Nach dem Tod ihres Mannes Chris kämpft die junge Mutter Morgan Grant mit ihrer angespannten Beziehung zur jugendlichen Tochter Clara, während sie gemeinsam Lebensherausforderungen meistern.Nach dem Tod ihres Mannes Chris kämpft die junge Mutter Morgan Grant mit ihrer angespannten Beziehung zur jugendlichen Tochter Clara, während sie gemeinsam Lebensherausforderungen meistern.Nach dem Tod ihres Mannes Chris kämpft die junge Mutter Morgan Grant mit ihrer angespannten Beziehung zur jugendlichen Tochter Clara, während sie gemeinsam Lebensherausforderungen meistern.
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Joe Binford Jr.
- DJ
- (Synchronisation)
Demia Alejandro
- Nurse
- (Nicht genannt)
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Okay, full disclosure: I know full well I'm so biased on this one, but I really enjoyed 'Regretting You'. From the moment the first frame rolled I was drawn in - visually it's gorgeous, the leads are absolutely stunning, and yes, my heartstrings were tugged. Any film that gets a tear out of me instantly gets a higher rating in my book, haha.
I'll admit: I've read the book (by Colleen Hoover) so there was extra nostalgia and expectation baked in. The film adaptation doesn't always dig as deep as one might hope - some character arcs feel glossed over, some of the emotional beats just skim the surface. Critics have flagged uneven storytelling and tonal whiplash. But honestly? For me it didn't matter, because what it does deliver is warm, cute, and full of heart.
If you're after a perfect chick-flick with a lot of heart, this is your match. The daughter-mother dynamics, the romance, the grief, the scenic backdrops - it comes together into something that's far from perfect, but deeply enjoyable. Sure, it could've been deeper, but sometimes you just want to be moved, to smile, to sniffle, to leave the cinema feeling something. And that's exactly what I got.
I'll admit: I've read the book (by Colleen Hoover) so there was extra nostalgia and expectation baked in. The film adaptation doesn't always dig as deep as one might hope - some character arcs feel glossed over, some of the emotional beats just skim the surface. Critics have flagged uneven storytelling and tonal whiplash. But honestly? For me it didn't matter, because what it does deliver is warm, cute, and full of heart.
If you're after a perfect chick-flick with a lot of heart, this is your match. The daughter-mother dynamics, the romance, the grief, the scenic backdrops - it comes together into something that's far from perfect, but deeply enjoyable. Sure, it could've been deeper, but sometimes you just want to be moved, to smile, to sniffle, to leave the cinema feeling something. And that's exactly what I got.
Was McKenna Grace up to the task of starring in Regretting You, a film based on the Colleen Hoover novel? I have to say no, unless you like your family dramas to feel like just another movie-of-the-weak, pun intended. The film, whose themes are loss, betrayal and grief, fails to wring any true emotional reaction from the audience. When you're looking forward to the appearance of co-stars Lexie (Sam Morelos) and Efren (Ethan Costanilla), more than the scenes between stars Allison Williams as Morgan Grant and Dave Franco as Jonah Sullivan, your film might be in trouble.
Each actor seems to just bounce back from tragic, unexpected losses of a husband, sister, wife-to-be, best friend. Each display some deep well of acceptance that doesn't seem reality-based. It's as if everyone in the story is afraid to be angry. Perhaps that's because for 17 years, both Morgan and Jonah have ghost-walked through the roles they thought they were assigned - long suffering, just be nice, don't rock the boat. That's part of the twist, so I won't reveal it here.
As Miller Adams, the young man who wins the heart of Clara Grant (Grace), I appreciated Mason Thames' attempts to pull a human reaction out of Clara. The scenes which included Grace and Clancy Brown as Hank, Adam's ailing grandfather, were also well-meant and temporarily elevated the movie. However, it soon sunk back into mundanity. Clara Grant's dad is dead, as is Morgan Grant's husband, yet neither of the women seem to exhibit depression or anger. Apparently the well-documented Kubler-Ross five stages of grief were not included in the script. When the highest form of grief a parent reaches is grounding their kid, I'd say the might merit a visit from a social worker, a discussion with the school counselor, at the very least.
