Schneider vs. Bax

I was not particularly interested in Schneider vs. Bax, although I am quite a Van Warmerdam-fan – especially after his magnificent movie, Borgman. I thought it would be a dark, sombre, shoot 'm up, where man's barbarous, grimy soul would be shown. But the movie proved me wrong. It is a far more comic and playful film than I suspected. Yes, it is a shoot 'm up: a hunt between two hit man. But it is as far removed from ordinary man hunt movie as can be. The grim, dark humor of Van Warmerdam, the beautiful northern Dutch water landscape and the intricate script makes it a great movie experience. Schneider vs. Bax is the next great Van Warmerdam film.

I love this film. There is no background music it's set in bright daylight. How does Warmerdam accomplish this?

This could be a Van Warmerdam for beginners. It has the typical Van Warmerdam weird style, but the story still kind of makes sense. After his quite dark (but great) movie Borgman, this one is a bit more lighthearted.

Two quite capable killers / fathers are commissioned to take each other out for unclear reasons. There are whoever many people walking in the way and they would like to get the job done without to much collateral damage. In a way many of the characters in this film are more like 'real people' than in the average film. Many, but not all, its still a Van Warmerdam..

I really liked it.

This wild and dark Dutch film is not for everyone, but for those viewers who like all kinds of strange twists and surprises in their movies, this one could well be to your liking.

Tom Dewispalaere stars as Schneider, a contract killer who reluctantly takes a job on his birthday, as he's assured that the "hit" will be quick and simple, on a writer living in an isolated lakeside bungalow. Alex van Warmerdan, who also wrote and directed the film, co-stars as Bax the supposed intended victim.

However, I probably don't have to tell you that things will definitely not go according to plan, beginning with Bax's daughter Francisca (Maria Kraakman) showing up at the bungalow. From that point on, they'll be a whole series of bizarre happenings, that just get darker and darker as the movie progressed. To be aware,they'll be lots of drug usage on screen, a couple of scenes of nudity, an attempted sexual molestation, and, of course, lots of violence as you'd expect here.

All in all, if this type of black humor is done well, as I thought this one certainly was, it can be a real treat. Although some of the plot elements didn't make complete sense and I wasn't thrilled with the ending, the overall scope of the film made it really enjoyable for me.

Schneider and Bax have a lot in common. Each is a hit man. They are both good at what they do. They also work for the same employer. Each, amazingly, has a job to do at the same time and on the same day. Also, both are targets. Each is unknowingly tasked with killing the other. This is where the similarities end however. Schneider and Bax have opposite styles, personalities and lives. Schneider is a family man, or at least he appears to be. He lives in the city and is methodical, devious and relentless in going about business. Bax, on the other hand, is carefree and lighthearted. This relaxed attitude is aided considerably by the heavy doses of drugs and alcohol he consumes. With his nightmare of a girlfriend and family, he probably needs them. As Schneider closes in on Bax the latter is visited, in turn, by his daughter, father and girlfriend, each of whom is unstable and volatile.

This thrilling dark comedy is full of twists and turns as the hit men are constantly dealing with complications they did not expect. Alex van Warmerdam also directed Borgman, which is as zany as it is creepy (I loved it). Like Borgman, Schneider vs. Bax is also very different from traditional Hollywood slop, and van Warmerdam adds much more humor to the mix this time. The acting, directing, images and storyline are all good. The film falters only in that not enough money and talent was provided in order to move the film to the next level. Seen at the Toronto International Film Festival 2015.