Ein Vater und dessen Sohn, beides Leichenbeschauer, werden in ein kompliziertes Rätsel verwickelt, als sie versuchen, die Identität einer weiblichen Leiche festzustellen, die anscheinend dun... Alles lesenEin Vater und dessen Sohn, beides Leichenbeschauer, werden in ein kompliziertes Rätsel verwickelt, als sie versuchen, die Identität einer weiblichen Leiche festzustellen, die anscheinend dunkle Geheimnisse birgt.Ein Vater und dessen Sohn, beides Leichenbeschauer, werden in ein kompliziertes Rätsel verwickelt, als sie versuchen, die Identität einer weiblichen Leiche festzustellen, die anscheinend dunkle Geheimnisse birgt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 10 Nominierungen insgesamt
- Jane Doe
- (as Olwen Kelly)
- Larry
- (Nicht genannt)
- Deputy Ballard
- (Nicht genannt)
Empfohlene Bewertungen
The dialogue between the leads in the beginning build character almost instantaneously, and they feel real from the get-go. Compared to the recent trend of horror movies eschewing character development for cardboard cutout jump-scare fuel, this movie comes as a nice and refreshing, almost surprising, change of pace. The father and the son have contrasting personalities regarding their approach to autopsies. I expected this brilliancy in dialogue and character development to carry the whole movie - and it immediately increased my expectations of the movie; I fully expected this to be an underrated horror gem of 2016.
Alas, however, half-way through the movie the director's Conjuring-esque influences seemed to show through the cracks. Though not devolving straight into jump-scare territory, the movie dips its feet into schlock scares now and then, which has a very infuriating effect on the viewer who, until now, has been amazed by the movie's restraint. The character development also suffers, with some actions by the leads contradicting their motivations.
However, the concept and execution need to be commended. The actors Brian Cox and Emile Hirsch do well to sell the dread and claustrophobia experienced by the characters. Special mention to Olwen Kelly, who gives possibly the best performance of the movie, despite having no lines, no action (she plays the corpse). Definitely one of the highlights of the movie was the synergy between the camera-work and the actress's facial expressions which do more to put the viewer at unease than minute-long scenes of staring into the darkness, fully knowing the movie is going to go for that cheap jump-scare. That being said, I would say the script was the weakest aspect of the movie, the ending just leaves you wanting a little bit more, and slightly disappointed. Nevertheless, the movie does its job of selling you the premise and executing it well enough to leave you unsettled for a few days.
All in all, I would call this movie as a mixed bag, though I would give it a glowing recommendation as it is head and shoulders above the spate of incomprehensible scare-fests being offered by Hollywood these days. Great work, André Øvredal.
Be sure to check out Trollhunter by the same director. Although not a horror film, it merges the found-footage genre with goofy mythical creatures to amazingly hilarious yet epic results.
The music and overall ambience quickly tells us it is going to be dark, scary and bloody. As the movie progresses we are introduced to the aftermath of what seems like a slaughter within an ordinary home.
It quickly takes a turn as the body of an unknown woman (Hint: Jane Doe) is discovered in the basement. Partly burried, but in mint condition.
... wuush we change location an meet the main characters, a father and son, both coroners. Lucky as they are, they get a new patient(?) - well a body. This is of course the Jane Doe and as they begin to cut her open, the well wrapped presents presents itself as a true and horrifying horror film.
The father and son-relashionship makes us care for the characters as they try to discover the dark and creepy truth that lies beneath Jane Does skin.
I really liked. I even made this review ... It is worth your time. Watch it with your lads or perhaps on a second or third date .. a winner ;-)
Enjoy - I did.
But it didn't take long for us to realize it was a horror movie.
Acting : excellent. Bryan Cox and Emile Hirsh play a very believable pair of father-son, working at the family morgue.
Story : very different from the usual horror movies. I appreciated it, as I grew tired of the same ghosts, zombie, vampire stories.
Directing : smart use of the shadows without being excessive.
I highly recommend it.
Wusstest du schon
- WissenswertesAndré Øvredal said that Olwen Catherine Kelly had the most difficult role in the film, and he credited her with making everyone else comfortable on the set.
- PatzerJimson Weed, Datura stramonium, is believed to have originated in Mexico, not New England, and can be found throughout the United States, (including the South and West,) and the rest of the world. The plant also has no paralytic properties, though ingesting it can cause seizures, strong hallucinations, delirium, tachycardia, hyperthermia (high body temperature), mydriasis (dilated pupils), bizarre behavior, and death.
- Zitate
Emma: What's that for?
Tommy: To make sure he's dead. There used to be a time it was hard to tell a comatose person from a dead one, so coroners tied bells to everybody in the morgue. So if they heard a 'ting', they knew somebody down there wasn't quite ready to go.
Emma: So, why do you have one?
Tommy: Well, I'm... I'm a bit of a traditionalist.
- Crazy CreditsAt the end of the "Special thanks" section, the last entry is the single word: "Troll". André Øvredal's previous feature film was Troll Hunter (2010).
- SoundtracksFarming Man
Written by Michael Richard Hendrix
Performed by Tennessee River Crooks
Courtesy of Fervor Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La morgue
- Drehorte
- Home Farm, Selling, Kent, England, Vereinigtes Königreich(Tilden Family Home)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.474 $
- Weltweiter Bruttoertrag
- 6.170.043 $
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1