IMDb-BEWERTUNG
5,8/10
1516
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell-raising hero, Dylan Thomas.An aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell-raising hero, Dylan Thomas.An aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell-raising hero, Dylan Thomas.
- Auszeichnungen
- 7 Gewinne & 9 Nominierungen insgesamt
Empfohlene Bewertungen
Beautifully shot in black and white, this film offers a unique insight into Dylan Thomas' tortured soul...and more It's a sensitive yet gritty portrayal that keeps you hooked throughout. Celyn Jones and Elijah Wood have a natural chemistry on screen in their respective roles, with top class acting completing this gorgeous work of art. Jones' energy and dynamism in particular is enthralling. Thoroughly recommend viewing. Oh, and the cinematography is stunning. Loved the ethereal appearance of Thomas' wife. Ps For someone that has not taken an interest in Dylan Thomas before, I am now officially inspired to read his work. Could you ask for any more?
This film is the perfect example of why great writing, direction and performances will always be more important to creating great cinema than having oodles of cash and lavish visual effects. Shot in weeks not months, no one misses a beat in this story about an enigmatic, troubled genius. Wood and Jones are mesmerising as Brinnin and Thomas respectively and it's beautifully directed in black and white by Andy Goddard. Finally, a mention for Gruff Rhys whose haunting soundtrack perfectly augments a beautiful film. It amazes me that films like this have to fight to get made. One of the best films I've seen in the last few years. A must see whether a fan of Thomas or not.
Superb reviews here of a magnificent film.
One complaint.
Too often the music kills the moment.
When no-one is speaking, and also when someone is speaking, the scene would be more intense without musical sounds that intrude.
Many years ago, in the 1940s I believe, H.L.Mencken wrote strongly of his irritation when musical sounds were introduced into films for dramatic effect.
This is a film largely about the spoken word and human frailties, in brilliantly simple black-ands-white settings that are intimate whether in a field, a forest or a cabin.
Of course it's merely personal opinion, but to me the music here merely clutters a classic.
One complaint.
Too often the music kills the moment.
When no-one is speaking, and also when someone is speaking, the scene would be more intense without musical sounds that intrude.
Many years ago, in the 1940s I believe, H.L.Mencken wrote strongly of his irritation when musical sounds were introduced into films for dramatic effect.
This is a film largely about the spoken word and human frailties, in brilliantly simple black-ands-white settings that are intimate whether in a field, a forest or a cabin.
Of course it's merely personal opinion, but to me the music here merely clutters a classic.
This was an astonishing little film. What a performance from Elijah Wood. I did not know he had it in him. What can one say. Pitch perfect work. The Dylan Thomas character was great, and probably quite accurately portrayed, as a tormented soul. Great characters throughout, and excellent directing. The cinematography was breath takingly beautiful. If you are the literary sort, or enjoy poetry, this is quite a film. The locations were lovely, the sets were totally believable, the props were amazing, and the entire production was outstanding.
If you are looking for a lot of action, take a pass. This film is all about drama.
If you are looking for a lot of action, take a pass. This film is all about drama.
Having now watched this film twice I have to say that to me Set Fire To The Stars is a master class in classic film making, Hitchcock often referred to 'pure cinema' the art of story telling via the art of the composition of shots and the smooth editing used to translate the written word into a visual experience and this film truly achieves what Hitchcock discussed.
It takes me back to the classics of film, the films that originally drew my attention and focus into the importance of film as an art form and lead to my career aspirations of sharing the joy and experience I had felt into the minds of the young and impressionable generations of the future. I have been a lecturer in Film Studies for 15 years.
The relationship between Thomas and Brinnin is just so beautifully created it almost feels as though one is part of this close and personal journey they shared. The relationship that develops through the film almost brought me to tears on more than one occasion while watching the film (if not for being a true 'Yorkshire man' then I think I could have shed a tear or two) The pain and frustration that Brinnin feels towards Thomas can be truly felt by the viewer, in one moment their relationship is so perfectly created only for the next scene to totally destroy Brinnin's 'love' for Thomas – pride that almost immediately becomes embarrassment, joy that turns swiftly to sadness – can only be said to be breath taking.
The performances of both Celyn and Elijah are at the height of what one would expect from the classics of Hollywood in its Golden Age, I do have to say that Celyn outshines on more than one occasion - which are the moments that made me feel extremely emotional, a man on the edge who was so lost in excess that I felt extreme sorrow for the character and those around him.
The composition of the shots is without doubt awe inspiring; I did not find one shot that jolted me from this visual feast. I get great delight from films that are obviously so cinematic, sadly something that is missing from so many contemporary films and what distinguishes a film from a movie. The scenes that stood out the most to me are the lake scene, the café scene (which was perfectly composed), the chess game and the woodland – just perfect.
It takes me back to the classics of film, the films that originally drew my attention and focus into the importance of film as an art form and lead to my career aspirations of sharing the joy and experience I had felt into the minds of the young and impressionable generations of the future. I have been a lecturer in Film Studies for 15 years.
The relationship between Thomas and Brinnin is just so beautifully created it almost feels as though one is part of this close and personal journey they shared. The relationship that develops through the film almost brought me to tears on more than one occasion while watching the film (if not for being a true 'Yorkshire man' then I think I could have shed a tear or two) The pain and frustration that Brinnin feels towards Thomas can be truly felt by the viewer, in one moment their relationship is so perfectly created only for the next scene to totally destroy Brinnin's 'love' for Thomas – pride that almost immediately becomes embarrassment, joy that turns swiftly to sadness – can only be said to be breath taking.
The performances of both Celyn and Elijah are at the height of what one would expect from the classics of Hollywood in its Golden Age, I do have to say that Celyn outshines on more than one occasion - which are the moments that made me feel extremely emotional, a man on the edge who was so lost in excess that I felt extreme sorrow for the character and those around him.
The composition of the shots is without doubt awe inspiring; I did not find one shot that jolted me from this visual feast. I get great delight from films that are obviously so cinematic, sadly something that is missing from so many contemporary films and what distinguishes a film from a movie. The scenes that stood out the most to me are the lake scene, the café scene (which was perfectly composed), the chess game and the woodland – just perfect.
Wusstest du schon
- WissenswertesShot entirely on location in Swansea, Wales over 18 days.
- PatzerWhen Dylan and John's "boxing" gets out of hand, Shirley exclaims, "Don't get your pantyhose in a knot." Pantyhose were not available to the public until 1959.
- Zitate
Dylan Thomas: There is no secret, John. No Holy Grail. Just what's in front of all of us. Don't open a book. Open a window.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Запалюючи зірки
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 700.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.280 $
- Eröffnungswochenende in den USA und in Kanada
- 1.132 $
- 14. Juni 2015
- Weltweiter Bruttoertrag
- 4.280 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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