Tevar

don't know y people are giving negative comments to this movie. the movie is packed with action. there is a little bit lack of story but overall a good worth watching mas-ala action flick. Songs are nice. and for those who are saying that background song Jogniya while action scenes ruined the action scenes is completely wrong. Because for me that Jogniya song has added a power factor to those action scenes, makes scenes more impactive also the direction is good. Arjun is completing the demand of the movie very well also his family members and friends(in movie) are giving their needed contribution to movie Sonakshi is also looking beautiful in the movie...but movie is lacking a little in romantic scenes. and here comes the MANOJ BAJPAYI, always good...entertaining with skill of humor and showing rage both. Raj Babbar got not enough scenes to show his acting. overall a worth watching movie with some good actions n few comedy scenes and yes the songs are also good.go n watch, you will find yourself.

Watch it only for Manoj Bajpai. There's nothing in the movie. Feels like you watching some 90s B grade flick!

'Tevar' meaning attitude is filled with macho-ism, routine action sequences and cheesy romance. Never expected some class cinema going through it, tried having an open-mind to enjoy anything it offers but still it failed terribly. Very bad start to new year for Bollywood. 'Tevar' has nothing new using regular formula of masala drama in Indian Cinema.

Main hero here played by Arjun Kapoor is Pintu Shukla a local kabbadi player of Agra, capable of winning matches single-handedly. Apart from that he is also a human-superman always ready to help people in danger using his strength. While Arjun tries his best to give a decent act but the character of Pintu lacks motivation and direction. His one-dimensional motive of helping out anybody no matter what lacks substance. At the same time we are introduced to the villain in Mathura, Gajendra Singh (Manoj Bajpai) a crime lord and the brother of Home minister. He falls for Radhika (Sonakshi Sinha) while watching her dance and straightaway starts pressurizing her to marry him. Both Pintu's and Radhika's road cross while Pintu was visiting Mathura and sees Gajendra forcibly dragging away Radhika who was trying to escape to U.S. As always our Superman needs to save the damsel, and here on the story is very predictable and seldom engaging.

While the first hour of character development was very bland and boring, but suddenly film gets engaging in the middle with some chase sequences and interactions between the villain and hero. Manoj Bajpai is always dependable but his talents are wasted here. Even though he was great to watch in many scenes yet the character of Gajendra also like the hero is quite one-dimensional. On the opposite side, Sonakshi Sinha gives another bad performance.She was unable bring forth her romance on the screen which is the only thing her character does starring clueless at Pintu. Surprises me she gave such a wonderful act in 'Lootera', her only film I liked so far. While Pintu's family was more likable though especially his sister. The film was not pathetic until the last half-an-hour of prolonged and tiring climax with lame predictable ending.

The film is shot nicely though, its always wonderful to have Taj Mahal in the backdrop.Debut director Amit Sharma shows a lot inconsistency. All the songs do not fit into screenplay nicely and feel forced. There is also romance and song in a chase sequence in second half which completely ruins the thrill and atmosphere built up. The dialogues are unremarkable plus the action is senseless and dumb. The length of 150 plus minutes is deterrent and mind-numbing. The production value is high, but even with lots of promotion I think this film will simply fail to entertain the audience. Overall, 'Tevar' was not only a terrible piece cinema but falls hugely short even as routine Bollywood action-flick.

RATING: [1/5]

If one wishes to list the negative features associated with this first biggie of 2015, then TEVAR has got many. Beginning with once again being an official remake of a south hit titled OKKADU (Telugu – 2003) revolving around the same old repetitive plot seen many times before with a much longer length than required due to many below average unwanted songs thrown just at the wrong timings slowing its otherwise racy pace quite severely. Full of fights, swords, guns, goons and murder it has all clichéd characters ranging from a carefree boy-hero, his group of friends, a police officer father, a caring mother, a bubbly sister, an active politician with his cunning brother and a heroine who is the center of attraction as always in a typical Bollywood film.

