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The Last Face

  • 2016
  • 16
  • 2 Std. 10 Min.
IMDb-BEWERTUNG
5,0/10
5761
IHRE BEWERTUNG
Charlize Theron and Javier Bardem in The Last Face (2016)
Trailer for The Last Face
trailer wiedergeben1:32
5 Videos
41 Fotos
AbenteuerAktionDramaKriegRomanze

Inmitten des sozialen Grauens in Afrika verblasst die Liebe zwischen zwei Freiwilligen und wird wiedergeboren.Inmitten des sozialen Grauens in Afrika verblasst die Liebe zwischen zwei Freiwilligen und wird wiedergeboren.Inmitten des sozialen Grauens in Afrika verblasst die Liebe zwischen zwei Freiwilligen und wird wiedergeboren.

  • Regie
    • Sean Penn
  • Drehbuch
    • Erin Dignam
  • Hauptbesetzung
    • Charlize Theron
    • Javier Bardem
    • Brandon Phillips
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,0/10
    5761
    IHRE BEWERTUNG
    • Regie
      • Sean Penn
    • Drehbuch
      • Erin Dignam
    • Hauptbesetzung
      • Charlize Theron
      • Javier Bardem
      • Brandon Phillips
    • 42Benutzerrezensionen
    • 60Kritische Rezensionen
    • 16Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Videos5

    The Last Face
    Trailer 1:32
    The Last Face
    The Last Face
    Trailer 2:02
    The Last Face
    The Last Face
    Trailer 2:02
    The Last Face
    The Last Face: Packing Up And Moving On
    Clip 1:16
    The Last Face: Packing Up And Moving On
    The Last Face: So We're Both Not Tired
    Clip 1:16
    The Last Face: So We're Both Not Tired
    The Last Face: Destroyed Village
    Clip 0:36
    The Last Face: Destroyed Village

    Fotos40

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    + 34
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    Topbesetzung59

    Ändern
    Charlize Theron
    Charlize Theron
    • Wren
    Javier Bardem
    Javier Bardem
    • Miguel Leon
    Brandon Phillips
    • Youth Orchestra Conductor
    Anna Strelkov
    • Sand Painter
    Mark De Villiers
    • Wren's Father
    Amy Harries-Jones
    • Young Wren
    Obed Baloyi
    • Atif
    Xavier Guichard
    • UN Student
    Jiji Kongolo
    • UN Student
    Hopper Penn
    Hopper Penn
    • Billy Boggs
    • (as Hopper Jack Penn)
    Atlas James King
    • Mahmoud
    William Mkunziza
    • Sudanese National
    Halima Abdul Aziz
    • 9 Yr. Old African Girl
    Abdul Aziz Abubakar
    • Patient Girl's Father
    Merritt Wever
    Merritt Wever
    • Marlee
    Vaneshran Arumugam
    • East Indian UN Staffer
    Tinarie van Wyk Loots
    Tinarie van Wyk Loots
    • UN Staffer
    • (as Tinarie van Wyk-Loots)
    Nigel Fisher
    • Ivan
    • Regie
      • Sean Penn
    • Drehbuch
      • Erin Dignam
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen42

    5,05.7K
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    Empfohlene Bewertungen

    7nospam1974

    Expectations

    Scanning through the reviews on this film was a reminder of just how much impact expectations have on you when you are not aware that you are projecting them. People complaining about the romantic element in the film or the violence are simply upset because they had expectations of what this should have been. Playing the writer and director when they are not.

    All too often I come across negative reviews because they had different expectations instead of accepting what was presented in front of them as someone else's perspective, story or art. I find that you enjoy art (of any form) much more when you allow them to express it without projecting your expectations. Imagine standing in an art gallery and staring at a painting and then shouting to the room around you that you would not have used red but instead blue in this painting! How dare they do this! Projecting your expectations on someone or something else is a character defect. While you are allowed an opinion, there's a difference between having an opinion and disregarding someone else's vision because is not in-line with your expectations. Had you maintained an open-mind with no expectations, you might have experienced something completely different. This also translates to life and how you interact with people. Keeping your side of the street clean, so to speak.

    And to all the people using the phrase "white savior" and calling the film racist and the people who review it positively, racist, you are sad and pathetic. I understand what "white savior" is supposed to mean in context, but with that mentality, no film or TV show ever again, can have a Caucasian helping someone of color. This is a card that is played by the "woke" culture. Instead of viewing it as a human being helping another human being, you choose to see a white woman coming to the rescue. Who's the racist here? The people that are using these tactics need to grow up and expand their minds a bit.

