IMDb-BEWERTUNG
7,6/10
2072
IHRE BEWERTUNG
Er hatte eine Chance, der Welt zu zeigen, dass er immer noch der King of Rock 'n' Roll war. Entdecken Sie die Geschichte hinter Elvis Presleys triumphalem Comeback-Special von 1968.Er hatte eine Chance, der Welt zu zeigen, dass er immer noch der King of Rock 'n' Roll war. Entdecken Sie die Geschichte hinter Elvis Presleys triumphalem Comeback-Special von 1968.Er hatte eine Chance, der Welt zu zeigen, dass er immer noch der King of Rock 'n' Roll war. Entdecken Sie die Geschichte hinter Elvis Presleys triumphalem Comeback-Special von 1968.
Steve Binder
- Self - director
- (Synchronisation)
D.J. Fontana
- Self
- (Archivfilmmaterial)
Scotty Moore
- Self
- (Archivfilmmaterial)
Elvis Presley
- Self
- (Archivfilmmaterial)
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I never understood Elvis growing up in 1970s Ohio. My parents were fans and we had his LPs in our wood console stereo cabinet, but to me, he was a Vegas lounge act from an era when where careers went there to die. After we watched Netflix's fascinating documentary on Elvis' 1968 NBC comeback special, "Return of the King: The Fall and Rise of Elvis Presley", I finally got it. This compact and insightful film gives a well-rounded view of the man, the myth, the legend, (re)igniting an admiration for his artistry.
We then followed up with Sofia Coppola's film, "Priscilla", providing another layer of perspective on the Elvis story. The biopic gives the perspective of Priscilla Presley (though vociferously denied by Lisa Marie), offering a full view of the sad, complicated tale of a flawed genius gone too soon and the woman he loved. I found Priscilla more engaging than expected, and Coppola's direction and impeccable use of popular music, as seen to great effect in "Marie Antoinette", added depth and emotional resonance to the story.
To close out our Elvis era, we re-watched Baz Luhrmann's "Elvis", featuring Austin Butler's magnetic portrayal, which was even better the second time round, and "Viva Las Vegas" with Elvis and Ann-Margret, in a light, frothy romp around Sin City. To wrap up my deep dive into all things Presley, I just started Lisa Marie and Riley Keough's biography "From Here to the Great Unknown".
We then followed up with Sofia Coppola's film, "Priscilla", providing another layer of perspective on the Elvis story. The biopic gives the perspective of Priscilla Presley (though vociferously denied by Lisa Marie), offering a full view of the sad, complicated tale of a flawed genius gone too soon and the woman he loved. I found Priscilla more engaging than expected, and Coppola's direction and impeccable use of popular music, as seen to great effect in "Marie Antoinette", added depth and emotional resonance to the story.
To close out our Elvis era, we re-watched Baz Luhrmann's "Elvis", featuring Austin Butler's magnetic portrayal, which was even better the second time round, and "Viva Las Vegas" with Elvis and Ann-Margret, in a light, frothy romp around Sin City. To wrap up my deep dive into all things Presley, I just started Lisa Marie and Riley Keough's biography "From Here to the Great Unknown".
This is a a very good documentary of Elvis Presley. It is centered around his 1968 Comeback Special. The film is a sort of companion piece to the highly successful Baz Luhrmann film. Baz is heavily interviewed together with the Priscilla Presley. There is more here than the 1968 Comeback- the main part of the story is what lead to the need for the Comeback at all. That was a series of monetarily momentous, yet culturally disastrous decisions by his Manager, Col. Tom Parker. The footage is great. The music is great. The film is not too long. I highly recommend this for Elvis fans, or for people not too familiar.
You forget, or at least I did, just the incredible talent Elvis had. You can hear it in his music but as one commentator reflected, it's a whole other level when you 'see it'. This documentary smartly gives a reprisal of his career (not long, that's been done and done), how it went wrong but focuses on how this special helped him find his way back. I was very touched by the outtakes, showing his nervousness making the special. A lot of the footage I had not seen before so that was interesting. Although Elvis looked like a god (truly beautiful man), he wasn't arrogant or entitled, he had charisma. He had that in spades, and you just don't see that anymore in my opinion. The documentary does well to have various legends like Springsteen and the late Robbie Robertson talk about that sheer talent and influence. What I liked even more was the friends and back singers interviews, Conan Obrien and of course Priscilla Presley. I think this is definitely worth the watch. Netflix has had some misses, this is definitely a home run!
