Tolkien

A story as romantic as biographical of the first three decades of J.R.R. Tolkien, who is best known as the author of the classic high fantasy works The Hobbit, The Lord of the Rings, and The Silmarillion: his childhood and adolescence just before the first world war and his decisive encounters (Edith Bratt who will become his wife, the professor Joseph Wright who will turn his mentor and help him to to enter to the University of Oxford, and his friends with whom he will form a brotherhood, or even a fellowship). The analogies with his novels are obvious: the Ringwraiths a.k.a. the Nazgûl between the German trenches of the Bay of the Somme, or even Sauron on his black horse and his huge sword. The film portrays also the manifold sources of inspiration such as Nordic cultures / languages or operas like Der Ring des Nibelungen composed by Richard Wagner. The photography, the Computer-Generated Imagery and the costumes are excellent. The movie reflects reality more or less closely (the audience shall then dissociate the real from the fantasy) but is globally poetic. 6/7 of 10.

"A safe fairyland is untrue to all worlds." J.R.R. Tolkien

Although the name Tolkien conjures up thoughts of fantastical tales about hobbits, rings, and magic of the highest order, there's little magic and much reality in the new biography, Tolkien. Yet there is much romance, in fact a genial part of an otherwise difficult life.

In reality this story of J.R.R. Tolkien (Nicholas Hoult), up until he becomes well-known for his fantasies while he is bringing up four children and loving his "elfin" princess, Edith (Lily Collins), has a magic of its own. At the same time, it acknowledges the serious shortcomings of an impecunious genius struggling to be heard in the din of class restrictions and WWI.

Besides the delightful early courtship of Tolkien and Edith, the best romance in a long time as far as I am concerned, is the romance of his boy's club. It started before the four culturally gifted young men enter Oxford and Cambridge and goes through the war, which decimated their little intellectual "fellowship." The support they gave each other, the companionable joy, has rarely been so lovingly captured on film. Lamentably, the boys never develop fully as characters, perhaps because of time restrictions.

Satisfying is his discovery by rhetoric professor Wright (Derek Jacobi), who eventually acknowledges Tolkien's genius with language. For those skeptical about the importance of education, watch Tolkien come alive in Wright's hands.

Although these early years seem accurately reported, the joy of this film is in seeing the slow but inexorable growth from a small boy raptly listening to his mother's fantastical readings to a young man doodling heroic figures on horses and scratching out inchoate stories that will give birth to some of the most influential literature in the Western world.

"If you really want to know what Middle-earth is based on, it's my wonder and delight in the earth as it is, particularly the natural earth." Tolkien

Tolkien: Not quite the romantic warrior professor but certainly all three of the preceding in part. Tolkien had a tough early life, falling into impecunity, his mother had to move with J.R.R. (Harry Gilby as the young Tolkien) and his brother from a rural idyll to the satanic mills and factories of Birmingham, an early model for Mordor no doubt. Then getting excessively MisLit, his mother (Laura Donnelly) dies and he is fostered by an elderly rich lady and along with his brother gets scholarships to an exclusive school. His family's benefactor, always working behind the scenes, is Father Morgan (Colm Meaney), benevelovent but steely in his determination when Tolkien's romance with Edith threatens his chances of getting an Oxford scholarship. Morgan may have been the inspiration for Gandalf.

At school Tolkien founds a Fellowship with other artistically minded students bur the Great War will wreak havoc on that brotherhood. The film cuts between Tolkien's earlier life and the trenches of the Somme. This is literally Hell, a real Mordor. The adult J.R.R .(Nicholas Hoult) is on a (perhaps allegorical) quest to the Front to find one of the Fellowship who is missing in action. He passes through mud holes full of bodies and fever stricken imagines that a german with a flamethrower is a dragon. The film suggests many inspirations for his books, Edith (Lily Collins) as an Elven Princess, his mother's reading tales of dragons when he was a boy, the War, his schooldays. A great influence on him was the philologist Professor Wright (Derek Jacobi) who won him over to the study of Old English and Gothic languages. Directed by Dome Karukoski from a screenplay by David Gleeson and Stephen Beresford, Tolkien is an engaging account of the earlier life of the scholar and author. 8/10

The story and the excellent cinematography alone make for agood film. For some reason they forced in elements that had the effect of pandering to the weak minded. The film would have been much improved if these elements were left out.

It's enough to see a fellowship develop in the prep school and the visual scenes of WWI without CG of dragon silhouettes and ghosts in gas clouds. We audience members can make connections on our own and guess at what inspired him. I doubt he was thinking about dragons while seeing an actual flamethrower used in warfare.

The real story was in the details and they were good.

The film is satisfying for the most part - I just wished there was another hour tagged onto the ending which would show us how he created some of his legendarium.

The film mainly focuses on his friendships and romance with Edith in school - very little of the war was shown. Also showed his relationships with a couple of his teachers.

You will easily see in the film how things connected to his books - hidden references as well obvious ones.

Very good movie if you like biographies, romances and/or Tolkien.

8/10