Excess Flesh

I think I'm other writers' hands this could be really good. The story is there and the metaphor is strong, but the script is garbage and awkward.

The filming style, while visceral and gross, is perfectly suited to the subject matter. Maybe having this be a horror movie pushed it too far out of the mainstream.

I can tell you from experience that this is an insanely accurate portrait of the realities of an eating disorder. I've seen just about every movie out there that deals with EDs and NONE have ever come as close as this to showing what it's really like. It very much is like having a second person inside you that you despise and that despises you right back. It's not glamorous, it's gross and sad and a hell of your own making.

I wish this was made by a more mainstream director etc because the message is important.

Could have been cool. Had many ways to go instead it just wanders into a wasteland of nothingness. Happens. The 2 lead actresses were good. Most everything else sucked.

I have mixed feelings about this film.

The acting is good and the basis of the story is good. But the execution of bringing them together with technical aspects of film making lets it down and they just don't work together nicely in a smoothly coherent way.

There are lingering scenes which linger for no reason. They go on too long after the point has been made and don't really flow into the next scene too well.

I found at times there were some scene cuts that could have done with a little more visual explanation to flow - rather than abruptly jump from one concept to another.

This could have been a very good film if a bit more care had been taken in telling the story. I am sure it made sense in the crew's mind but they didn't relay it to the audience.

The acting was good - especially the two lead females.

Such a shame.

At first viewing, Excess Flesh is a story about an obsessed woman who imprisons her sexy roommate in a twisted attempt to bring them together -- a story of self-loathing, jealousy, love-hate, rage and, finally, about revenge and making right all things evil.

Ultimately, it's a scathing commentary on hyper-consumerism, where more is more and never enough. Excess Flesh is the state of the world through the lens of its empathic, embittered interpreter, Director, Patrick Kennelly. This is a world of consumerism, a world where one's identity is determined by what they wear, how they look, who they know and how they measure up to the cruel and impossible standards or abandon all hope. This work is both a seminal work and a masterwork – a view of a dysmorphic world through the piercing mind's eye of the film's creator.

This is not torture horror. This is a cunning complex film and the film reveals more and more the more you watch it. More is more. Consume. More.

The acting in this film is cult status. Bethany Orr's performance places her firmly in the ranks of Isabelle Adjani in Zulawski's classic "Possession." Orr's performance is not to be missed … nor is it to be misunderstood. Take time to indulge in this actor's revelations of character, nuance and the human condition. It is a visceral, infinite, and a deeply instinctive interpretation of one's loss of one's soul to the societal mediation of one's self.

Excess Flesh was a risk to make. Films like Excess Flesh are a risk for investors. Excess Flesh is a smartly produced hybrid genre film and the filmmakers deserve praise. Congrats to Exec Producer Dennis Garcia and Walking to the Moon Productions, for taking a chance on a film that needed to be made and for recognizing the talents of the filmmakers. You're a hero to indie filmmakers everywhere … Make more, please.

Excess Flesh is not for the weak of mind, heart, or soul. Take a look. Take your time and let happen. I recommend that you watch it more than once. Do it in excess.

This intimate look at the burgeoning relationship between two formerly platonic female friends is as much a warm love letter to the city of Los Angeles, seen through the lens of its delightful culinary traditions, as it is a tale is of finding love right where you least expect it — at home, in the kitchen... and the bedroom. From the opening, where roommate Jennifer awkwardly tries to compliment friend and roommate Jill ("You're not fat"), to the soulful kiss they openly share at the end, the evolution of these two reluctant partners' relationship as they fall inexorably into each others' arms is a heartwarming tale you'll remember at least though dinner.

Director Patrick Kineally, who has at least seen a music video, prods the story along like a pirate with a cutlass prodding you off the plank with amusing cut scenes featuring off-the- wall tertiary characters, like the nosy across-the-hall neighbor with her nonstop cavalcade of charmingly inappropriate, overdone gifts, or the handsome boyfriend with an apparent heart of gold who lives only to spread love as far and wide as he can.

The ultimate affect is a dizzying series of vignettes showcasing the growing connection of these two women, a tour-de-farce grounded in the the ingenious device of one's love of cooking without eating and the other's of eating without cooking, as it spins towards a glorious, triumphal act of love and conciliation as warm, beautiful, and crazy as the City of Angels itself.

Tear open a bag of Doritos and watch it with someone you love.