Die Macht des Bösen

Solid performances all round (Jason Clarke is excellent!) However, movie should have fleshed out the Heydrich / Butcher of Prague story more rather than re-telling the post death aftermath - an angle already covered by the Cillian Murphy/Jamie Doran movie (Antripoid). Their (brilliant) movie told from the perspective of the Czech Assasins.

If you really want to see a movie about Heydrich (and the lead up to the "Final Solution of the Jewish Question"), watch "Conspiracy", the Kenneth Brannagh/Stanley Tucci TV movie. SHOCKING!

Let me just start out by saying that this movie is literally two separate movies, that are merely tied together by a brief moment. The first half half was engrossing, rich in character development, and extremely well paced.

Without spoiling anything, I would just like to say that I would have given the first half of this movie an 8 or 9. Unfortunately for whatever reason they decided to tell a story that was a great injustice to the quality cinema that was setup. In the end you get the same story that Cillian Murphy trudged through almost scene for scene recently. If you are a fan of the pervious movie, and want another take on the situation, I do recommend at least watching this film for the first half. Otherwise it has been done before, and much better in all aspects.

This film tells the story of the man who was in charge of hideous war crimes, i.e. The Extermination program, in Nazi Germany. A group of Czechoslovakian people try to rebel and attempt to assassinate him.

The first hour of the film is all about Reinhard, as he climbs up to the top with the most terrible policy. The film shows that many people are brutally murdered for no reason, and Reinhard has no passion or compassion for the victims. In fact, he has no feelings at all, even towards his wife. The story is engaging up to this point, and Rosamund Pike is great a well. However, in the second part of the film, the story is derailed to tell the story of the resistance force. I may have missed why the resistance fighters decide to stand up and fight, and indeed their background story. I don't feel any connection to them at all, and the sudden shift in the spotlight to the resistance fighter appear to be a distraction to me. The final scene at the church crypt is touching though.

The acting was quite good although I felt some of the actors were miscasted--Himmler is almost fat where as he was slim and taller in real life than the actor who looks really outcast in this role. Heydrich is so, so, portrayed but his collar rank insignia is not accurate all the time--he is shown as a Gruppenfuhrer sometimes and as an Obergruppenfuhrer other times. Heydrich did not carry a Luger as shown in the movie but carried a Walther PP. I don't think that Clarke gave the best portrayal of Heydrich, something about his looks. The chase and shootout scene with Heydrichs driver leaves you to believe he was killed where as he was not and only wounded. Heydrich did not die during Himmler's visit as shown, but later. I believe the assassins in the church were only armed with pistols, not multiple machine guns. Don't know why with a bit of research they can't get the history straight. There are other inaccuracies as well, inserting Heydrich into scenarios where he never actually was present. Anyways, not a bad movie but could have been better. If left alone to the actual facts it still would have been a good story instead of adding in ridiculous fiction.

Saw 'The Man with the Iron Heart' as somebody fascinated by the subject it covers, and by the man who really did have an iron heart and earned the ire of even Hitler himself. Also really like a lot of biopics and there are a few talented names.

'The Man with the Iron Heart' is a brave attempt at telling this story, but it is also agreed frustratingly uneven and disjointed. The general consensus is that the first half is better than the second half, personally found that the case too after viewing it. It is far from a terrible film, there are a number of strengths here, but it could have been so much more. And is what is meant by that it is frustrating that 'The Man with the Iron Heart' is uneven is that the flaws of the second half could easily have been avoided.

Starting with the strengths, much of the film looks great visually. There is a real feeling of evocative authenticity, with attractive costumes that captured the era well, elegant interiors and very atmospherically grim landscapes. The music is suitably haunting and the direction fares strongest in the first half and the harrowing scenes that are uncompromisingly powerful.

First half is very interesting and compelling, with some very thought-provoking writing. When the film focuses on Heydrich, his motives and his family life, it is where it most excels, being very engrossing, emotional and intense, actually also taking time to show what happens and being structured in a way that makes sense. Even if there could have been even more meat to what was told.

Although 'The Man with the Iron Heart' is a problematic film, the blame does not lie with the cast which is actually the main saving grace. Rosamund Pike especially is excellent as Lina (am really liking where her career is going), while Jason Clarke portrays Heydrich's iron heart, lack of compassion and coldness adeptly. Mia Wasikowska gives one of her better performances to date here and is one of the main reasons to stick with the second half.

It is really unfortunate that the second half is nowhere near as good. The inferior quality and the shift in focus gives a really disjointed feel and like the two halves were two films in one. The focus on those who tried to assassinate Heydrich is nowhere near as illuminating or compelling, just didn't find myself involved or engaged by it. The characters are sketchily written, the opposite to Heydrich and Lina who did have intriguing character development if still not quite enough.

Furthermore there is no tension and what is covered is rushed through with no attention to depth or sense, the odd almost incomplete-feeling structure and some strangely amateurish filming (which wasn't as apparent in the first half) also confusing it. The flashforward was not needed at all, further diluting any suspense by explicitly revealing what happened.

Although Heydrich is still interesting, the film did miss an opportunity in properly fleshing him out due to not focusing on him enough.

Overall, interesting, well acted and (mostly) made and brave but disjointed, uneven and rushed. 6/10 Bethany Cox