Zeit für Legenden

Racial discrimination both at home and in Germany are in the forefront of this movie so the races become a battle of good vs evil. The victories are that much more moving because of that. Lots of pointed references to how discrimination was in the U.S. before and after the Olympics.

The supporting cast are good. Jeremy Irons is effective as the questionable Avery Brundage who does some good by pushing for participation over boycott but also possibly being bought by the Germans. Carice Van Houten plays the infamous Leni. Strangely, instead of being shown as a Nazi propogandist, she is shown as a hero here pushing for including Jesse in her film. The actor who plays Goebbels is totally wrong for him. Google the real one. Stephan James as Jesse Owens doesn't overact and keeps his performance dignified. Jason Sudekis is good in a non comedic role as the coach.

Effecive use of effects to recreate the stadium and crowds.

A fascinating and well made movie

It's easy to get distracted by… well, life – even when you're doing something important (maybe, ESPECIALLY when you're doing something important). If you have a faithful "significant other" who is not around at the moment, you may be tempted to stray from "Miss Right" in favor of "Miss Right Now" (or "Mr.…" whichever the case may be). If you're determined to accomplish something big, you may be confronted with people who believe you will fail (and even want you to fail) – and openly express those feelings, whether out of pettiness, jealousy or even the color of your skin. If you're succeeding at something that draws a lot of attention, others will want to use you or your accomplishments to further their own personal, financial or political goals. These are just some of the distractions competing for the main character's attention in "Race" (PG-13, 2:14). Of course, I think we'd all agree that, in the end, what defines each of us is how we deal with our distractions. Jesse Owens learned that lesson well.

Stephan James plays the legendary runner from the ages of 20 to 23, the years that turned him from virtually unknown high school track star in Cleveland, Ohio to the man who defied Adolph Hitler's myth of "Aryan" racial superiority at the 1936 Summer Olympics in Berlin, Germany. Jesse (actually, "J.C.", notwithstanding his elementary school teacher's misunderstanding his name) is in a long-term relationship with Ruth Solomon (Shanice Banton), with whom he has a little girl, but he has to say goodbye to both of them (and his large family) to begin his higher education and college track and field career at The Ohio State University in Columbus. It is there that he meets track coach Larry Snyder (Jason Sudeikis), the man tasked with turning Owens' raw talent into even greater accomplishments.

Owens first struggles with, then learns to overcome the distractions of sexual temptation, racial prejudice and the competing interests of some pretty important people who are determined to make Owens a pawn in their games of politics and perception. Early on we see Owens' incredible performance at a 1935 Big Ten track meet in Ann Arbor, Michigan, where he put together what many people consider the most impressive 45 minutes in sports history. While at a meet in L.A., Owens' growing fame attracts the attention of the sexy, glamorous and wealthy Quincella, otherwise known as major distraction no. 1. Throughout his life, and even as a famous athlete, Owens has to endure the indignities of being forced to use "colored" entrances to buildings, being literally pushed aside by his white teammates and having racial epithets screamed at him while he's competing. (This is major distraction no. 2, but it also shows the illogic and hypocrisy of racism as his successes lead those who treat him horribly to cheer, embrace – and use him.) This brings us to major distraction no. 3 – the politics which swirled around Jesse Owens.

As Owens works hard to become a better runner – and a better man – the pattern of ethnic and racial discrimination in the Olympics' designated host country overshadows (and even threatens to derail) Owens' growing list of successes and his potential future accomplishments. The U.S. Olympic Committee (with Oscar winners Jeremy Irons and William Hurt representing conflicting positions) debate whether it's more important for the U.S. to boycott the Berlin games to make a statement about Germany's human rights abuses or for the American athletes (including the black and Jewish ones) to have the hard-won opportunity to compete – and maybe even to beat the Nazis at their own… games. Eventually, the debate literally arrives at Owens' doorstep as a representative of the relatively new NAACP puts significant pressure on Owens to refuse to attend the games as a way of striking a blow against discrimination. Owens now has the same debate within himself as the U.S. Olympic Committee had on behalf of all the athletes. It's no great mystery which decisions are made, but it's still interesting to see these stories play out on the national and international levels – and on a very, very personal level.

