Die todernste Reporterin Philomena Cunk verwirrt in diesem Special von Spielfilmlänge auf ihrer Mission, den Sinn des Lebens zu finden, Philosoph*innen und Akademiker*innen.Die todernste Reporterin Philomena Cunk verwirrt in diesem Special von Spielfilmlänge auf ihrer Mission, den Sinn des Lebens zu finden, Philosoph*innen und Akademiker*innen.Die todernste Reporterin Philomena Cunk verwirrt in diesem Special von Spielfilmlänge auf ihrer Mission, den Sinn des Lebens zu finden, Philosoph*innen und Akademiker*innen.
- Für 2 Primetime Emmys nominiert
- 2 Nominierungen insgesamt
Douglas Hedley
- Self - Prof. of Philosophy of Religion, University of Cambridge
- (as Professor Douglas Hedley)
Alison Wright
- Self - Prof. of Italian Art, University College London
- (as Professor Alison Wright)
Celia Deane-Drummond
- Self - Senior Research Fellow, Theology, University of Oxford
- (as Dr. Celia Deane-Drummond)
Paul Nurse
- Self - Nobel Prize Laureate, Physiology or Medicine
- (as Sir Paul Nurse)
Jim Al-Khalili
- Self - Prof. of Quantum Physics, University of Surrey
- (as Professor Jim Al-Khalili CBE)
Joyce Harper
- Self - Prof. of Reproductive Science, University College London
- (as Professor Joyce Harper)
Prokar Dasgupta
- Self - Prof. of Surgery, Kings College London
- (as Professor Prokar Dasgupta OBE)
Anil Seth
- Self - Prof. of Neuroscience, University of Sussex
- (as Professor Anil Seth)
Joanna Woodall
- Self - Prof. Emerita, The Courtauld Institute of Art
- (as Professor Joanna Woodall)
Stephen Case
- Self - Prof. of Criminology, Loughborough University
- (as Professor Stephen Case)
Ruth Chang
- Self - Philosophy, University of Oxford
- (as Professor Ruth Chang)
Richard Thomson
- Self - Prof. of History of Art, University of Edinburgh
- (as Professor Richard Thomson)
Brian Cox
- Self - Prof. of Particle Physics, University of Manchester
- (as Professor Brian Cox CBE)
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Philomena Cunk (Diane Morgan) is discussing Life, the Universe and Everything with her many guests in a wide ranging conversation. The first twenty minutes is really Cunk on Religion. It can come off as Cunk making fun of religion. That part depends on the audience. The comedy is a bit scattered. The issue is that some of the experts are catching on to the premise and they're not all playing it correctly. On the other hand, Brian Cox is going full grouch and that is hilarious. Pump Up the Jam is fun in the Monty Python way. There is a chance that Cunk is getting diminishing returns. We'll see.
Philomena Cunk examines life and its meaning. By speaking to academics and other experts in their fields she looks at the big questions regarding life.
If you've watched Cunk on Earth you'll know what to expect: Philomena Cunk (Dianne Morgan) essentially asks absurdly silly but funny questions to some of the brightest people on the planet. If you've watched Da Ali G Show this will seem familiar as Cunk is derivative of that (and not as good).
However, despite not being entirely original it is pretty funny and entertaining. Dianne Morgan is great with spot-on timing.
Not as good as Cunk on Earth though. The set-ups are less intelligent, the humour cheaper and lower-brow and the experts less easily shocked.
Last time they seemed shocked at the silly questions but, to their credit, didn't lose their composure. Here they seemed to expect the silly questions (possibly they'd done their research and seen previous Cunk stuff) and rolled with it. Brian Cox, the eminent physicist, even seemed to be successfully anticipating where Cunk was going with her double entendre questions but played along anyway.
If you've watched Cunk on Earth you'll know what to expect: Philomena Cunk (Dianne Morgan) essentially asks absurdly silly but funny questions to some of the brightest people on the planet. If you've watched Da Ali G Show this will seem familiar as Cunk is derivative of that (and not as good).
However, despite not being entirely original it is pretty funny and entertaining. Dianne Morgan is great with spot-on timing.
