A Good Man - Gegen alle Regeln

I've seen most of Seagal's films. Director Waxman seems to have found a way to direct him. I won't go into storyline details, just commenting on the production will suffice here.

What I liked the best here was the atmosphere. It's gritty and effective, well backed up by music. I wonder why some commentators complain about the amount of action. I think there is enough gore. Most actors are not too great and a sturdy Seagal isn't exactly your special-ops type physically, but on the whole the story carries on well enough. Romania makes for a great place to shoot grit like this. I'll give it seven.

There is something very creepy about Mr Segal's character being attracted to the young lead actresses character and she with him. One is 64 and the other is 29. I know it can happen but it is just unbelievable as portrayed in this film, and once there is one daft strand, the rest of the film falls and fails. This could have been a half decent film but the dialogue is poor, the acting wooden and the action scenes poor. The goodies recover from violent beatings far too easily, and the baddies always lose quickly. Why are the baddies always such poor shots. I am a fan of Mr Seagal but this film lets him down, as a few others have and I just wish he would stop making them.

An American action thriller; A story about a former U. S. Special Operations soldier living off-the grid in Eastern Europe after a covert operation in Russia ends in disaster. This is a prequel to Force of Execution (2013) which showed John Alexander as a crime lord in New Mexico. The film has a well-worn plot, a retired toughman expert utilising old skills for a neighbour under threat. The trouble is it barely touches on character development or gritty drama so when Seagal as the lead doesn't figure much in the showpiece action sequences it is a major flaw for an action movie. The well choreographed fighting sequences feature other characters. Nevetheless, the prologue sequences set the tone well and the final scenes raise it half a notch. Pity about the middle.

I used to love Seagal's movie, his fighting style, even over the years, he is getting old, his movie is getting old, but it is OK, I still enjoyed it.

But, this movie is killing me....throughout the movie, the most said line by Seagal is mother...er,

the fight scene is joke, other actors has to get in the position and pause so Seagal can do his move... They probably got his sword from a dollar store judge by its look. The most expense on the equipment could well be the remote airplane they called drone in the movie.

And the actors, omg, if I didn't know, and I didn't start from the beginning, I would thought it was a low budget porn movie without the porn.

What can I say?

You are warned.

Steven Seagal returns to the screen in this story about a former black ops warrior who gets caught in between Russian and Chinese gangs in order to save the sister of his neighbor, whose brother is in debt to the Russian mob. Truth be told, while one could call this a Steven Seagal movie, his character occupies a position that simultaneously is and isn't the center of the story (much like his previous effort FORCE OF EXECUTION). However, unlike FORCE OF EXECUTION, the story is better, more thought out and has better action sequences. Even the acting is better this time around, which is a plus. Story-wise, Seagal plays a variation on the character he plays in almost every movie he makes: that of the reluctant hero. He puts himself into a self-imposed retirement after a terrorist hit goes wrong, and a young girl dies while one of the bad guys gets away. Cut to the present day, and he's living a quiet life in Eastern Europe. His neighbor (Iulia Verdes) works at a strip bar (but she's just a bartender) run by the Russian mob while her half-brother (Victor Webster) pays off a debt owed by his father. However, when some men are killed and money meant for the Chinese mob goes missing, the neighbor's little sister is kidnapped and Alexander (Seagal) goes back into action. I thought that the story, while nothing original at all, was at least executed rather well within the confines of what constitutes a Seagal movie. The performances were also decent for this type of movie, with Tzi Ma probably doing the best out of the cast. Also of note is the improved fight sequences, which aren't completely edited to hell this time. The camera-work still has a hand-held feel to it, but the action is more comprehensible than a lot of Seagal's recent DTV output and you can tell that it's him a lot more of the time. They also varied the types of fighting. Sure, they had the typical gunplay and close quarters hand-to-hand combat, but Seagal also got to use a short sword for several scenes which was a nice change of pace (and provided some gruesome kills). Still, as always it wasn't all great. This movie was filmed on the cheap in Romania and it shows in the bleak cinematography and sparse sets. There was also some digital augmentation in a few scenes that stuck out pretty badly, and a couple of obvious uses of stock footage that wasn't at the same quality as the movie itself. And while some might count this as a positive, there was a bunch of gratuitous nudity which was only in there because some scenes happened to take place in a bar. There's also an awkward "sex" scene with Steven Seagal and Iulia Verdes which could have been left out completely. When all is said and done, Seagal fans should be pleased, as this is a return to form of sorts, at least when limited to his DTV work. As always, though, everyone else should probably find something else to watch.