Matilda: Das Musical

Having seen the stage show several times I was intrigued to see how this would. What this film will suffer from is being compared to the theater version on which it is based.

It is inevitable that to make the transition things would need to be cut, but sadly a lot of what is missing affects the surroundings of Matilda (e.g. The Wormwood's obsession with TV, how odious they are.) Some of what remains speeds by quickly and so doesn't have the impact it really should (e.g. The 'green hair' setup is blink-and-miss-it.)

Sadly, Emma Thompson as Trunchbull didn't work for me; there is more to this nasty character than just shouting at the children and I didn't feel she was intimidating as it needed to be. During 'The Hammer' this is perhaps most noticeable; she sings well but it is much the same delivery throughout - 'shouty' and lacks the cold-hearted simple delivery you get on stage. The accent changes a few times and I couldn't get away from thinking 'That's Emma in a suit' rather than 'what a sinister and intimidating character.'

Minchin's songs though are at least as bright and bouncy as the stage show counterparts. Alisha Weir is a fantastic Matilda and Lashana Lynch as Miss Honey really gets the backstory of the character.

The screen version allows a lot of playful direction too that cannot be achieved in a theater so there is much visual delight to gain from seeing this. A particular highlight is how the Trunchbull is frightened off at the end, which enabled it to be much more 'frightening' than the stage version.

Overall, an enjoyable viewing but you can't help but go away comparing it to the stage show if you've seen it.

There is so much to enjoy about Matilda the Musical.

It captures that certain kind of magic that only a musical can. It is rammed full of top class performances (Emma Thompson shines, and Alisha Weir is terrific in the lead role). The plot is very well put together and is full of outrageous fun and effective comedy. It captures the quirkiness and wonder of Roald Dahl's story perfectly.

The only real drawback for me is the songs. I only found myself properly enjoying the final song and dance. The rest just weren't really my cup of tea. Had there been a couple of more powerful or catchy songs I definitely would have given this film another star or two. I also though some of the acting was hammed up just a little too much for my liking.

Undoubtedly though Matilda is a very entertaining and fun film that will be sure to put a smile on your face.

THANK YOU Netflix for not letting this go straight to streaming. You just cannot beat the cinema experience and with a score and orchestrations like this you need that Dolby surround sound to appreciate the fullness.

I saw the film as a kid, and as I love musicals, I listened to the soundtrack on Spotify last week and can totally understand why this won so many awards. I would suggest that The Greatest Showman actually copied some of their score as there are so many parities.

The casting is first class, there is not a bad link anywhere in the production and what can I say about Emma Thompson, she is one gifted actress and always commands the screen, never more so than here. She would say that actors don't saves lives and it's just a job, but she does it SO well, in the world of awards she totally deserves one for this and ALL her work. Miss Honey had a beautiful voice and amazing actor too, the child lead was equally as outstanding.

I found the story very moving and tears were rolling down my face when 'Quiet' started. Yes, I'm a bloke, and unashamedly get emotional at things like this.

A part of my job as a community nurse is Safeguarding children and, although I found the film funny when I was young, not so now, however it was done very responsibly and sent out the right number of messages about 'telling someone'. I found parts very dark, that originally, I would have been able to view as humorous.

Kids don't ask to be born do they.

Most people were crying at times, especially at the end so take your tissues!

The filming was done in bright colours which makes a change from the drab brown screen.

The musical numbers were superbly choregraphed and the orchestrations made the hair on the back of my neck stand up.

I will see it again with my family next week, it is THAT good.

Netflix did an amazing job with The Prom too, but sadly they let that go straight to streaming, I really hope they learn from this and stop just streaming all the really good stuff, which is few and far between anyway, obviously.

The kids were great! The acting, singing, and dancing was all on point. Emma Thompson was also amazing and did a wonderful job.

The other adults on the other hand were sadly forgettable. Even miss honey didn't feel like a main character. I grew up with the old 90's movie Matilda and miss honey was very important and you could feel that she loved Matilda with their acting. This miss honey had a beautiful voice, but it felt like there should have been more scenes with her teaching and talking to Matilda.

I was entertained almost the entire two hours of film which is what i consider good. It's not perfect but it was still fun.

It's been 26 years since the premiere of Matilda, the iconic film of the nineties and cleverly directed by the great Danny DeVito. Today it is the turn of Matthew Warchus to take over and deliver us a perfect successor to the 1996 film with a sublime musical of the popular Roald Dahl novel.

It is charming, dark and portentous.

The script that Dennis Kelly writes simply shines with mastery to deliver us a movie that completely fills our emotions and sensations. It is a film that enchants from the beginning, but that does not hesitate to take us into darkness, authentically capturing that purest essence of the novel and for that the visual spectacle is totally marvelous that makes us be glued to the screen and simply enter in the musical and lyrical harmony of Tim Minchin that puts the most recent Netflix premiere at our feet.

The cunning with which the director takes Kelly's splendid script to images, allows us to have a first-cut cinematographic experience when watching it. With perfect musical segments in choreography and dance and the darkness in moments of feeling that you are in a subtle world of Stephen King. That combination elevates to a point of maximum enjoyment of everything we are seeing on the screen and to a large extent hypnotized by the photography provided by Tat Radcliffe that intensifies all that greatness that this new version of Matilda supposes that at no time forgets that theatrical blood of which is fed.

That good performance of all of the above mentioned makes us forget about the weak points that the film may have. The perfect compensation so that we end up more than satisfied with what we are seeing.

From the greatness of Emma Thompson to the promise of Alisha Weir.

Undoubtedly the greatest charm that we find is seeing Alisha Weir be the skin of Matilda; The acting charisma with which the little actress dazzles on the screen makes us excited about a promising one and that is that she comes face to face with all the poise of an Emma Thompson and both only make the screen shine with magic when we have them sharing the scene.

I cannot leave aside the correct work that the rest of the children's cast does and seeing Lashana Lynch sing is priceless, in the same way I cannot leave aside the entertaining step of Andrea Riseborough and Stephen Graham as Matilda's parents.

A cast that further highlights the good work that the film had already had.

Conclution.

It is a pleasant surprise, what it means to be the new version of Matilda for Netflix from Sony.

A film full of emotions that transports you through all those sensitive fibers with which we count as a spectator. Joy, darkness, sorrow and hope cover the 117-minute journey to the pleasure of enjoying a perfect adaptation of a novel and a play, capturing the best of both scenarios to provide an enriching experience on the screen.

A film that is worth watching and enjoyed by both adults and children, it is the journey through what it is to be a child and also what it means to be parents, it is a tale of the purest feeling called love.