Not as good as Cunk on Earth though. The set-ups are less intelligent, the humour cheaper and lower-brow and the experts less easily shocked.
Last time they seemed shocked at the silly questions but, to their credit, didn't lose their composure. Here they seemed to expect the silly questions (possibly they'd done their research and seen previous Cunk stuff) and rolled with it. Brian Cox, the eminent physicist, even seemed to be successfully anticipating where Cunk was going with her double entendre questions but played along anyway.
I am in such conflict here. I love the concept of the Cunk series -the mockumentary style. But the jokes are mostly toilet and genital humour that a 14 year old boy would be proud of.
What made the earlier Cunk mockumentaries quite riveting is that the humour might have had a smattering of genital and toilet humour but it was generally clever. In this special, it seems that the writers decided that virtually every word needed to have a double entendre. It simply felt very childish, silly and a sad, weak attempt at humour. The second serious problem is the too much repetition of Cunk's poor social skills in mentioning vile information using her ex boyfriend and now, a new character, her Aunt. This technique worked well when spaced across episodes. It lost it's impact compacted into a one hour special. Sadly, the, dare we call them 'thoughtful' real scientific information that was present, albeit briefly in each episode of earlier Cunk, was lost in this quest for a laugh a minute.
Having said all of that, Morgan is so brilliant an actor that her expressiveness alone is enough to create amusement. Thanks to her, this special is lifted higher than the writing deserves.
What made the earlier Cunk mockumentaries quite riveting is that the humour might have had a smattering of genital and toilet humour but it was generally clever. In this special, it seems that the writers decided that virtually every word needed to have a double entendre. It simply felt very childish, silly and a sad, weak attempt at humour. The second serious problem is the too much repetition of Cunk's poor social skills in mentioning vile information using her ex boyfriend and now, a new character, her Aunt. This technique worked well when spaced across episodes. It lost it's impact compacted into a one hour special. Sadly, the, dare we call them 'thoughtful' real scientific information that was present, albeit briefly in each episode of earlier Cunk, was lost in this quest for a laugh a minute.
Having said all of that, Morgan is so brilliant an actor that her expressiveness alone is enough to create amusement. Thanks to her, this special is lifted higher than the writing deserves.
They must have lost the writers and producers that make Cunk on Earth a success. The jokes are all flat, and the timing that made all the jokes worth is nowhere to be found. Philomena seems like she's trying to force all the words out in rapid fire, not giving anything room to breathe. It's also turned from a fake documentary into a self aware comedy, which makes it a bit unbearable.
It gives off the vibe that someone wanted to pump out material after the recent success of Cunk on Earth, but didn't want to put in the prerequesite work to make it good again.
A pity, Diane deserves so much better. She's gone so far and has so much further to go.
It gives off the vibe that someone wanted to pump out material after the recent success of Cunk on Earth, but didn't want to put in the prerequesite work to make it good again.
A pity, Diane deserves so much better. She's gone so far and has so much further to go.
I noticed that some reviewers didn't like the jokes, but I laughed from beginning to end.
The reason this works for me is that she is dead serious when she asks the questions and the interviewees answer the questions without laughing.
I love all of her stuff. It's a shame that this got lower marks because I want her to keep on making these series.
I also find it exceedingly annoying that we have to type so many characters to leave a review.
I have nothing left to add to my review. Just came here to say that I found it hilarious and worth the watch despite some of the lower reviews. I'm not a someone who laughs at just anything. The bar is higher with me. So give it a try.
The reason this works for me is that she is dead serious when she asks the questions and the interviewees answer the questions without laughing.
I love all of her stuff. It's a shame that this got lower marks because I want her to keep on making these series.
I also find it exceedingly annoying that we have to type so many characters to leave a review.
I have nothing left to add to my review. Just came here to say that I found it hilarious and worth the watch despite some of the lower reviews. I'm not a someone who laughs at just anything. The bar is higher with me. So give it a try.
Wusstest du schon
- WissenswertesPresented in a style parodying programs by historians such as popular Professor Suzannah Lipscomb & Professor Kate Williams.
- VerbindungenFeatures Flucht ins 23. Jahrhundert (1976)
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- 1 Std. 11 Min.(71 min)
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