IMDb-BEWERTUNG
5,4/10
11.960
IHRE BEWERTUNG
Das Bedauern eines Mannes über den Umzug mit seiner Freundin wird noch verstärkt, wenn sie stirbt und kommt als Zombie zurück.Das Bedauern eines Mannes über den Umzug mit seiner Freundin wird noch verstärkt, wenn sie stirbt und kommt als Zombie zurück.Das Bedauern eines Mannes über den Umzug mit seiner Freundin wird noch verstärkt, wenn sie stirbt und kommt als Zombie zurück.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Wyni Landry
- Goth Girl #1
- (as Wyndoline Landry)
- …
Katie Roberts
- FHM Centerfold
- (as Katie Ross)
London May
- Black Metal Bar Goth
- (Nicht genannt)
Mindy Robinson
- Mindy
- (Nicht genannt)
Empfohlene Bewertungen
The Plot.
When Max (Yelchin) learns that his new live-in girlfriend, Evelyn (Greene) is controlling and manipulative, he is afraid to end the relationship.
However, fate occurs and Evelyn is killed in a freak accident.
A couple months have passed and Max meets his dream girl, Olivia (Daddario).
The new romance gets tricky when Evelyn comes back from the grave and insists on continuing their once relationship by all means.
This is NOT a train wreck in the slightest. It's easy to watch and entertaining. Not really sure why Dante never caught fire after the Gremlins. Maybe it's because his style is more suited for TV. Who knows?
This film was a good surprise. If you are a fan of really bad B horror/sci fi films like I am and like Dante is, you'll get a bonus by watching this movie.
Too be sure, it's a small film with a limited budget, but you can do a lot worse.
When Max (Yelchin) learns that his new live-in girlfriend, Evelyn (Greene) is controlling and manipulative, he is afraid to end the relationship.
However, fate occurs and Evelyn is killed in a freak accident.
A couple months have passed and Max meets his dream girl, Olivia (Daddario).
The new romance gets tricky when Evelyn comes back from the grave and insists on continuing their once relationship by all means.
This is NOT a train wreck in the slightest. It's easy to watch and entertaining. Not really sure why Dante never caught fire after the Gremlins. Maybe it's because his style is more suited for TV. Who knows?
This film was a good surprise. If you are a fan of really bad B horror/sci fi films like I am and like Dante is, you'll get a bonus by watching this movie.
Too be sure, it's a small film with a limited budget, but you can do a lot worse.
Burying the Ex sounds like a fun concept, putting the cynicism of relationships with some horror movie camp. It's quirky overall, with the combination of the monster movie tropes of its star, Anton Yelchin, and the flavor of Joe Dante's vision, this must be a perfect formula of an enjoyable zombie comedy. But surprisingly, the movie is lacking the enthusiasm it deserves. It seems like the film's only priority is just sticking to formula of a typical R rated comedy, and ends with a horror movie schlock. When it shows affections to the horror side, Burying the Ex becomes fun. But it would take a long while for the film to get there.
The film introduces itself with its main character seemingly living in misery with his girlfriend. His girlfriend apparently wants him to give up himself from being a horror movie junky, thus he struggles with her choice of choosing a lifestyle that he isn't really fond of. Then we get to meet another girl who has a better fitting personality for Max. This is meant to be something playful or somewhat, but the film's approach seems to lack real energy to make them totally entertaining. A raunchy best friend (or half brother) also exists in this story to provide a straight comic relief, but not even him could spice up these moments. When Evelyn turns into a zombie, it seems like the film doesn't earn much of a surprise. It still sticks to the quirkiness, but it's just another way to anticipate for the real payoff as we watch more of them trying hate each other, at the same time concerning the other girl and his supposedly funny half-brother.
It's only the third act where the film finds real joy from itself, even though it only lasts for a few minutes and looks pretty trashy, but this is what most of the film should have been, embracing its horror movie roots than forcing some romcom silliness. It's quite a shame because the film is scattered with potential comedy gold as well. There is a running joke about the catchphrase of Max's work that lead his costumers with amusingly bitter reactions. The film could have used more of that type of humor. The acting is surprisingly not so interesting. Anton Yelchin seems to build his own cliché as a hero who fights monsters with a hot girlfriend, but this is probably his least likable among. His Charlie Brewster had sense of adventure and humanity, while Odd Thomas had all the curiosity a monster movie needs. Here, he's basically struggling to get back to that mold, though he still spares the charisma only when the script calls him for it. Ashley Greene is trying to be freaky and cute as both human or zombie, but it never shines either way. Alexandra Daddario makes herself bubbly, maybe a little too much.
