Housebound

With a few exemptions I'm not a huge fan of horror comedies as they are rarely scary nor really that funny. What I like about Housebound is that it is first and foremost a horror film, which also happens to be funny. The humor develops naturally out of the situations and the characters. The gags don't feel shoehorned in and it isn't a parody of the horror genre. And in a genre where characterisation often comes as an afterthought, the characters here feel well rounded and very real.

The performances are fantastic all round. Morgana O'Reilly as Kylie is one tough cookie of a scream queen. After participating in a failed ATM robbery she gets sentenced to eight months house arrest at her mother's rambling country house, which her mother suspects may be haunted. The fact that she is trapped in the house with her ineffectual stepdad and her blabbermouth of a mother, makes Kylie even more cranky than she already was and the fact that something spooky stalks the house at night isn't helping her mood either. In a great cast the stand out is Rima Te Wiata as Kylie's none too bright but well intentioned mother. There will be people complaining about unlikeable characters but who cares when they are as fun and as well drawn as they are here. Nobody strains to give a comedy performance, in best Antipodean tradition the humor is totally deadpan.

The set-up is similar to the forgettable Famke Janssen horror flick 100 Feet but this film does the premise of being under house arrest in a haunted house justice. If the film has one flaw then it's one typical of many a first film: Housebound runs on a little too long and would have made a perfect 90 minute film. It takes a while to get going. But that's a small complaint when the film gets so much right. The film really hits its stride in the last third, when all hell breaks lose and the plot twists and turns. Best horror film of 2014.

Kylie Bucknell is a troubled girl in New Zealand. She gets arrested for trying to break into an ATM. She is sentenced to house arrest and forced to move back in with her mother Miriam. Miriam suspects the house is haunted. Strange things start to happen. Amos sets up her ankle bracelet and is a paranormal enthusiast. Dennis is the psychologist assigned to her case.

There are surprising moments of light humor in this odd little horror. It's not particularly scary. It has a bit of fun like the Cornetto Trilogy. The lead character is not necessarily a nice girl but she still maintains some rooting interest. The story doesn't completely hold together but the last act has plenty of fun.

And these are only two of the ingredients that will make Housebound at least a cult and hopefully a classic. It's hard enough to make the public laugh, the most difficult thing to achieve in fact. Now imagine that you can never guess if the next minute will crack you up or alarm you. How much fun that is !.

One aspect of Housebound that I particularly enjoy is the fact that the characters are as multi-layered as the story itself. They start with one facet, one role, and naturally reveal more of their humanity all along the way. They can bring as much surprises as the events do. It must have been a pleasure for the actors. Who, by the way, are excellent.

There are no scream queens here. Watch Housebound and you'll find yourself rooting for a brat or the housewife next door, between two guffaws.

Delinquent serial-offender Kylie is sentenced to nine month's house arrest at her family home in a small town on New Zealand's Twin Coast Highway, forcing her to move back in after many years with her slightly loopy mother, who we learn has long been convinced that the house is haunted. Initially more than a little sceptical, Kylie soon begins to experience unexplained phenomena herself, and before long local security contractor/probation officer Amos (who is principally responsible for ensuring Kylie doesn't leave the premises) offers his services as an amateur paranormal investigator.

Part ghost story, part murder mystery, it would be counter- productive to know any more about the plot before viewing, as various revelations and red herrings keep the mystery quotient high. There are also underlying themes relating to family and loss that lend the film a welcome human dimension.

One slight negative is that the many twists and turns stretch out the runtime beyond the ideal for this sort of film, and there are times when it starts to drag. Also one particular character is presented in a manner that pushes the film firmly into farce territory; one of a couple of aspects that could have been executed slightly more believably, as absurd as that sounds in relation to a film of this type.

The performances are all top notch; Morgana O'Reilly has great fun with Kylie's mardy persona, Glen-Paul Waru is perfect as likable doofus Amos and Rima Te Wiata excels as Kylie's dotty but ultimately caring mother. Refreshingly, the main characters all develop convincingly over the course of the film, which is far from a given when it comes to horrors, comedies and indeed horror-comedies. You'd have to be pretty hard-hearted not to care about them by the end.

Horror-comedies are difficult to pull off, and it's rare that a film strikes a genuine balance without ending up as a full-on horror with a darkly comic edge, or an out-and-out comedy with horror themes, but Housebound gets very close to doing so. At time it leans more towards comedy and farce, and the tone is often light-hearted, but there are enough moments of tension – and violence – to ensure that there are plenty of thrills among the laughs.

Housebound is really something. It's part ghost story, part People Under the Stairs, part murder mystery, part slapstick comedy and part family drama. The dialog, facial expression and spot on timing of the action keep this mash up of genres amusing every step of the way. Just when you think you know which way it's heading, it either makes fun of the standard clichés or skips them entirely, casting us into a twist and turn that starts it all over again with an entirely new plot development. And when you think you know where that plot line is headed, it does it again. I really enjoyed the character Amos played by Glen-Paul Waru. His bumbling energy kept me chuckling. I also enjoyed the fact that even though this film gets pretty violent and gory at times, overall it is a good-natured, feel good movie that, like a roller coaster ride, is scary and fun and shocking and harmless all at the same time. Good job Gerard Johnstone!