But despite all the above mentioned flaws, I am still not willing to ridicule the film completely since it does give you many decent masala moments within this fixed format and has many technical merits in its favour too ranging from a pulsating background score, excellent camera-work and some well-conceived long action/chase sequences shot on actual locations, providing the much required exciting moments throughout along with some fine performance delivered by the known names.

Starting with an enjoyable local feel of a small town TEVAR opens energetically featuring Kabaddi, an introductory fight and a well- choreographed song "Superman" in the first 15 minutes. But then goes back to all formula twists as Sonakshi and other major characters enter the screen with some entertaining dialogues. Its major plot gets revealed just after the dragging "Radha" song and the film becomes entirely predictable post that sequence unarguably. The poor songs keep hindering the pace one after another adding to the over-length of the film making it more than 150 minutes long. And then, though the film keeps coming up with some engaging moments at a regular basis both before and after the interval, it sadly all ends with a pretty poor, obvious and over the top climax that should have been altered.

However what still makes TEVAR a fairly entertaining film for the masses is the sum of few well written dialogues, superbly conceived action as well as confrontation sequences and Manoj Bajpai alone to be straight. Arjun Kapoor gives an honestly worked out performance (particularly in the action sequences) justifying his banal lead character making a visible effort but his overall impact still lacks the punch probably due to the thin voice texture and a bit of over-confidence. Astonishingly Sonakshi Sinhaonce again does a similar 'seen before' kind of role as if she is doing it in a sleep walk whereas the supporting cast efficiently lift up the film featuring the impressive Raj Babbar (as the father), Deepti Naval (mother), Subrat Dutt (as Bajpai's sidekick),Rajesh Sharma (as the politician) and the girl playing Arjun's younger sister.

Returning to Manoj Bajpai, the main savior of the film, its really amazing how he manages to add a lot of newness in a character that he has already played in a few films before. And that's exactly the reason why he is considered one of the most gifted actors of our present times unanimously. In other words TEVAR majorly survives due to Manoj Bajpai ruling the scenes in particular along with the worth watching action, dialogues and cinematography capturing the local feel effectively. Having said that, its editing taking out at least 3 songs and few sequences could have resulted in much better film for sure.

Directed by the talented Amit Ravindernath Shar as his debut film, it does give you glimpses of an experienced man who knows his job well. And I hope he chooses a fresh theme next time coming up with a complete entertainer surprising both the masses as well as the classes together. The man has got the eye and probably an ear too as he aptly uses a soft sad number "Main Nahin Jaana Khereyan De Naal" towards the end that is an original song sung by the maestro Tufail Niyazi from Pakistan.

Ending on a nostalgic note, whenever there is a film like TEVAR solely made for the masses and smaller centers, I prefer to watch it in a single screen theater if possible as that remains the best place to watch such movies with the energetic roaring crowd instead of the silent, sophisticated audience of a multiplex. And all readers above the age of 35 would readily agree with the fact that watching a Bollywood masala movie in a single screen theater makes a major difference in your viewing and enjoying the film altogether without any doubt.

In short, nothing can beat the experience of watching a typical masala Hindi film at a single screen and its really sad that the coming generations are going to miss it. So if you love watching these movies specifically made for the masses and are a fan of Manoj Bajpai too then TEVAR can be tried as a one-time watch for the exceptionally talented actor alone, preferably at a single screen.

Goissue ! Was that even a movie?? :( My girl insisted me to watch this in place of ugly! I shouldn't have listened her and could have not wasted my money! I thought it will be a political action comedy film... But it's Ishaqzaade all over again without the Charming Parineeti Chopra and a goon chasing them rather then their parents! Cinematography is good.. But all you will see is Taj Mahal in every scene! Sonakshi Sinha has no other work then playing Damsel in distress Or meaningless roles so this time also it's not different, Arjun's Performance is mediocre and repetitive and no need to mention Manoj Bajpayee, He is good as always! There are few scenes which makes you laugh but rest is disaster! Songs are also not ear pleaser so there is not even a single reason to watch this film... I don't go out of theater before movie finishes but today I really wanted to!! Better You miss this film and don't even watch later on TV... It's just waste, utter waste!!!