one actor from the first film, the great Camilla Carr, who I wish worked more. The director did an outstanding job evoking dread and fear. Two thumbs up.
10awy7734
This movie was exccelent,it had funny moments, and I just loved the entire movie ,watched it a couple times highly replayable, has the same feel as similar movies like session 9 and death tunnel, ,this movie was great I bought it and added it to my DVD collection, of out of print b movies fits great ,,,it's way better than part one and continues on with the story perfect, and the main cast of characters, all of them we're great ,this was really well done and over looked great story especiallly when your living it for real, hits home depending what your life experiences are great movie
The original 1973 movie found itself banned in Britain as a Video Nasty, I haven't watched it for some time but I recall it being fairly good. Pity the same thing can't be said for its 2015 sequel. The movie starts off slowly but reasonably interesting, sadly the second half descends into a confusing mess. Several characters ask "What's going on?", I only wish I knew! I could watch it again to try and make sense of it but frankly I have better things to do with my time. The acting is generally passable and there are a few gory moments, but it's not enough to save this dross. Beware some dubious reviews!
Wusstest du schon
- WissenswertesA direct sequel to director S.F. Brownrigg's The Forgotten (1973), better known as "Don't Look in the Basement", directed by Brownrigg's son Tony Brownrigg.
- Crazy CreditsAfter the end credits, it reads "for dad".
- VerbindungenEdited from The Forgotten (1973)
- SoundtracksMozart Piano Concerto 23 Adagio
Written by Wolfgang Amadeus Mozart (uncredited)
Performed by Samuel Smythe
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- Не заглядывайте в подвал 2
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- Tehuacana, Texas, USA(Trinity Institute)
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By what name was Don't Look in the Basement 2 (2015) officially released in Canada in English?
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