Mein ein, mein alles

Tony (Emmanuelle Bercot) tries desperately to recall the tempestuous relationship she had with Giorgio (Vincent Cassel). Why did they fall in love? Were they both in love or was it just her ? Who was Giorgio for real ? Was he himself at every moment or was he manipulating her ? How could she be so blind and how could she let this passion submit herself that much and that far into a circle of destruction ?

The controversial French director, Maïwenn, ex wife of Luc Besson has now proved (if she ever had to) she has reached maturity and mastery in every aspect of directing a movie from filming and directing actors to writing dialogs and a subtle scenario. The performances of the actors are just astonishing. Vincent Cassel seems he is like himself, smooth talker and bold, Emmanuelle Bercot gives it all showing restraint with huge pain,just like her character who cannot believe she has to go through that much but who needs to cope with every single situation. Anchored in reality, the cinema of Maiwen confirms it is based on genuine dialogs and a rough reality.

What is new and different from her other movies, it's that this time she tackles a very common theme: Love, passion, maybe with something less personal, but still with her rough way always at the limit of physical violence. Fortunately, there are light-full moments that make this drama pleasant to watch.

I was really surprised because I was not sure I liked the cinema of Maiwenn. I would even dare to say that this movie is not far from perfect (except the first scene with the psychologist that sounds so fake ! What a pity!). The strength of the film lies in its ability to hold the attention all the way through. It's indeed a breathless and thrilling experience to watch this film, because you expect the situation to worsen even more, you expect the character to realize what she is going though, you expect the director to make this passion a nightmare but she does not.

The film features an astonishing performance from the two actors (the actress received the prize for her performance in Cannes). It features as well intense moments of emotion interrupted from time to time with light-full and hilarious moments, especially thanks to the character of the brother. I would spot this as something new in Maiwenn's cinema, because she was not used to allowing us to take our breath... Very well done Maïwenn this time, can't wait to see the next one !

'Mon Roi' (the film has no international title yet,) is the 4th film by Maïwenn (Le Besco). For years she was known as the girlfriend/wife of Luc Besson. The fact that they had a child when she was hardly 17 years old was spread out over many a tabloid. After her child acting years and break-up with Besson she turned away from acting for some time before returning with a vengeance in the director's chair. As her last 2 films were part of the main selection of the prestigious Cannes Film Festival -which in both cases won a prize- she has made quite a name for herself (in recent years she usually drops her last name Le Besco).

Her three previous films feature a protagonist using (or hiding behind?) a camera. A documentary camera for the semi- autobiographical 'Pardonnez-moi' (2006) (Forgive Me) and 'Le bal des actrices' (2009) (All About Actresses), a photo camera for 'Polisse' (2011) (Prix du jury). No hiding in this film though, emotions are running amok. The film starts with a skiing accident of the main character Tony (short for Marie-Antoinette) played by Emmanuelle Bercot. It's not exactly clear if it really was an accident or a form of deliberate self harming. A bit in the vein of the famous opening scene of 'Lawrence of Arabia' where it's not exactly clear if the main character had an accident or was committing suicide.

After this opening the movie switches between flashbacks of the meeting and falling in love of Tony and Georgio ( a truly fantastic Vincent Cassel) and scenes of Tony in a rehabilitation center, where her knee injury is being treated. We see Tony being knocked of her socks by the extreme charm and sharp wit of Georgio. There's a nice scene were Georgio is getting rid of Tony's sexual insecurity, caused by an insulting remark of a former boyfriend towards the end of a previous relationship, in no time with a few casual funny comments.

The film's beginning suggests that the good times won't go on forever. At certain stages of the film a former girlfriend shows up, gradually showing the destructive force Georgio has on women. Whatever happens -being caught in bed with another woman, drug use, financial difficulties- Georgio always charms his way out of it. When Tony does react it's usually in front of their friends through extreme emotional outbursts which only seems to lead to more sympathy towards Georgio. And even though she knows their relationship is not healthy she somehow cannot get herself to truly leave Georgio. No wonder 'Rien ne sert de courir' ('No use in running away') happened to be the working title.

Juxtaposing the rise and fall of a relationship with the physical rehabilitation is slowly but truly suggesting the physical injuries sustained are a desperate cry-out caused by the emotional stress of the marriage. Will Tony ever be able to once and for all get out from under the spell of Georgio?

Emmanuelle Bercot had quite the festival, she directed to opening film 'La tête haute' (Standing Tall) and won the best acting prize. It would have been nice if she could have shared it with Cassel as he perhaps delivers the finest performance of his career to date. The way he keeps his character remain charming despite his often despicable actions make the unlikely indecision of the Tony character all the more believable. Only the scenes featuring Tony as a lawyer do not have enough credibility. Please visit my site 'bttcinema.com'.

Very raw and emotional movie... such extreme emotions displayed with no filter... at times very frustrating, devastating and heartbreaking, other times extremely uplifting, passionate and heart melting! Truly a roller coaster...

If people do not repair their inner defects, do not rationally observe and manage their own behavior pattern, just follow the instinct to make choices, a lot of times will make the decision to drink poison to quench thirst, and continue to repeat the mistakes, until there is no retreat. Fix yourself. Identify the right people. Do the right thing. These three things may not be done in a lifetime for many people.

Greetings again from the darkness. We have all had that friend who falls head over heels for someone we know is not good for them. If we are a dutiful friend, we make every effort possible to open their eyes before it's too late. Sometimes they are simply too far gone to listen … and what follows is a roller-coaster of emotions, or even an outright train wreck. Writer/director (and sometimes actress) Maiwenn, who was once married to director Luc Besson, finds much to examine in the roller-coaster relationship of Georgio and Marie/Tony.

The story is viewed through the eyes (and recollections) of Marie/Tony played with exuberance by Emmanuelle Bercot. After a skiing "accident", Tony goes to a rehabilitation center to receive post-surgery treatment. While her knee is healing, she also spends her time self-analyzing a tumultuous and destructive relationship with her ex Georgio (Vincent Cassel). It's easy to see the parallels for her learning to walk again, while also learning to live again.

Tony is a successful criminal attorney and self-described "normal" woman. She falls hard for the exciting Georgio, a life-of-the-party type. Tony's brother Solal (Louis Garrel) and Georgio's suicidal ex Agnes (Chrystele Saint Louis Augustin) are both against this relationship, but it's challenging to stop the love bug when it hits this hard. The film acts as a blueprint of how relationships and falling in love can start strong, build to a crescendo, and then crash and burn.

Georgio has many childlike characteristics. He is fine when he gets his way, but explosive and manipulative at the drop of a hat. He is fully engaged in phase one which is filled with passion, lust, fun and excitement; however, once the everyday toil and maintenance of the relationship is required, his bi-polar personality becomes difficult to watch.

Addiction plays a key role here. Georgio is addicted to freedom, partying, and drugs; Tony is addicted to the excitement and passion that he delivers to her "normal" life. There are some cinematically rare "real life" scenes scattered throughout, and none better than the couple's first time in bed, and a later dinner scene where Georgio's charm and manipulation skills are on full display as he puts Tony in a no-win situation.

Vincent Cassel has joined Mads Mikkelsen on my short list of actors that I will watch regardless of the project. His screen presence is powerful and emotionally-driven, and here he generates both admiration and disgust at varying times. We understand why Tony is in a "can't live with him, can't live without him" mode. Emmanuelle Bercot (also a writer and director for other films) manages to cover the full spectrum of emotions during the film, and she takes us along for the self-reflection. We pull for her even as we question her sanity at times. Somehow we get it … he's the king of jerks, but he's her king. If only she had listened...