IMDb-BEWERTUNG
1,6/10
3709
IHRE BEWERTUNG
Zwei völlig unterschiedliche Frauen, beide unglücklich in der Liebe, tun sich zusammen, um sich gegenseitig zu helfen, den "Mr. Right" zu finden.Zwei völlig unterschiedliche Frauen, beide unglücklich in der Liebe, tun sich zusammen, um sich gegenseitig zu helfen, den "Mr. Right" zu finden.Zwei völlig unterschiedliche Frauen, beide unglücklich in der Liebe, tun sich zusammen, um sich gegenseitig zu helfen, den "Mr. Right" zu finden.
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Empfohlene Bewertungen
"Esas Oglan" is a complete disaster from start to finish. The script is weak, the acting is wooden, and the dialogues feel painfully forced. Every scene drags on, making it difficult to stay engaged. The storyline is predictable and lacks originality, offering nothing new or exciting. Character development is nonexistent, and the overall production feels lazy. If it weren't for Hadise, I'd easily rate it 2 points lower-at least her presence adds some watchability. But even she can't save this trainwreck. A total waste of time; I wouldn't recommend it to anyone looking for quality entertainment or a decent show to watch.
The hype for the show is so unbelievable. There is anything good, unnatural dialogues, bad acting, a nobrain scenario..it's so sad to see all these actors, costume or decor work are wasted with this unmature story..I understand that it's was a first step to acting for Hadise, I can forgive her bad performance but the rest, why? If you are not happy with the scenario and that's why you acted so bad, why did you accept? Only for money? Especially one of the main actor, Seda Bakan's performance was so static and sorry but, boring..Guys, it's not worth to spend your time for this show, please stay away, you will thank me later..
There are reports that some intelligence agencies have used this series as a torture device, and there are also rumors that the confession rate increased by 74% during the torture.
It may be appropriate for the producer to immediately apply for a petty patent.
Confession rates are significantly higher among those who watch the series with Turkish dubbing and foreign language subtitles compared to those who watch it without subtitles. When it is completely without subtitles, there is an 8% decrease.
This situation suggests that the script plays a crucial role in the process of pivoting the series into a torture device.
It may be appropriate for the producer to immediately apply for a petty patent.
Confession rates are significantly higher among those who watch the series with Turkish dubbing and foreign language subtitles compared to those who watch it without subtitles. When it is completely without subtitles, there is an 8% decrease.
This situation suggests that the script plays a crucial role in the process of pivoting the series into a torture device.
It's so good that it shouldn't be watched, so don't watch it either. Bad roles, bad script, Hadise's interesting character, and Seda Bakan's performance, which I didn't like for the first time in a project. The TV series Esas Oglan received widespread criticism, particularly for its script, character development, and acting performances. First and foremost, the script's reliance on clichés and predictability leads to a dull viewing experience. The motivations and relationships of the main characters are handled in a shallow and superficial manner, making it difficult for the audience to connect with them.
Hadise's character, which is meant to be intriguing, is nothing more than a poorly written figure. There is almost no depth to her character, and this lack of complexity creates a natural inadequacy in her performance. Seda Bakan, on the other hand, delivers a much weaker performance than in her previous projects; it seems as if her talents are constrained by the script. Despite efforts to add dynamism, these characters fail to make an impact due to the weaknesses of the overall script.
In conclusion, Esas Oglan fails to offer anything new, either through its story or characters. This production only repeats a formula typical of Turkish television and ultimately fails to satisfy its audience.
Hadise's character, which is meant to be intriguing, is nothing more than a poorly written figure. There is almost no depth to her character, and this lack of complexity creates a natural inadequacy in her performance. Seda Bakan, on the other hand, delivers a much weaker performance than in her previous projects; it seems as if her talents are constrained by the script. Despite efforts to add dynamism, these characters fail to make an impact due to the weaknesses of the overall script.
In conclusion, Esas Oglan fails to offer anything new, either through its story or characters. This production only repeats a formula typical of Turkish television and ultimately fails to satisfy its audience.
Esas Oglan isn't so much a TV series as it is a masterclass in how low expectations can become a collective lifestyle. The plot stumbles along like a toddler in oversized shoes, tripping over every possible cliché known to mankind - and yet, the fanbase applauds as if witnessing Shakespeare reborn in slow motion.
The titular "hero" delivers each line as though he's trying to remember if he left the stove on, while simultaneously trying to act through a fog of protein shakes and hair gel. And yet, online forums light up with discussions like "Did you see how intense his stare was in episode 12???" No, Jessica, that wasn't intensity - that was confusion.
The show is obsessed with drama, but allergic to logic. Each twist is telegraphed five scenes ahead, and yet the audience reacts as if they've just witnessed the invention of fire. It's performance art at this point - not on screen, but in the comments section.
To be fair, Esas Oglan is probably a great watch... if your idea of entertainment is watching wallpaper peel while someone plays a sad violin in the background.
The titular "hero" delivers each line as though he's trying to remember if he left the stove on, while simultaneously trying to act through a fog of protein shakes and hair gel. And yet, online forums light up with discussions like "Did you see how intense his stare was in episode 12???" No, Jessica, that wasn't intensity - that was confusion.
The show is obsessed with drama, but allergic to logic. Each twist is telegraphed five scenes ahead, and yet the audience reacts as if they've just witnessed the invention of fire. It's performance art at this point - not on screen, but in the comments section.
To be fair, Esas Oglan is probably a great watch... if your idea of entertainment is watching wallpaper peel while someone plays a sad violin in the background.
Wusstest du schon
- WissenswertesWhen Hadise was asked about the show being one of the worst rated Turkish TV shows ever, she responded with, "It's 5 in the morning."
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