IMDb-BEWERTUNG
8,0/10
20.770
IHRE BEWERTUNG
Ein Mann verbringt zweiundzwanzig Jahre damit, nur mit Hammer und Meißel eine Straße durch einen tückischen Berg zu schlagen.Ein Mann verbringt zweiundzwanzig Jahre damit, nur mit Hammer und Meißel eine Straße durch einen tückischen Berg zu schlagen.Ein Mann verbringt zweiundzwanzig Jahre damit, nur mit Hammer und Meißel eine Straße durch einen tückischen Berg zu schlagen.
- Auszeichnungen
- 7 Nominierungen insgesamt
Shahzad Ahmed
- Gopal
- (as Shahzad Ahmad)
Ashraf Ul Haq
- Magru- Dashrath's father
- (as Ashraful Haq)
Empfohlene Bewertungen
This is a tale probably since its origin - BOLLYWOOD fails to give the necessary depth, breadth and focus to/on a topic. Whether it is the nation's heroes from Bajirao to Manjhi or it is a war epic, the focus is always on exaggerated display of love and other emotions and the facts are conveniently missed(since it requires more efforts and will). Some points to elaborate :
1. Not a single minute was dedicated to how Manjhi broke the rocks and carved the mountain. Well, he spent nights thinking about the strategy. He used to collect weeds, grass etc., create fire on the rocks wherever possible and suddenly cool them to develop cracks so that they would crumble. The other 5-6 huge rocks he took 1 month each to develop cracks. No effort was made to show these aspects
2. A torture of inept songs and Manjhi's bereaved love ! Just listen to his interviews and one would realize that his wife's death was just a trigger for his journey and the movie shows as if he is doing it only for his love - what a degenerated depiction of a man who had a much deeper and wider understanding of the social and practical problems plaguing the village
3. Manjhi attempted to build a bridge on a nearby river(not shown in the film), walked to Delhi for raising funds(!). He always thought that the whole state needs help and openly said that, yet, the film focuses on his work as a madman, well a madman always has a vision, a plan and a dream. The film comes out short on projecting this
The only savior for the films are its cast's efforts and few facts and dialogues.
Ketan Mehta first messed up Mangal Pandey and now Dashrath Manjhi. Bollywood should needs to seriously alter its approach towards non- fictional works, else, they end up in reducing heroes to some fairy tale stories, rather than concrete examples of success...
1. Not a single minute was dedicated to how Manjhi broke the rocks and carved the mountain. Well, he spent nights thinking about the strategy. He used to collect weeds, grass etc., create fire on the rocks wherever possible and suddenly cool them to develop cracks so that they would crumble. The other 5-6 huge rocks he took 1 month each to develop cracks. No effort was made to show these aspects
2. A torture of inept songs and Manjhi's bereaved love ! Just listen to his interviews and one would realize that his wife's death was just a trigger for his journey and the movie shows as if he is doing it only for his love - what a degenerated depiction of a man who had a much deeper and wider understanding of the social and practical problems plaguing the village
3. Manjhi attempted to build a bridge on a nearby river(not shown in the film), walked to Delhi for raising funds(!). He always thought that the whole state needs help and openly said that, yet, the film focuses on his work as a madman, well a madman always has a vision, a plan and a dream. The film comes out short on projecting this
The only savior for the films are its cast's efforts and few facts and dialogues.
Ketan Mehta first messed up Mangal Pandey and now Dashrath Manjhi. Bollywood should needs to seriously alter its approach towards non- fictional works, else, they end up in reducing heroes to some fairy tale stories, rather than concrete examples of success...