Did I hate Regretting You? No. It is simply unremarkable. Hoovers most recent book-to-screen adaption of It Ends With Us, which dealt with themes of conflict and spousal abuse, was infinitely more watchable.
Each actor seems to just bounce back from tragic, unexpected losses of a husband, sister, wife-to-be, best friend. Each display some deep well of acceptance that doesn't seem reality-based. It's as if everyone in the story is afraid to be angry. Perhaps that's because for 17 years, both Morgan and Jonah have ghost-walked through the roles they thought they were assigned - long suffering, just be nice, don't rock the boat. That's part of the twist, so I won't reveal it here.
As Miller Adams, the young man who wins the heart of Clara Grant (Grace), I appreciated Mason Thames' attempts to pull a human reaction out of Clara. The scenes which included Grace and Clancy Brown as Hank, Adam's ailing grandfather, were also well-meant and temporarily elevated the movie. However, it soon sunk back into mundanity. Clara Grant's dad is dead, as is Morgan Grant's husband, yet neither of the women seem to exhibit depression or anger. Apparently the well-documented Kubler-Ross five stages of grief were not included in the script. When the highest form of grief a parent reaches is grounding their kid, I'd say the might merit a visit from a social worker, a discussion with the school counselor, at the very least.
Did I hate Regretting You? No. It is simply unremarkable. Hoovers most recent book-to-screen adaption of It Ends With Us, which dealt with themes of conflict and spousal abuse, was infinitely more watchable.
Regretting You is everything you'd expect from this genre - and from this author. It's cheesy at times, emotional, dramatic, and heartwarming - the perfect kind of popcorn movie for the season. It'll make you feel warm, cozy, and simply happy - just an overall good time.
What truly elevates it is the cast, especially Mckenna Grace and Mason Thames, who shine with such authenticity and charm. Both are clearly on the path to future Oscar glory, with incredibly bright careers ahead.
What truly elevates it is the cast, especially Mckenna Grace and Mason Thames, who shine with such authenticity and charm. Both are clearly on the path to future Oscar glory, with incredibly bright careers ahead.
This movie tried to be touching but was almost silly to me. A family tragedy upends the lives of a mother and her teenage daughter. The lack of communication around this event seemed very unrealistic. The smart daughter is somehow oblivious to what most is upsetting to her mother. Meanwhile, potential romances develop for both. Perhaps this was the appeal to the audience. Other than my party of four age 60s folks, the other 25 or so viewers appeared to be all teenage or college girls. And some clapped at the end -- while I shook my head. I've not read any Colleen Hoover works, but will not be attending any more movies from her novels.
A very disappointing experience with a film where both the performances and the writing fell flat, Actors seemed to be waiting for their turn to speak rather than reacting to what other characters said.
It sounds like the core idea of Regretting You might have potential, but the poor execution of the script and acting severely damaged the final product.
It sounds like the core idea of Regretting You might have potential, but the poor execution of the script and acting severely damaged the final product.
New and Upcoming Book-to-Screen Adaptations
New and Upcoming Book-to-Screen Adaptations
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- WissenswertesAll the film posters displayed in Miller's bedroom are from Paramount Pictures productions.
- PatzerAs Miller and Clara get to know each other, they are seen settling down together to watch Clueless, even though when the camera was not facing the TV, the studio's theme playing at the start was Disney, not Paramount.
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- Auch bekannt als
- Regretting you
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Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 48.852.948 $
- Eröffnungswochenende in den USA und in Kanada
- 13.687.530 $
- 26. Okt. 2025
- Weltweiter Bruttoertrag
- 90.452.948 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39:1
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