Whether you are a big fan or someone just starting to learn about Elvis Presley's story, anyone who watches this super production will see facts, reflections and discoveries that are increasingly surprising when we think about the artist's masterpieces, his humanization, personal trajectory, his feelings and their impact on the American entertainment industry (which spread throughout the world).
More than that. Anyone who watches this documentary will see how the man's life was partly shaped and even impacted (both positively and negatively) by the captains of industry, and how the paths of Elvis and even society could have been different and more lasting if it weren't for the evil greed of others.
When I first read the title, I was displeased with the fact that it insinuated that there was in fact a "fall" of Elvis Presley, since to this day his works and actions are admired and arouse strong emotions and projects all over the world. But if you read it carefully, you'll notice that the "rise" comes after the "fall", showing how he recovered from difficult times and continues to rise in music, movies, art, fashion, business and society.
A beautiful, true documentary, with fans, historians, colleagues and relatives who really lived with him and know what happened at the time, as well as artists and professionals today who know how he must have felt, with the empathy that only those who live in the same environment know how this business works.
Even as a "documentary" with sincere and exciting facts, the production brings action, suspense, lots of energy and intimate views on different moments in the life of the King of Rock, from before he won this title, to the phase of one of his greatest artistic achievements, known as the '68 Comeback Special show (the first musical acoustic recorded and televised) that changed many trajectories, both in Elvis's life and in the lives of several other artists and the public.
Those who know the story may feel like something is missing at the end, since even after the shocking ending of the 1968 show (which is the focus of the documentary), Elvis actually continued his career with another 9 years full of innovations and stardom in his Las Vegas phase, show circuits all over the US, new successful films, the first show broadcast via satellite to the entire world and other artistic and personal changes of great value.
Since the king's life was relatively short, but full of such great achievements compared to the short time he was physically with the public, there really wouldn't be enough space in this particular production to show all the rest of it. There are already other works that talk about these other complex and spectacular moments.
But whether or not this rest of his life is present in this documentary, what anyone can feel after watching the work, as after listening to any album or watching any other show by the great Elvis Presley, is that good feeling of "I want more".
More than that. Anyone who watches this documentary will see how the man's life was partly shaped and even impacted (both positively and negatively) by the captains of industry, and how the paths of Elvis and even society could have been different and more lasting if it weren't for the evil greed of others.
When I first read the title, I was displeased with the fact that it insinuated that there was in fact a "fall" of Elvis Presley, since to this day his works and actions are admired and arouse strong emotions and projects all over the world. But if you read it carefully, you'll notice that the "rise" comes after the "fall", showing how he recovered from difficult times and continues to rise in music, movies, art, fashion, business and society.
A beautiful, true documentary, with fans, historians, colleagues and relatives who really lived with him and know what happened at the time, as well as artists and professionals today who know how he must have felt, with the empathy that only those who live in the same environment know how this business works.
Even as a "documentary" with sincere and exciting facts, the production brings action, suspense, lots of energy and intimate views on different moments in the life of the King of Rock, from before he won this title, to the phase of one of his greatest artistic achievements, known as the '68 Comeback Special show (the first musical acoustic recorded and televised) that changed many trajectories, both in Elvis's life and in the lives of several other artists and the public.
Those who know the story may feel like something is missing at the end, since even after the shocking ending of the 1968 show (which is the focus of the documentary), Elvis actually continued his career with another 9 years full of innovations and stardom in his Las Vegas phase, show circuits all over the US, new successful films, the first show broadcast via satellite to the entire world and other artistic and personal changes of great value.
Since the king's life was relatively short, but full of such great achievements compared to the short time he was physically with the public, there really wouldn't be enough space in this particular production to show all the rest of it. There are already other works that talk about these other complex and spectacular moments.
But whether or not this rest of his life is present in this documentary, what anyone can feel after watching the work, as after listening to any album or watching any other show by the great Elvis Presley, is that good feeling of "I want more".
Gives new life to an incredible story. But does not do justice to his fascination with religion. Elvis used to carry a Bible with him everwhere, and he would ask friends to open to a page at random, pick a verse, and he would complete the verse from memory. In my IMDb comment on the original ELVIS THE COMBACK SPECIAL (1968) -- on my IMDb list of best all-time films -- I suggested that, decades from now, historians looking back at our present time period will note that, of the many dozens of Conspiracy Theories floating around, the Bob Joyce controversy was the only one that could actually produce a smile. The world is a brighter place with him still in it. Do your own research. Start with "Clark Kent Syndrome." ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Wusstest du schon
- WissenswertesElvis himself was not pleased with the special, telling a Las Vegas audience in 1969 that "It wasn't very good." His comments are captured on the live disc of the "Viva Las Vegas!" 2-CD set.
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