A truly awe-inspiring tale of a man's iron-will. The humble, vulnerable and impoverished character of Dashrat Manjhi's epic portrayal by Nawazuddin Siddiqui. A tragic love story which is woven into the fabric of poverty, evils of caste system and political brinkmanship. It keeps the audiences gripped with good comedy, action, thrills, romance. adventure, horror, fantasy and historic Biopic. Well edited no prolonged cut scenes, or unnecessary songs. Evolves into a streamlined fast paced bitter sweet movie for all to watch. There is no task bigger than breaking a mountain, so if he can so can you !!! The message is clear .... In-spite of the struggles, a man's vision to foresee a future when others disowned him shunned him as insane. Still achieves his lifetime of work in a monumental story of struggle although not beautiful, or carved out of marble like the "Taj Mahal", his work should be honoured and declared a wonder of this world. Its a classic. Rush to the cinemas near to u not for enjoying 2 hours of good show, but to learn and change your life from his.
Manjhi : The mountain man carried only by Nawazuddin. The films deals with a guy who breaks the mountain to take revenge for his wife's death. This film has lack of emotions and the intensity which it needed the most for this kind of script. Manjhi doesn't hit at the right spot of the audiences. As Manjhi breaks the mountain without anyone's help same as Nawazuddin carries the whole film on his shoulder with his sheer brilliant acting. Manjhi is the sum up of all his previous work. His acting is the only thing which kept me hooked till the climax. He just not only played Manjhi but he also lived the character. Radhika Apte in a small but a powerful role left an strong impact on the audiences. She played the role of Phaguniya wonderfully. It was delighted to watch her on screen. The first half of the movie was brilliant but the climax was stretched unnecessarily. Background score and other technical aspect was good especially the screenplay of the film. The director's work is magnificent in the film but Don't get any high expectation from the movie just go for Nawazuddin and to watch his one of the best performances till date.
Expect no grandeur and very un-Bollywood-like. The plot of the movie unfolds quite slowly like a classic movie should be, building up gradually in the first half and then you are so engrossed into the movie, that you hardly realize how quickly the second half passed by. Nawazuddin Siddiqui could have been the only actor at of today who could do justice to this role. Ketan Mehta has made sure that the real touch in this movie sticks as close to the actual incidences and he has succeeded thoroughly. Many filmmakers attempt to use or portray the themes from this part of India (like Amir Khan's PK or Salman Khan's Dabang). One can easily find that genuineness of Bihari culture is so hollow that it brings down the impact of the movie, rather than uplift it. The way all the actors have delivered their dialogues or put on their costumes is phenomenal. Siddiqui's performance is a stand-out and without doubt, it'll a benchmark in Bollywood, IMHO. Craziness of Manjhi is a legacy for Indians and Siddiquit has succeeded in bringing that out on the silver screen.
"Manjhi - The Mountain Man" takes you through the painful journey of a so-called low caste Bihari who takes on a mountain to avenge his wife's death.
Story: Based on a true story, the movie depicts how, the determined Dashrath Manjhi carved out a road through a mountain using only hammer and chisel in spite of all the bashing received from the fellow villagers (including his father), conspiracies by the village head to stop him and fake promises by the government. In the backdrop, the movie spends some significant time in the build up of the entire story, which is the life of Dashrath Manjhi before the incident - introducing the audience to the rampant and barbaric view of caste based discrimination in Bihar during 50s and 60s, which is prevalent to some extent even today, not just in Bihar but across India. The story is extremely well written and thoroughly researched. It is a story that deserved to be told to the entire country.
Acting: Apart from Nawazuddin Siddiqui, the movie doesn't boast of any big names. However, with the support cast of NSD stars - (late) Ashraf Ul Haq and Pankaj Tripathi - and the promising Radhika Apte, acting is one of the strongest departments of the movie. Their hard work behind projecting the characters is evident and the Bihari accent never sounds taught. The dialog delivery is impeccable and does great justice to the writer who wrote them. Some of the dialogs are very profound and will keep you pondering over it. A special mention for Radhika Apte who has rose like a phoenix through some of her recent performances in short movies - That Day After Every Day and Ahalya - and upped the benchmark in Manjhi, complementing and competing with Nawazuddin, in terms of acting.
