Two Step

This was a good film noire – a favourite genre of mine. It is minimalist – with sparse dialogue. There are some good twists. One is never quite sure where this film will take you, with the flow from scene to scene unpredictable.

I felt all the characters, most of whom were unknown to me, gave good solid performances. There was nothing over the top (no histrionics) and each played their role well. The violence is sudden, but not over- emphasized. I felt on edge through-out this film. There is an uncomfortable feeling throughout. The music was appropriate and added to the atmosphere.

When things go bad, they can get really bad. After a young man loses his grandmother, he inherits her house and is harassed by a conman who has been manipulating her for her money. The actors do a great job with their performance. The protagonist is a young man who gets into a situation where he can't defend himself. The antagonist begins as a petty thief and becomes much worse. It is easy to see their character arcs and the plot in this story. This is a suspenseful story with good realistic drama.

I have a friend who had a small part in this film so I went to see it because of her. What surprised me was the suspense and the way the characters built tension between them.

I didn't know much about this before seeing it, and perhaps that's why it surprised me in some of its plot developments. In retrospective, it all makes sense from the start in terms of what it is aiming for, but I guess for some reason I didn't see it. The performances here are quite good, and the two main male actors do a fine job of really driving a line between them in terns of their portrayals, as well as thematically making the whole thing work. The best performer here is probably Beth Broderick though, who honestly looks like she hasn't aged one bit in about twenty years. She looks fantastic compared to her time in Sabrina. She brings such a natural presence here to her character and brings a lot of weight to the proceedings.

From the start the film pulls you in and takes you on a wild ride that is full of raw brutality yet shocks you with compelling believable story-line. I was reaching for a seat-belt while sitting on my sofa but I couldn't even blink thinking I would miss something. Well worth your time to watch. At times the raw brutality made me jump and that is not bad but a awesome bad regarding this film. I will admit some of the actors were unknown to me but that didn't take away from their acting ability which was on point. The film made me think if that happened to me what would I do or how would I handle such a situation. Loved the movie and renting on VOD gave me the opportunity to rewind if I thought I blinked.

Pop some popcorn and get a bottle of wine and take the wild ride...awesomely great film.

I wanted to like this movie so I stuck with it. I'm glad I did. I have an appreciation for ultra low budget movies that spring forth from a passion for filmmaking rather than an urge to create a vehicle designed to generate money and fame. There are hundreds of little movies that never get seen because the filmmakers try to emulate a formula that works well for huge budget Hollywood motion pictures but not for movies produced with tiny budgets. In the case of Two Step the effort is right on the money so to speak. It's a movie about regular people dealing with difficult circumstances.

Two Step largely suffers from regional filmmaking disorder. Audiences can't put their finger on it but they know that it's out of sync with what they're used to watching. In spite of all the terrific elements that make up this movie, something doesn't quite click. The script is serviceable. The performances are competent and sincere. The lighting, camera work and production design are seamless add gravity to every scene. The direction is low-key to a fault. I enjoy the languid pace and slow burn approach but contemporary audiences generally don't. I wish the characters would've moved around a bit during conversational scenes but the director chose the default position of putting his actors in a sit- down to do the talking.

Skye Moore is endearing as the kid in jeopardy unfortunately he's nothing more than a prop for a big chunk of the movie. James Landry Hébert is fairly convincing as the villain. His initial motivations are clear and his brutal behavior is obviously born out of desperation. But his descent into total depravity and the horrible acts he commits are not compatible with the character of the petty thief that we meet at the beginning of the movie. The narrative just doesn't bear it out. If he suffers from the dementia of a tortured, maniacal inner life, there's absolutely no hint of it on screen.

All of this criticism doesn't offer the impression of any kind of recommendation. However, there are good things about this movie. If you understand the limitations regional, indie filmmaking and you want to see a movie with no pretension, that has a good look, clean audio, good performances and an intermittently compelling story, give it a try.