Altar - Das Portal zur Hölle

I love a good ghost story. I practically worship a great ghost story. Sadly, Altar is neither. It has its moments, and it's not a complete waste of time to watch, but in my opinion it started with all the makings of a truly interesting story and mixed it all up into a batch of...mixed up.

The true star of the film is its Yorkshire manor location. Now, if I'd been handed this set to work with (and if I, you know, actually made movies), Altar is NOT the story I'd have come up with. I actually felt a bit annoyed at the movie for not living up to such a classic haunted house setting! The premise was simple enough, and it started out in fairly contemporary spooky fashion, but there was just not the right kind of follow through. Rather than spine tingles and after-view thoughts about mortality, the climax delivered only a mash-up of effects and incoherent, half-explored themes.

I will say this: the actors who played the children did great. Williams did fine in her role, and even Modine did the best he could with what he was given (his character was the biggest mess in the mix, with some truly uncomfortable scenes - and not in a horror/mystery sort of way).

Generally, you could do a lot worse for your hour and a half, but if you want a great haunted house / ghost story, look elsewhere. It's been done a thousand times better at least hundreds of times already.

It's always a warning sign when a film bypasses cinema release to go straight on TV, so when THE HAUNTING OF RADCLIFFE HOUSE (original title: ALTAR) appeared on UK TV on Boxing Day I knew something was up. And, unsurprisingly, it turns out to be very bad indeed: a complete rip-off of a film made by people with no understanding of how the ghost story genre works.

The film features a pair of past-it actors (Olivia Williams and Matthew Modine) as a married couple who move into a creepy old mansion in the Yorkshire moors with their bratty kids. Unsurprisingly, the place is haunted, and the haunting takes the most obvious route imaginable: dumb ghost scares ripped off from THE GRUDGE, a possession straight out of THE SHINING, and a myriad other scenes ripped off from elsewhere. When the film does try something new (like a ghostly encounter in broad daylight) it just falls flat.

The production values are acceptable here, but the level of cliché is just too high for it to be enjoyable. The grey filter cinematography has been done to death, the performances are shrill and histrionic (and Williams just CANNOT carry a movie) and the scares silly. Oddly, much of this seems to have been copied from an old favourite of mine, the '90s-era video horror game PHANTASMAGORIA, except without the fun factor. Throw in some dodgy historical rumblings and an equally dodgy cameo from SIGHTSEERS star Steve Oram and you have a complete train wreck of a movie. M. R. James would be spinning in his grave...

A young family move to an isolated house which the mother has been hired to restore only to discover that presences still linger casting a hold over her artist sculpturing husband.

Taking a leaf from a James Herbert novel and channelling countless haunted films Altar is an effective ghost story chiller, however, what sets director/writer Nick Willing's offering apart are the practical and some special effects which have an optical natural feel as opposed to the usual ineffective blatant CGI.

Willing delivers some genuinely eerie visuals and creepy moments, this coupled with a great score and on location shoot help give some credence and atmosphere to the proceedings. Matthew Modine's Hamilton sports a Shining Jack Torrence like woollen jumper (the writer character is replaced here by an artist) and mimics Torrence's transformation (although quite speedy) still Modine gives an intense performance. Both the younger actors are effective, actress Antonia Clarke is notable as Penny. Olivia Williams gives convincing performance which complements the naturalistic writing and setting.

While it breaks no new ground in terms of ghost stories or twist endings it's a solid old school British horror.

Atmospheric haunted house horror about a designer who moves her husband and kids into a spooky Yorkshire manor she has been hired to restore. Beautifully shot on location, director/screenwriter Nick Willing makes the most of the subdued, wild beauty of the Yorkshire moors. I wish we had a better sense of the gorgeous house the family takes over -- for all the reliance on secret rooms and bricked up passageways, the internal layout of the house remains vague and generic. Also less defined than they should be are the couple's two children, who we don't get to know very well. This makes the peril they are in less compelling than it could be. Olivia Williams does a great job as the emotional center of the film, trying to hold her family together in the face of mounting financial pressures and a menacing presence that seems to grow more powerful. Like many such stories, the supernatural here is an expression of the resentments and strains that have crept into William's marriage to her failed artist husband, played by a miscast Matthew Modine. While it doesn't break any new ground, "Altar" builds and mostly maintains a high creepiness factor, especially when Modine discovers a new medium and new canvas for his art. This is a good, old-fashioned, restrained horror film, well worth checking out.

No, this is not great filmmaking.

(Must be a lot of cast and crew having rated this on here.)

Just going to ramble about this in no special order.

Some places it seems like they have used, I don't know, Adobe Premiere effects, or worse yet, effects that are in the camera itself.. Thats a little wtf, right?

As far as I can remember, one or two short scenes are almost creepy, actually. But they are way outweighed by what is wrong, and bad, and not creepy.

Olivia Williams is annoying as crap! She has the worst looking hair, and it is even a point in the movie! I got mad just looking at her stupid hair. That's not good.

There is nothing new here, which is not necessarily a bad thing, but what is here, is not done very good, and that's a bad thing.

The plot with the wife and the husband and the story of the house and the this and the that, could have been cool, but it is just not good enough.

One scene with a sculpture and some smashing is kind of cool. Best part of the movie.