Moor

The movie was such an experience in itself... Lyrics, cinematography, acting, story all were perfect. The scenic locations of Balochistan were really well shot. Snow clad mountains, camera catching even the slightest of details of the scenes, two stories running in various scenes, thought provoking dialogs, suspense being built up slowly were the hallmarks of the movie.The corruption in Railways was portrayed in a manner worth appreciation. The story picked up pace gradually and all pieces of jigsaw puzzle were well connected. The producer didn't lose control of the plot at any point of time. Music was tuned with the story line. This movie has surely notched up the quality of Pakistani cinema. All actors did justice to their roles. Moor had many subtle messages for its viewers and the story surely had the depth to satiate the mature viewers.

MOOR shows is a simple story of corruption, honesty, soul searching and above all a Father/Son relationship.

To begin with movie from its first shot takes your breath away, Cinematography is Hauntingly beautiful. During the movie at points you forget its a Pakistani movie. Movie's atmosphere is so calm yet at the same time its chaotic.

Jami a veteran director whose previous is O21 and many music videos has conceived it brilliantly. He has made a movie which will make Pakistani Cinema proud and should be official entry for Oscars from PAK.

On the whole a damn good movie and a must watch. 9/10

This is by no means a technical breakdown of the good or bad in film making. Rather a feeler as to what Moor (2015) has to offer. Moor is set in a cold snowy Balochistan. Focused on the life of a man struggling to keep hold of his land and his family. The Film takes us on a journey to far away barren land, shot beautifully with actors who barely faltered, delivering well written dialogs and capturing strong emotion. Moor is for the patient viewer who knows that good things comes to those who wait...and I must say Good things do come! A great watch! Shedding light on an important issue backed by wonderfully pleasing music and sound design. One of the best Films to come out of Pakistani Cinema!

Moor is a great addition to Pakistan Cinema. Unveiling the corruption with such an emotional touch is a remarkable job. The cinematography is beyond class. The beautifully captured Scenery of Baluchistan and the camera work makes you think "Is this Pakistan?". Coming to Acting, Wahid Sheikh has done a remarkable job. He truly did justice with the character. Samiya Mumtaz, Shaz Khan and Abdul Qadir were impressive equally.

The direction is pretty impressive but the audience may find it difficult sometime to connect the dots. The story gets too much slow in the middle and audience may lose their interest. But the powerful acting and melodious music don't let you divert your mind. Hats off to Strings for the music too.

Over all the movie is for those only who loves serious movie. If you want action and thrill, this movie is not for you. The movie can be more better at the end but still this movie is far far better than others currently running.

I hope Jami don't stop here and keep on doing the good work... !!!

After watching Jami's O21, I had high hopes for MOOR because he doesn't follow the usual ingredients of a Lollywood or Bollywood movie. Surely, MOOR wasn't your typical Indian musical or a romcom. The basic story line is powerful, it deals with corruption in railways, neglect of government for Balochistan, moral degradation of society (particularly Karachi), lust of man for money and bonding within the family. What Jami failed to do this time was to create a steady momentum of the story. Movie seems to be a product of bad editing where haphazard scenes collide. The first 50 minutes seemed like a psychological thriller where a man is marred with the guilt of not saving his mother in his childhood. Also those 50 minutes could have been shown in a total of 15 minutes span. Scenes are shot in detail from an artistic point of view not from storytelling perspective. The emotional scenes are so long that they affect the whole feeling in it. The director failed to project the characters emotions. Dialogues seemed to be a rip off of an old moral story that mothers in Pakistan tell their kids and they were prolonged for no particular reason. You have got your railway corruption, backwardness of Balochistan and moral dilemmas being shown at the same time, nothing is wrong with it… but poor editing made it confusing for the audience to concentrate to all of it. The light background music wasn't effective during the dialogues as it should have been. Shots were too much zoomed in. There is hardly a scene where you see a character's full body or the environment he/she is in (apart from the outside shots in Balochistan). It was as if cameraman didn't knew how to zoom out. Maybe the director wanted to show the facial expressions in detail while a character's life is in turmoil but it was all too much. From an artistic directors' point of view, the shots are beautiful. But overall Jami failed to compile the movie to convey a heavy message. You have to assimilate more than 90 minutes to receive this message: Money is not real happiness, family ties are important, Pakistan (motherland) is to be taken care of by every individual and to always act morally.