IMDb-BEWERTUNG
4,6/10
12.729
IHRE BEWERTUNG
Vier kurze Horrorfilme, bei denen Frauen Regie und Drehbuch übernommen haben.Vier kurze Horrorfilme, bei denen Frauen Regie und Drehbuch übernommen haben.Vier kurze Horrorfilme, bei denen Frauen Regie und Drehbuch übernommen haben.
- Auszeichnungen
- 1 Nominierung insgesamt
Empfohlene Bewertungen
I really, really wanted to like this. It features Melanie Linskey, after all! I love everything she's in! And I was excited to see an anthology of horror tales told by women. After all, no one knows the horrors of life more than women.
But this was just... not it.
Each segment was meh, in my honest opinion. Just. Meh. I think they all had the potential to be great, but it didn't seem like they had the right direction. Perhaps if they had had better cinematography, a better score. Or if they had been the kind of stories that reward the viewer for paying attention by setting up clues that lead up to some grand reveal...
Instead, it all felt unseasoned. Very disappointed.
But this was just... not it.
Each segment was meh, in my honest opinion. Just. Meh. I think they all had the potential to be great, but it didn't seem like they had the right direction. Perhaps if they had had better cinematography, a better score. Or if they had been the kind of stories that reward the viewer for paying attention by setting up clues that lead up to some grand reveal...
Instead, it all felt unseasoned. Very disappointed.
Well that was quite a waste of time.
To be honest I wished they had focused on a full length feature of The Box and just forgotten about the other 3 stories. The Box was so mysterious and intriguing, I really didn't want it to end. The other 3 were tedious, and badly acted.
I'm sorry to report that this year's "XX" doesn't quite live up to the great horror anthology that its trailer promises. This quarter of female-directed horror shorts is actually quite average, when considered together, and I'd give it a 6 out of 10.
Only the first segment is truly memorable — "The Box," adapted from a short story by Jack Ketchum. The directing and scoring is superb. (Seriously, the music is quite good.) The acting is also good throughout this segment, most especially by "The Strain's" Natalie Brown. She's a good actress and she's starting to grow on me. (And her memorable last lines here, which I assume come from the text of Ketchum's story, are weird and haunting.) This quarter of "XX" gets under your skin.
Despite "The Box" being capably developed and unnerving, however, there were no conventional scares at all. It hardly felt like a horror short; it was more like a particularly macabre and ambiguous parable. Nor is the story's mystery solved — it's left open-ended.
The second segment is largely a waste of time, despite being stylishly shot and scored. (Hint: it's got the same story device as "Weekend at Bernie's.")
The remaining two tales are more standard horror stories. I'd suggest they are somewhat fair at best.
I think I would recommend this only to the most well rounded horror fans who are in the mood for something different. And, even then, it might only be for the peculiar elements of "The Box."
Only the first segment is truly memorable — "The Box," adapted from a short story by Jack Ketchum. The directing and scoring is superb. (Seriously, the music is quite good.) The acting is also good throughout this segment, most especially by "The Strain's" Natalie Brown. She's a good actress and she's starting to grow on me. (And her memorable last lines here, which I assume come from the text of Ketchum's story, are weird and haunting.) This quarter of "XX" gets under your skin.
Despite "The Box" being capably developed and unnerving, however, there were no conventional scares at all. It hardly felt like a horror short; it was more like a particularly macabre and ambiguous parable. Nor is the story's mystery solved — it's left open-ended.
The second segment is largely a waste of time, despite being stylishly shot and scored. (Hint: it's got the same story device as "Weekend at Bernie's.")
The remaining two tales are more standard horror stories. I'd suggest they are somewhat fair at best.
I think I would recommend this only to the most well rounded horror fans who are in the mood for something different. And, even then, it might only be for the peculiar elements of "The Box."
I don't judge people based on their gender so I really didn't care if this movie was directed by women or not. But I do care about cinematography and storytelling aspects and for that reason I have to cast a somewhat harsh judgment.
So, the movie consists of 4 equally long parts, each explores a different type of horror. There is no coherency between the stories, all of them are fully independent.
The first story was obviously the best one. I really liked it and would have liked a full feature movie about it. There was a lot of untapped potential there. Considering how the first scene ("The Box") established some sort of norm on which I started forming expectations. It suffices to say that what followed didn't quite live up to these expectations. The second story ("Birthday Party") was in fact the exact opposite. It wasn't scary, it was just weird. Since I don't want to spoil anything I'll just leave it at that. It was by far the weakest link in this anthology. "Don't Fall" was also pretty scary but a little too one-dimensional for my personal taste. There was virtually no character development in that story. And last but not least there was "Her Only Living Son". This story was clearly an homage to Rosemary's baby. And while Rosemary's Baby is in my opinion one of the greatest Horror movies ever made this story was rather comical in nature. The reason why this story didn't quite manage to instill fear and true horror can probably be attributed to the fact that the protagonists physical transformation/metamorphosis was just too stereotypical to be considered horrifying/scary.
So, the movie consists of 4 equally long parts, each explores a different type of horror. There is no coherency between the stories, all of them are fully independent.
The first story was obviously the best one. I really liked it and would have liked a full feature movie about it. There was a lot of untapped potential there. Considering how the first scene ("The Box") established some sort of norm on which I started forming expectations. It suffices to say that what followed didn't quite live up to these expectations. The second story ("Birthday Party") was in fact the exact opposite. It wasn't scary, it was just weird. Since I don't want to spoil anything I'll just leave it at that. It was by far the weakest link in this anthology. "Don't Fall" was also pretty scary but a little too one-dimensional for my personal taste. There was virtually no character development in that story. And last but not least there was "Her Only Living Son". This story was clearly an homage to Rosemary's baby. And while Rosemary's Baby is in my opinion one of the greatest Horror movies ever made this story was rather comical in nature. The reason why this story didn't quite manage to instill fear and true horror can probably be attributed to the fact that the protagonists physical transformation/metamorphosis was just too stereotypical to be considered horrifying/scary.
The dolls and walking boxes inbetween the stories were much more unsettling than any of the four bland stories. I would rate the doll segments as a 6 and the stories as a 2 so overall a 4.
Wusstest du schon
- WissenswertesThe segment "The Box" is the only one of the four segments that is not actually an original story by the women but is instead an adaptation of the Jack Ketchum story.
- PatzerIn The Box all three characters die of starvation in a hospital after refusing to eat for long periods of time, but even when they've gone comatose the hospital never inserts a feeding tube, which would surely have reversed their condition.
- Zitate
Susan Jacobs (segment "The Box"): You love spaghetti.
Susan Jacobs (segment "The Box"): It... It's been three days.
- VerbindungenFeatured in Starfilm (2017)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Korku Tüneli
- Drehorte
- Los Angeles, Kalifornien, USA(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 30.911 $
- Eröffnungswochenende in den USA und in Kanada
- 6.222 $
- 19. Feb. 2017
- Weltweiter Bruttoertrag
- 55.668 $
- Laufzeit
- 1 Std. 20 Min.(80 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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