IMDb-BEWERTUNG
5,6/10
1672
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuSharing a small apartment with his sleepy French bulldog, an unmotivated thirty-something slacker lands a job at a Quick Lube to be close to the shop's beautiful manager. Has he found a new ... Alles lesenSharing a small apartment with his sleepy French bulldog, an unmotivated thirty-something slacker lands a job at a Quick Lube to be close to the shop's beautiful manager. Has he found a new purpose in life? Is there still hope?Sharing a small apartment with his sleepy French bulldog, an unmotivated thirty-something slacker lands a job at a Quick Lube to be close to the shop's beautiful manager. Has he found a new purpose in life? Is there still hope?
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- 2 Gewinne & 4 Nominierungen insgesamt
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Reading some reviews I half expected a slacker film as in something a bit like American Pie (but with slackers). But this was good - I like films that are realistic like this one. That is the main thing I liked - not big high stakes drama or clichés or tilting towards a message.
The character was not pointless - the character does grow.
I didn't really understand the title though. I like REM (I was really into them as a young adult - probably too much). But whilst the song might have an interpretation that makes sense in the context of the movie, it surely doesn't enough to name the film after it. A kind of random incidental-ism is fine, but it should make some sense.
The character was not pointless - the character does grow.
I didn't really understand the title though. I like REM (I was really into them as a young adult - probably too much). But whilst the song might have an interpretation that makes sense in the context of the movie, it surely doesn't enough to name the film after it. A kind of random incidental-ism is fine, but it should make some sense.
As I overheard someone going out of its showing at the Traverse City Film Festival saying "That was fricking torture." A story about an unlikable slacker going nowhere, the movie is filled with people uttering painfully unfunny lines. At first the packed theater politely laughed and by the end of this pointless 75 minutes the audience was dead silent (or asleep). I won't dwell on the plot because there is none. Sorry if I sound angry but it was a wasted evening and $24 for my wife and me.
How sad that Olympia Dukakis has let herself sink to the level of appearing in a movie this banal. Jason Schwartzman's pug Arrow is the only star that earned his pay.
Stay away. (2/10)
How sad that Olympia Dukakis has let herself sink to the level of appearing in a movie this banal. Jason Schwartzman's pug Arrow is the only star that earned his pay.
Stay away. (2/10)
Sometimes you watch a film and wonder to yourself 'what were they thinking when they made this movie?!'--such was my reaction when I watched this new and oddly named film starring Jason Schwartzman. Bob Byington wrote and directed this strange movie and it's one that left me confused and bored.
When the film begins, Larry (Schwartzman) is a complete slacker and a bit of a loser. He's just lost a job because he was caught stealing and he doesn't seem to care in the least. What he does care about are drinking, taking drugs and his dog (incidentally, this French Bulldog is actually Schwartzman's dog in real life). Later, when he gets a job in a quick lube store, you keep expecting Larry to somehow show that down deep he's capable of change and will become responsible and likable...which never really happens in any meaningful way. He is, throughout the entire film, a jerk who has serious issues and who doesn't seem to care about this nor does he see much of a need to change. There is a tiny change at the end...but clearly not enough to offer any real hope for the guy cleaning himself up and achieving something with his life.
This film is quirky...almost in a Wes Anderson sort of way, which is what I expected since Schwartzman frequently appears in Anderson's films. However, the quirkiness isn't humorous...just quirky and the film never really resonates with the audience. It's strange...just to be strange. And this soon becomes tedious. Had this been a short film, it might have been an interesting character study. But at 90 minutes and with a leading character you cannot help but dislike the film dragged. No sense of reason for all this seemed evident to me at any point. A clear misfire and I can see why this film went to straight to DVD very quickly. If you care, it's out this week but I wouldn't rush to see it unless you are a die-hard Schwartzman fan or you like long and ponderous films.
When the film begins, Larry (Schwartzman) is a complete slacker and a bit of a loser. He's just lost a job because he was caught stealing and he doesn't seem to care in the least. What he does care about are drinking, taking drugs and his dog (incidentally, this French Bulldog is actually Schwartzman's dog in real life). Later, when he gets a job in a quick lube store, you keep expecting Larry to somehow show that down deep he's capable of change and will become responsible and likable...which never really happens in any meaningful way. He is, throughout the entire film, a jerk who has serious issues and who doesn't seem to care about this nor does he see much of a need to change. There is a tiny change at the end...but clearly not enough to offer any real hope for the guy cleaning himself up and achieving something with his life.