"Race" is solid entertainment and very inspirational, but not as impactful as it could have been. James makes Owens' struggle suitably personal, but his portrayal lacks the emotional depth that would have really driven the movie's messages home. SNL's Sudeikis is effective at playing it straight, but is a little shallow as Owens' coach-mentor-friend. The screenplay, by Joe Shrapnel and Anna Waterhouse, does a great job at balancing Owens' story with the surrounding historical drama and spares us the full ugliness of the Nazis' treatment of their own people and Americans' treatment of Owens, but fails to go far enough into the story's most important issues. Stephen Hopkins' direction is even-handed, but antiseptic. "Race" is appropriate for families, but should have explored the parallels between the racial issues of the 1930s and those of the 2010s. While we do see a reflection of the ongoing argument over whether it's more important to take a stand than to overcome adversity through accomplishment, the theme isn't sufficiently played out. Overall, the film effectively tells the dual stories implied by its title, while it educates and inspires, and it has its thrilling moments, but it runs past issues that would have been better served by a deep dive (if you'll excuse the mixed sports metaphor). "B+"

Race, a film about the legendary Olympian Jesse Owens, is a story that deserves a good biopic. Owens means more to me for what his achievement meant to politics than as an athlete; "Race" is an obviously perfect title for concisely referring to both. The film itself is competently done in many of its technical aspects, although the way the names of places are paraded on screen when the story switches settings is tacky, at best. James gives a good performance; much of the film's handling of his story is well done.

The problem is that the film attempts to include too much. There's not much reason why this needed to go above the two-hour mark. We see a lot of scenes where Owens isn't present, and many of these don't need to be here. He don't need a story about the general history of Nazi Germany; we don't need to see the conflicts between Goebbels and his film director; we don't even need to see as much as what we saw about the debate as to whether the US should boycott the Olympics. Immaterial, and trimming can heighten impact. I was half- expecting we'd get a scene depicting Hitler committing suicide in his bunker. Still, on the whole, Race, as a story about Owens, makes a nice statement.

RACE is a "by-the-numbers" bio-pic of Jesse Owens and his 4 Gold Medals won at the 1936 Olympics in the heart of Nazi Germany. A perfectly agreeable - and instantly forgettable - movie that skims the surface, but never really delves into, the events that transpired.

Director Stephen Hopkins has mainly worked in television and it shows as this film was nice, hitting on some controversial topics of race and politics, but never really hitting them too hard. As soon as the movie hits on a topic, it moves on to some sort of "feel good" moment, mostly of Owens winning a race.

While the stakes in the world were high at the time, the stakes in this movie never really seemed high. Partly, I blame the director, but there should also be fault found in the two lead performances of Stephan James (as Jesse) and Jason Sudekis as his coach, Larry Snyder. They both do some good "TV" acting, in that they hit a note of contemplation, or angst or sadness right before they jump to another scene and the previous scenes emotions were completely forgotten.

A case in point was the championships where Owens hurts his back right before competing. There's a confrontation scene between Owens and Snyder where the coach declares "I'm going to scratch you" from this very big race. Owens glares and says "no way" and then competes and sets all types of records and the injury was never spoken of, or referred to, or even was a factor in the race.

All in all a "fine" motion picture, one that I will forget that I saw when I look back at the films that I viewed in 2016.

6 (out of 10) stars and you can take that to the Bank (of Marquis

You don't want to throw around the word epic and overuse it, but when you make a movie about the Olympics, it's usually a movie about one athlete taking on the world (sport depending). For Jesse Owens this concept is met with more difficulty. A black man barely welcomed in his own backyard gets the chance to run in the greatest competition of all time, in another country that does not accept him as well, and he does it and helps change the face of the world forever.

Stephen James did a fantastic job playing Jesse Owens. He gave a lot a heart to it, which was important. It's a great reflection of who Owens was.

Becoming a huge fan of the work of Jason Sudeikis who plays Jesse's Coach, Larry Snyder. The well known funny man takes the same position as Sylvester Stallone did in Creed with this dramatic supporting role, and it was a decent turn to see him do something a little different.

Also want to give credit to Jeremy Irons who plays Avery Brundage of the U.S Olympic committee. Race mostly focus on the life of Owens up to the 1936 games, but also has a great side story about America dealing with the Nazi Regime with the Olympics being held in their hometown. Irons is the center of this sub plot and does a good job making it interesting.

For what it is, I'm also fairly impressed with the CGI being used to built the 1930s in this movie. Race is a big movie and the visual effects help make it look better. I wish the budget was bigger so that the effects could be better, but it's very impressive for a 5 million dollar film.

The only odd thing that was distracting is that it looks like they used visual effects to replace stunt men in the movie. Instead of getting a stunt double who looked fast enough to play Owens, they have parts in Race that just look like the took footage of Stephen James and speed it up to make his running faster. Not sure about this method, and others were they used digital images for high jumps, or a least that's what it looks like.

But overall, Race impressed me. It's a good tear jerker that puts a a smile on your face. Truly an epic movie about overcoming the biggest obstacles to be the very best.