Burying the Ex should be fun. It's a simple quirky idea and yet it sticks in throwing some lazy clichés and unenthusiastic tone. Only the last few minutes where the real conflict kicks in and reveals the film's supposed true madness. If only the film focused more on that, or at least give more humor like the one that tells people to go to hell than another sex joke about half-brother having an orgy on the hero's apartment. It just wasted a cool concept for a dark comedy that could potentially bring its own personality, it's also scattered with a good taste of classic horror love, but what took over instead are the familiar and less inspired ones.
The film introduces itself with its main character seemingly living in misery with his girlfriend. His girlfriend apparently wants him to give up himself from being a horror movie junky, thus he struggles with her choice of choosing a lifestyle that he isn't really fond of. Then we get to meet another girl who has a better fitting personality for Max. This is meant to be something playful or somewhat, but the film's approach seems to lack real energy to make them totally entertaining. A raunchy best friend (or half brother) also exists in this story to provide a straight comic relief, but not even him could spice up these moments. When Evelyn turns into a zombie, it seems like the film doesn't earn much of a surprise. It still sticks to the quirkiness, but it's just another way to anticipate for the real payoff as we watch more of them trying hate each other, at the same time concerning the other girl and his supposedly funny half-brother.
It's only the third act where the film finds real joy from itself, even though it only lasts for a few minutes and looks pretty trashy, but this is what most of the film should have been, embracing its horror movie roots than forcing some romcom silliness. It's quite a shame because the film is scattered with potential comedy gold as well. There is a running joke about the catchphrase of Max's work that lead his costumers with amusingly bitter reactions. The film could have used more of that type of humor. The acting is surprisingly not so interesting. Anton Yelchin seems to build his own cliché as a hero who fights monsters with a hot girlfriend, but this is probably his least likable among. His Charlie Brewster had sense of adventure and humanity, while Odd Thomas had all the curiosity a monster movie needs. Here, he's basically struggling to get back to that mold, though he still spares the charisma only when the script calls him for it. Ashley Greene is trying to be freaky and cute as both human or zombie, but it never shines either way. Alexandra Daddario makes herself bubbly, maybe a little too much.
Burying the Ex should be fun. It's a simple quirky idea and yet it sticks in throwing some lazy clichés and unenthusiastic tone. Only the last few minutes where the real conflict kicks in and reveals the film's supposed true madness. If only the film focused more on that, or at least give more humor like the one that tells people to go to hell than another sex joke about half-brother having an orgy on the hero's apartment. It just wasted a cool concept for a dark comedy that could potentially bring its own personality, it's also scattered with a good taste of classic horror love, but what took over instead are the familiar and less inspired ones.
Embracing the corny B-movie allure, Burying the Ex takes advantage of its modest yet mildly fun concept. It produces decent comedy with pop reference, fitting acting and smart script. The movie is still stuttering with odd plot development, but all things considered it's a fun popcorn flick worthy of a few giggles.
Max (Anton Yelchin) has been bothered by his shifty relationship with Evelyn (Ashley Greene). Theire personalities almost always clash, not to mention Evelyn can be incredibly volatile. Things get worse as a shady curse of some sort bind them both forever, this includes afterlife. After a tragic accident Evelyn rises from the death to fulfill her eternal love. The premise is by all means average romcom, but it is delivered with adequate conviction and wit.
Ashley Greene fully welcomes the quirky role. She's equally obnoxious as living eco-obsessed girlfriend and a creepy zombie lady. The change of tone and behavior is done realistic enough, despite the exaggerated set-up, to ensure their situation is oddly identifiable. The cast isn't large, only four main characters, and it keeps the pacing moving relatively well.
The script is done with tongue-in-cheek approach. Dialogues are occasionally cringeworthy, though most of the times they contain enough modern pop references or silly puns, audience can't help but laughing at them. Plot can be shady and a bit forced, but if audience can overlook some of these obscurities, there's mild fun to be had here.
