Schneider vs. Bax

Typical Van Warmerdam movie: absurd and funny, and for most an acquired taste. I thoroughly enjoyed the movie but the ending was not satisfactory, as if they ran out of budget for a final part. Like jazz improv, I think an absurd plot should return (within reach) to a realistic home.

Two things bugged me though:

• Drug use incapacitated a number of characters at different times, which seemed nonfunctional regarding the plot, unless the argument is to be able to shift focus to other characters. In this vein, it seemed unnecessarily crowded with characters that did not seem to add much (for example, Ramon's girlfriend)
• Continuously running/locking in and out of rooms in this tiny bungalow (or through the reeds) seemed an unnecessary distraction as well, and looses its effect after a while.

I can't help but think that addressing the last two points could have been used to add a bit more depth to the characters, their relationships, or a more satisfying penultimate act.

After 'Abel', 'de Noordelingen ', 'kleine Teun', 'de jurk' and many others, this is another example of Alex' special, wonderful qay of storytelling. He has this very special way of filming in a hyper-realistic fimstyle, with an ironic sense of humor. You have to understand 'the language'. The situations are absurd, the human relations are often distorted, the humor is wry. I love it! Who needs music, when a movie is this brilliant?

Alex Van Warmerdam is a director with a very distinguishable cinematographic style. In most of his films, everything is just a little bit out of the ordinary, but it's hard to say why exactly. 'Schneider vs Bax' is no exception.

Nevertheless, I think this film is not as good as most of his other movies. This is a crime thriller about contract killers, and in such a film even Van Warmerdam needs a script that's tight and logical. Unfortunately, it is neither. There are strange, inexplicable events, the story swerves in all directions, and there is not really a lot of suspense.

You could argue that Van Warmerdam's unique, slightly bizarre style of film making compensates for these flaws. For some this might be the case, for me it wasn't. The unique Van Warmerdam chemistry of some of his other films didn't work as well in this one.

Still, there is much to enjoy. The phlegmatic way the killers behave, as if what they do is just as ordinary as baking a cake or driving a truck, is a nice feature. There is also the Dutch landscape of treeless lakes and flat marshes, with one wooden house in which much of the action takes place.

But overall, I think this film could have been a lot better with a script in which every action is functional and every person behaves logical. The acting was also a bit uneven. I liked Tom Dewispelaere as Schneider, but Van Warmerdam himself as Bax was less convincing. Maria Kraakman played a nice part as Bax's depressive daughter who seems to be a damsel in distress, but at the end enjoys pulling the trigger as much as the contract killers.

A scene nearing the third act - no spoilers - revolves around a character (played by the writer and director) insisting there are crackers in the cabinet only to realize in fact there are no crackers in the cabinet. That pretty much sums up the movie for me. It is incredibly slow and predictable after the first build-up and plays out very systematically until the end. I was a huge fan of Borgman but this movie feels like a step backwards, like borgman made for children but messed up so it's technically for adults. But take out the guns and violence and drug references and change everyone to kids with paintball guns having a fun Saturday in the fields then wow what a movie. But we end up instead with something that comes across as incredibly pretentious, thinking itself of a higher standard than a randomized cat & mouse game movie popular in the 1980s but absolutely nothing new here. That's my opinion. I did however enjoy some of the conversations between Bax and the daughter. The drug references were also very clever.

This wild and dark Dutch film is not for everyone, but for those viewers who like all kinds of strange twists and surprises in their movies, this one could well be to your liking.

Tom Dewispalaere stars as Schneider, a contract killer who reluctantly takes a job on his birthday, as he's assured that the "hit" will be quick and simple, on a writer living in an isolated lakeside bungalow. Alex van Warmerdan, who also wrote and directed the film, co-stars as Bax the supposed intended victim.

However, I probably don't have to tell you that things will definitely not go according to plan, beginning with Bax's daughter Francisca (Maria Kraakman) showing up at the bungalow. From that point on, they'll be a whole series of bizarre happenings, that just get darker and darker as the movie progressed. To be aware,they'll be lots of drug usage on screen, a couple of scenes of nudity, an attempted sexual molestation, and, of course, lots of violence as you'd expect here.

All in all, if this type of black humor is done well, as I thought this one certainly was, it can be a real treat. Although some of the plot elements didn't make complete sense and I wasn't thrilled with the ending, the overall scope of the film made it really enjoyable for me.