The Messenger

The Messenger is a slow burn, psycho supernatural mystery.

Jack, played by Robert Sheehan, is a medium, of a scruffy, unkempt, variety. Jack's abilities have not made him rich or famous. Instead, Jack is marginalized by society and in an real sense, condemned by his talent. Jack leads a life of dispossession and isolation.

This film, in large part, takes place inside Jacks head. The plot builds ever so subtly and there are segues that make you question what exactly is taking place. The question of who and what Jack is, is as much a mystery as the unfolding story of a murdered journalist. Is Jack in fact in possession of supernatural abilities that let him talk to the murdered reporter or is he, more plausibly, mentally ill?

The story is explained, in part, by references to Jacks past. The movement between the past and present can be somewhat disorientating. For me this was one of the few annoyances in this film but a necessary one when the films conclusion is finally reached.

The acting, especially Sheehans performance, is remarkable. Sheehan makes you empathize with and in an odd way, appreciate and understand Jack, especially when his past is brought to bear on his current predicament.

All in all this is really worthwhile, very human story. Its not for the impatient so if you like you rewards early on this film may not be for you. If, however, you are willing to take the time, you may come to see what an excellent, if understated work, The Messenger is. Nine out of ten from me.

Jack is something of a psychic or medium who sees the dead. Or rather they seek him out to send messages to the loved ones they have left behind and did not get the chance to say goodbye to. Now the idea is far from new but the film tries to see it from Jack's perspective.

We get the back story in flashbacks and also the constant analysis of his psychiatrist. There is also his estranged sister and the attempts to reconnect. The film itself struggles to find the moments that are essential for a thriller, so has to rely instead on the story. That is where it comes unstuck in that it tends to plod and despite the inspirational landscapes, that are a recurring theme, it still remains essentially bleak.

The cinematography is excellent and the acting is all top rate. Robert Sheehan as Jack is very good as the troubled – but essentially well meaning – young man who has been branded because of his 'powers'. Tamazin Merchant is his 'worried' sister and is also fine. It is though a pretty grim watch with no denouements that will lighten the load. However, it is still a more than watchable affair for all that and it kept my attention for the duration – so can't be too bad.

First off Robert Sheehan is such a good actor that unfortunately he makes the rest of the cast look woefully inadequate Especially lily cole . The film started with promise but failed miserably

Have to say that the acting in general was good. Unfortunately, even for a drama, it was too long winded. Some dialogs were ridiculously unreal. Even someone with a twisted mind wouldn't act like that. Too much attention seeking from someone with basically a burden.

Too much drama will kill a film. Again, I have to say its a British film. Like most British films they are produced for a market. The British market. Story's where the viewer is expected to go deep is actually a Spanish or South American specialty. Or even better, Asian country's.

The story itself is good. It doesn't matter if it is a "I see Dead People" film. There are thousands of films in all genres that have something from another film, or even the first in that genre.

Its just not my thing. As far as I am concerned you should leave these kind of films to Hollywood, or other specialists in drama.

How ever, if you like British drama's, just have a look at this one. For every genre there is a market.

I just happen to be on the wrong market with The Messenger.

Jack, played by Robert Sheehan, is a medium, of a scruffy, unkempt, variety. Jack's abilities have not made him rich or famous. Instead, Jack is marginalized by society and in an real sense, condemned by his talent. Jack leads a life of dispossession and isolation.

This film, in large part, takes place inside Jacks head. The plot builds ever so subtly and there are segues that make you question what exactly is taking place. The question of who and what Jack is, is as much a mystery as the unfolding story of a murdered journalist. Is Jack in fact in possession of supernatural abilities that let him talk to the murdered reporter or is he, more plausibly, mentally ill?