Burying the Ex is a simple B-movie, yet it is presentably humorous in the scale it plays on.
Max (Anton Yelchin) has been bothered by his shifty relationship with Evelyn (Ashley Greene). Theire personalities almost always clash, not to mention Evelyn can be incredibly volatile. Things get worse as a shady curse of some sort bind them both forever, this includes afterlife. After a tragic accident Evelyn rises from the death to fulfill her eternal love. The premise is by all means average romcom, but it is delivered with adequate conviction and wit.
Ashley Greene fully welcomes the quirky role. She's equally obnoxious as living eco-obsessed girlfriend and a creepy zombie lady. The change of tone and behavior is done realistic enough, despite the exaggerated set-up, to ensure their situation is oddly identifiable. The cast isn't large, only four main characters, and it keeps the pacing moving relatively well.
The script is done with tongue-in-cheek approach. Dialogues are occasionally cringeworthy, though most of the times they contain enough modern pop references or silly puns, audience can't help but laughing at them. Plot can be shady and a bit forced, but if audience can overlook some of these obscurities, there's mild fun to be had here.
Burying the Ex is a simple B-movie, yet it is presentably humorous in the scale it plays on.
Not exactly of course, although this does feel like its aimed at a specific audience. Some might feel it's a bit too soft for them and that it feeds too many clichés throughout, but that would take all the fun out of it, if you'd reduce it to that. I understand that that's how some will feel (or felt) after watching this.
You missed out on a fun ride though. Yes you know where this is going, from start to finish, but it's fun to watch. Anton Yelcin seems to have a soft spot for the fantastic/light horror entertainment, which is a nice thing. Dante is an experienced director to say the least and he knows how to mix humor with some violence. It might not always work, but when it does (combined with the acting) it's funny
You missed out on a fun ride though. Yes you know where this is going, from start to finish, but it's fun to watch. Anton Yelcin seems to have a soft spot for the fantastic/light horror entertainment, which is a nice thing. Dante is an experienced director to say the least and he knows how to mix humor with some violence. It might not always work, but when it does (combined with the acting) it's funny
More often than not, when I rate a film two or two and a half stars, I'm coming from a place of "Well it's not really for me, but I guess I could see why it might have appeal". Burying the Ex on the other hand comes from a place exactly opposite to that. It's like every five minutes there was something dropped precisely to cater to my interests, but there's no appeal at all. And no amount of goth bars I'd kill to have in my town, horror-themed ice cream parlours, Joe Dante directorial credits or Alexandra Daddario getting her kit off in a graveyard can make up for that.
It's not outright boring, which is certainly welcome, but it's horror that's not scary, comedy that's not funny, and bears not one but two life lessons that seem well learned until they're *both* dropped in the final scene.
I'm not going to make any "Should have stayed buried" digs, because it's really not *that* bad, but I'm not going to recommend it either.
It's not outright boring, which is certainly welcome, but it's horror that's not scary, comedy that's not funny, and bears not one but two life lessons that seem well learned until they're *both* dropped in the final scene.
I'm not going to make any "Should have stayed buried" digs, because it's really not *that* bad, but I'm not going to recommend it either.
Wusstest du schon
- WissenswertesNear the beginning of the film a moving truck can be seen with the name Romero & Sons. A reference to George A. Romero who is the father of zombie movies.
- PatzerAt one point early in the movie, Evelyn tells Max he should "replace those incandescent tubes, and get some compact fluorescents". The bulbs shown are in fact fluorescent tubes (not incandescent), and compact fluorescent bulbs would not work in that type of fixture.
- Crazy CreditsA behind the scenes clip of the special effects vomit gag is shown after the end credits.
- VerbindungenFeatures Plan 9 aus dem Weltall (1957)
- SoundtracksMain Title
From Gefahr aus dem Weltall (1953)
Composed by Herman Stein (ASCAP)
Gilead Music Co. (ASCAP)
Courtesy Monstrous Movie Music
Top-Auswahl
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Details
Box Office
- Weltweiter Bruttoertrag
- 668.777 $
- Laufzeit
- 1 Std. 29 Min.(89 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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