Direction: Ketan Mehta has done a stupendous job in terms of ensuring the movie doesn't lose momentum at any point of time. The flow of the story moves back and forth between the years before his wife's death and after the death. But never, for once, it loses audience attention - full marks to the editing team for that. Some of the scenes are a complete surprise in terms of conceptualization and executed to perfection. His depiction of the socio-political scenario in Gehlaur during 50s and 60s through various incidents that Dashrath Manjhi and his wife encounter shows the depth of research that has went before shooting the movie. Some of the scenes are gruesome (even though a reality at that time) and makes you cringe. At one point of time, it reminded me of Prisoners which had a similar aura.
The Mountain: I would also add the "mountain" to the list of characters as the movie also portrays how its relationship with protagonist evolves over a period of time. Although the movie celebrates the victory of a man over a mountain, it also portrays Manjhi's relationship with the mountain and its evolution from his childhood till he carves out the road through it.
Overall: Overall, the movie is a must watch. It shows what strong determination can achieve against all odds.
Story: Based on a true story, the movie depicts how, the determined Dashrath Manjhi carved out a road through a mountain using only hammer and chisel in spite of all the bashing received from the fellow villagers (including his father), conspiracies by the village head to stop him and fake promises by the government. In the backdrop, the movie spends some significant time in the build up of the entire story, which is the life of Dashrath Manjhi before the incident - introducing the audience to the rampant and barbaric view of caste based discrimination in Bihar during 50s and 60s, which is prevalent to some extent even today, not just in Bihar but across India. The story is extremely well written and thoroughly researched. It is a story that deserved to be told to the entire country.
Acting: Apart from Nawazuddin Siddiqui, the movie doesn't boast of any big names. However, with the support cast of NSD stars - (late) Ashraf Ul Haq and Pankaj Tripathi - and the promising Radhika Apte, acting is one of the strongest departments of the movie. Their hard work behind projecting the characters is evident and the Bihari accent never sounds taught. The dialog delivery is impeccable and does great justice to the writer who wrote them. Some of the dialogs are very profound and will keep you pondering over it. A special mention for Radhika Apte who has rose like a phoenix through some of her recent performances in short movies - That Day After Every Day and Ahalya - and upped the benchmark in Manjhi, complementing and competing with Nawazuddin, in terms of acting.
Direction: Ketan Mehta has done a stupendous job in terms of ensuring the movie doesn't lose momentum at any point of time. The flow of the story moves back and forth between the years before his wife's death and after the death. But never, for once, it loses audience attention - full marks to the editing team for that. Some of the scenes are a complete surprise in terms of conceptualization and executed to perfection. His depiction of the socio-political scenario in Gehlaur during 50s and 60s through various incidents that Dashrath Manjhi and his wife encounter shows the depth of research that has went before shooting the movie. Some of the scenes are gruesome (even though a reality at that time) and makes you cringe. At one point of time, it reminded me of Prisoners which had a similar aura.
The Mountain: I would also add the "mountain" to the list of characters as the movie also portrays how its relationship with protagonist evolves over a period of time. Although the movie celebrates the victory of a man over a mountain, it also portrays Manjhi's relationship with the mountain and its evolution from his childhood till he carves out the road through it.
Overall: Overall, the movie is a must watch. It shows what strong determination can achieve against all odds.
Wusstest du schon
- WissenswertesBiopic based on true story of Dashrath Manjhi.
- PatzerWhen Manjhi is taking bus to his village, we can see instructions on bus door in Marathi. Marathi is not the language of Bihar.
- Zitate
Dashrath Manjhi: Never depend upon God.
[pause]
Dashrath Manjhi: Who knows that God may depend upon you?
- VerbindungenReferenced in Freaky Ali (2016)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Манджхи: Человек горы
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 80.000.000 ₹ (geschätzt)
- Laufzeit
- 2 Std.(120 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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