Don't Go: Zwischen Leben und Tod

Such an antidote to today's sex, violence, bad language and CGI. If you like all of those things, don't bother with this movie. However, if you want a mysterious and emotionally-moving story, cleverly told and portrayed by actors with a convincing range of real emotions, treat yourself to this. A slowly unfolding story of tragedy, with clever metaphors interwoven into the storyline. A moving film which leaves you with a feeling of emotional involvement. Worth watching twice, as at the end of the first viewing you realise that there were a host of references and clues that you missed first time round. Thank you, Ireland, for spurning the 'popular' genre of films and giving us something thoughtful.

Just this fact alone makes this a MUST WATCH for me. I will be back with a review after I have seen the movie.

I'm the same as natcalgary. I put it on for some background noise. But I noticed a few different scenes that made me pause it near the end and to watch it from the start, properly. I got the gist of the story and surprisingly these parents stay together but I didn't see enough the first time to spoil the end. I loved the ending, I didn't see it coming and that's the kind of movie I love. Hate it when a movie is entirely predictable but this one is not. It's a must watch (in my eyes). ENJOY!

Don't Go: Difficult to categorise: horror, time slips, attempting to change past events, maybe a touch of the supernatural about it. Ben blames himself (as does his wife Hazel) for the death of his child, Molly, who died in an accident. His guilt is worsened by where he really was when Molly perished. Ben and Hazel move to the West of Ireland to renovate a hotel but instead of being a new start Ben has strange dreams. He is transported back to a time when all three of them were on a beach. Even when awake he keeps seeing the slogan Seas The Day. He becomes obsessed with the idea of actually time travelling to avert the accident. The oddities of his situation are well illustrated - he has conversations with people who aren't really there yet seems to be able to being physical objects back from his time-slip dreams. The themes of guilt (plus hiding the truth)and the need for redemption run Don't Go but the realisation that redemption comes at a price is made all too clear. Reality (and Ben's imaginary conversations) is generally shot with a darker filter while the past beach scenes are in brighter colours. The film is unevenly paced with too much time used to set up the critical scenes, it might have worked better as a 60 minute episode of an anthology series. Directed by David Gleeson from a script by Ronan Blaney and John Collins. Saw it on RTE. 6/10.

This is the kind of twisted movie that will haunt your uncouncious nerve synapsis in your sleeping dreams. not wet they are, but a puzzle that made me think more than twice, and a maze to get out of. its a film that has two choices, start watching the end first or do it the regular way. its complicated but good

there are signs upon signs on top of signs, in dreams upon dreams on top of dreams. it has so much grieve,and so much hopes and wishes, till you start thinking the impossible will be possible. there are good pace all over,ok story and plot, acting very well done. the filmography are great, with lots of shifting themes, and the score are brilliantly used ,like a babys lollaby-song.the piano sequences that repeats inbetween are like hubba bubba under the shoes,sticky and difficult to get away.

so if your in for a mystery-drama, have a look at dont go,the grumpy old man says