Respire

Respire is in all respect typical French drama. Apparently dry scenes, where you wonder if you're missing something. Restrained and subtle emotions that are confusing and irritating. A couple of dramatic plot twists. And beautiful, good, young actresses. I love it.

Josephine Japy as the introverted Charlie and Lou de Laage as extrovert Sarah are fine casted. Sarah can get under your skin. There are several moments in the film that I wanted to hit or hurt her. Charlie is often apathetic. I would kick her ass sometimes or shake her to wake her up. The crying and gasp scene at the end of the film is breath taking.

Although I'm far from the subject in age and I'm not a woman, I could easily empathize with Respire and it hit me several times like I was 17 again.

Very close to being a French version of the 2003 movie 'Thirteen'. About two 17-year-old girls, Charlie, a privacy girl with the asthma and the new arrival, Sarah, a sarky with the mystery background. A fresh friendship bloom unexpectedly between them, they begin to share everything. As fast they become close, the each others secret reveals, with the same speed a series of conflict forces them away with hatreds. Once again a movie based on the novel of the same name. Melanie Laurent's 2nd movie from the director's chair and she outclassed it.

Intense drama, from the beginning to the end. The story concentrates only these two girls, their first meet, relationship development and the story's conclusion. Very rarely other characters come into the frame with little to deliver speech and exhibit the act. The first half of the film exactly like the first half of the 'Heavenly Creatures'. Closely showcases the two girl's establishments of an unbreakable bond who do lots of mischievous stuffs together. And the second half was like the second half of 'Thirteen'. The fierce battle like environment like the usual catfight, but fairly avoids the overdose which makes a worthy whole.

With you, I feel bad. I lie, I am hard. You make me play the bad guy. It's unbearable.

What makes a two best friends (girls) hate each other, a boy? That's how the story switched from one way to another, a turning point in the storytelling. But this film was not all about fighting for a boy, there's something else which was the backbone to the narration. Weaknesses becomes a pointed gun to the face to deal with. The circle of to be victimized and be a victim was relatively balanced. The incomprehensible teen emotions take the story with the sequences of blames and absolves.

What I don't get is in the most of the movies is at the end why the film character sees the camera. This doubt is because the whole film explains something, but that final frame gives a different dimensional meaning. Maybe the indication of reform, like that happens in the coming-of-age movies either good way or bad. So, according to this movie... Sorry, you have watch to know it.

Impressive display by the lead two girls. Music, locations, everything was fine and holds the story till the last minute with same the intensity, then all the sudden releases it with a shocking twist. It was so quick and unexpected at that moment. So there's where I was disappointed a bit. The end should have been a more suitable one than preferable for a strong finish. But no complaints for the rest, a good teen drama which presents the evolution of love and trust to hate and disgust between two characters.

7/10

The opening shots of 'Breathe' depict the tranquil facades of a quiet provincial town in Southern France as a new day dawns. A sensitive teenage girl called Charlie awakens to the habitual sounds of her parents arguing over the father's infidelities. By evening the marriage has disintegrated, and Charlie begins a new chapter in her struggle to avoid emotional stress.

Friendship with a charismatic new classmate called Sarah seems to offer Charlie some refuge from the painful aftermath of her family's break-up. The pair quickly develop a bond - but it soon becomes apparent Sarah shares some of Charlie's father's tendencies toward dishonesty and selfishness. Charlie's hunger for affection makes her especially susceptible to Sarah's deceptions and manipulations, and the relationship transforms into a quicksand of suspicion, jealousy and betrayal. The tension builds to a suffocating level as the shifting alliances of Charlie's teenage community increase her sense of isolation. 'Breathe' has some similarities to the American melodrama 'SWF', but it's far more credible, layered and well constructed. The film is also flawlessly written, directed and acted throughout, which makes its unexpected conclusion especially electrifying.

A classroom discussion on passion, right at the beginning of the movie, gives an indication of what's to follow. Passion in excess is dangerous says the teacher, in response to our lead character's question, but alas, passion by it's very nature is prone to excess. Controlled passion is near impossible. So it is with our introverted self-controlled, studious heroine, who tries to bring her feelings for her classmate under control. But the other girl just won't let her be, not knowing low close to the edge she's pushing things. The French students in this movie make for a refreshing change from the way high school students are depicted in Hollywood movies. Here, they are fairly mature, intelligent, interested in their studies, never bullying, certainly not hyper sexed. Why haven't I given it a 10? Well, as another reviewer said, you do wonder at times during the movie what the point of it all is...

So she's a great director, too. I still haven't seen Laurent's 'Les Adoptes', but will close this gap asap after watching this her 2nd feature film. On the surface alone 'Respire' offers everything that's good about and expected from a social drama produced in Europe: hand- held camera, faithfulness to the light in which we'd see each scenery in real life, the effects being in the faces rather than in post production. The story being told by those faces as much as by film narrative, foremost by Josephine Japy's face. And the film unfolds as everything but mere surface. It's a very simple story, a school friendship going awry with tragic consequences, but Laurent's focus is on the subtleties of this relationship's evolution in each moment, and in collaboration with formidable acting this makes it a compelling watch. One small but powerful feature of film language that particularly delighted me was the smart use of slow motion: slow-mo is too often used in other films in a very annoying, bashful in-your-face way, here it is sparsely used, brief moments that follow the sole purpose of accentuating, and these moments work. The final result is a quiet, engaging, and ultimately disquieting and unsettling portrayal of the potency of emotional conflict at teen-age, of how unrehearsed and thus affecting, cruel and potentially dramatic and disastrous actions and reactions can be, especially if the pretence of adjustment hides the cracks of insufficient, failing or absent home support. Reacting increasingly becomes overreacting, foreboding eventual catastrophe; vulnerability takes vengeance on the greater vulnerability, and it is the containment of this greater vulnerability beating with the heart of the more reasoned protagonist that will in the end cease abruptly and give way to a surrender of control. The final take, as simple, precise and convincing as the entire film, is nothing short of ingenious. Praise be due to the performances of both leads, especially Josephine Japy (often reminding me of a young Binoche), as well as that of Isabelle Carre, playing Charlie's mother.