This film is quirky...almost in a Wes Anderson sort of way, which is what I expected since Schwartzman frequently appears in Anderson's films. However, the quirkiness isn't humorous...just quirky and the film never really resonates with the audience. It's strange...just to be strange. And this soon becomes tedious. Had this been a short film, it might have been an interesting character study. But at 90 minutes and with a leading character you cannot help but dislike the film dragged. No sense of reason for all this seemed evident to me at any point. A clear misfire and I can see why this film went to straight to DVD very quickly. If you care, it's out this week but I wouldn't rush to see it unless you are a die-hard Schwartzman fan or you like long and ponderous films.
Jason Schwartzman is Larry, a pill-popping alcoholic who lacks any ambition whatsoever. When Larry isn't getting fired or looking for a new job he can make a joke of, he spends his time visiting his grandmother in a nursing home and talking to his dog.
Schwartzman seems to be the go-to actor for insightful, comical and somewhat dark character studies. Though he is quite charming in this quirky role, 7 Chinese Brothers isn't really insightful at all. There are a few funny moments here and there but when the film takes a more serious, dramatic turn towards the end, the most unpredictable thing is how inconsequential everything turns out to be.
It's a sad story about a likable loser, like many of the characters Schwartzman plays. When it's revealed why this character is the way he is, it makes sense but it's hard to feel anything for him due to his unwillingness to admit his true feelings and embrace the opportunities given to him.
Schwartzman seems to be the go-to actor for insightful, comical and somewhat dark character studies. Though he is quite charming in this quirky role, 7 Chinese Brothers isn't really insightful at all. There are a few funny moments here and there but when the film takes a more serious, dramatic turn towards the end, the most unpredictable thing is how inconsequential everything turns out to be.
It's a sad story about a likable loser, like many of the characters Schwartzman plays. When it's revealed why this character is the way he is, it makes sense but it's hard to feel anything for him due to his unwillingness to admit his true feelings and embrace the opportunities given to him.
Cause it really doesn't have much of a plot, and the little that resembles a plot doesn't seem to make a ton of sense.
It's basically about a self-absorbed 'loser' who played by someone else other than Jason Swartzman would probably be tedious.
But Jason's natural charm and charisma redeems the character somewhat from feeling like a total prick and the 'movie' from being a total trainwreck.
I write movie as 'movie' because it really doesn't feel like a movie, it feels like maybe it would have worked better as a TV series split up to 3 parts instead (although I'm not sure that people would tune in every week to see the next episode).
There are some okay scenes, mainly the ones between Jason and his (also real life pet) dog, they have better chemistry together than Jason has with any of his human co-stars in the movie.
So I would only remotely recommend this to hardcore Jason fans who has to see everything he's in, if you're not too fussy about him give it a skip, if you dislike him then well you will without a doubt hate it.
It's basically about a self-absorbed 'loser' who played by someone else other than Jason Swartzman would probably be tedious.
But Jason's natural charm and charisma redeems the character somewhat from feeling like a total prick and the 'movie' from being a total trainwreck.
I write movie as 'movie' because it really doesn't feel like a movie, it feels like maybe it would have worked better as a TV series split up to 3 parts instead (although I'm not sure that people would tune in every week to see the next episode).
There are some okay scenes, mainly the ones between Jason and his (also real life pet) dog, they have better chemistry together than Jason has with any of his human co-stars in the movie.
So I would only remotely recommend this to hardcore Jason fans who has to see everything he's in, if you're not too fussy about him give it a skip, if you dislike him then well you will without a doubt hate it.
Wusstest du schon
- WissenswertesThe lead dog in the film is actor Jason Scwartzman's real dog Arrow.
- SoundtracksSince You're Gone
Written by Ric Ocasek
Performed by The Cars
Published by Universal Music Publishing Group
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Seven Chinese Brothers
- Drehorte
- Crestview Minimax IGA, 7108 Woodrow Ave., Austin, Texas, USA(Grocery Store)
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 28.180 $
- Weltweiter Bruttoertrag
- 28.180 $
- Laufzeit1 Stunde 16 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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