    As far as the movie, I'm not going to review it here. What I got from it really isn't that important. It's what you get from it that matters. I just wanted to voice my opinion regarding the people projecting their expectations in many of the comments not only on this film but across the internet. Not that it matters.
    5paulijcalderon

    Nothing awful, just very forgettable and average

    OK, so here we go. "The Last Face" premiered during Cannes last year and it got bashed by critics and even booed at. When I heard about that I couldn't really believe it. I mean, a film directed by Sean Penn starring Charlize Theron and Javier Bardem being that bad? It got me curious to watch it. Because I needed to know if it was getting fair reviews or not. It turned out to be a long wait, because It took a year for it to finally come out in other countries. I went in with an open mind. Ready to give it a deserving chance like every movie does. Well, now after seeing it I understand where the problems lied. Although, I must say right off the bat that it's not completely terrible... But it does get messy.

    What I didn't like was that it got exaggerated and tried to force the emotion rather then earning it. The romance was predictable and typical. It goes through all the expected beats of "Will they be together or won't they?" The movie uses narration and I thought it was unnecessary. It would have worked better without filling the audience in on the plot so often. I think people can figure it out perfectly well on their own, because it just added to the melodrama. Which was annoying at times with them over sympathizing the story and dragging out moments. It was good whenever it just calmed down and showed some realism. The premise itself is fine. Doctors going to Africa to help people in need. I understood the overall message of mankind's goodwill. The hospital/doctor scenes had some tension to them and they felt very realistic. There's also a lot of gruesome and horrific imagery of people's misfortune in Africa which was affecting. Those were the parts that stuck with me. The characters were able to convince me in many scenes, but unfortunately not the entire way through. It's sad, because Bardem and Theron looks to have put so much effort into this.

    Like I said, the story of them being doctors and traveling in Africa to help people was fine. It was the romantic story that dragged on and felt clichéd. They should have toned it down and made the entire movie more realistic and down to earth. I was able to see glimmers of what could have been really good touching moments. Instead we get too much melodrama with musical soundtrack telling you exactly how to feel instead of the story itself making you feel something. Although there was some music I liked in it: The local African songs and the Piano tracks towards the end. There are scenes that are good. Scenes that feel like real life stories with heart to them. The thing is that we get so few of them spread across the movie. I was never able to truly appreciate those scenes so well because the following part would often drag it down again.

    Without spoiling anything, the final moments were finally able to get some emotion across. The ending was my favorite part. It made me finally care for what was going. It was a little too late. But hey, at least it was something. The movie leaves you reflecting on life a little bit. But not nearly as much as I'm sure the filmmakers wanted. It does, however have its moments that work. And for that I will give it points. The movie is not nearly as awful as some people are making it out to be. It's just average. If you are looking for something to pass the time with, then this will work fine. Just don't expect much. It's watchable, but nothing memorable.
    6ma-cortes

    Moving picture full of drama , emotion , romance and touching scenes

    This is a thought-provoking and beautifully dramatic film , packing a stirring love story , though slowly paced and paying tribute to the sacrificed doctors working in the African countries . A chief of an international aid agency in Africa called Wren (Charlize Theron) runs the International Council in Geneva , Switzerland , coordinating the international activities common to the operational centres , as well as raising international awareness of potential humanitarian disasters . Then , Wren arrives in Africa and meets a relief aid doctor Miguel Leon (Javier Bardem) who belongs to ¨Médecins Sans Frontières¨ (MSF , vast majority of staff are volunteers) , also known as ¨Doctors Without Borders¨ and both of whom fall in love . The doctor Wren joins a group of obstinate doctors (Adèle Exarchopoulos , Jared Harris , Jean Reno , Denise Newman) who help unfortunate and distressed African people and undergo risked operations to wounded townsfolk . Meanwhile , in Monrovia , Liberia , takes place a state coup , and then they get together to flee from the capital to Sierra Leona . They embark in a dangerous journey which will take various countries risking his own life and pursued by nasty guerrillas .

    Intelligent drama with plenty of emotion , moving scenes and sensational performances . This is a deliberately paced flick , a satisfying journey of love , justice and self-discovery amidst political/social revolutions . It displays great feeling , thrills , and provoking melodrama in which a couple takes on strong choices surrounding humanitarianism and tough lives through civil unrest . This brooding flick sometimes results to be slow-moving , relying heavily on the long love affair and both of them compliment each other with their destine to help the unfortunate natives of African countries . Being developed in sensibility and intelligence , here are narrated ethic , moral issues with great sense of ductility and in ¨Terence Malick¨ style . As the stubborn doctors expand accessibility to medical care across national boundaries and irrespective of race , religion , creed or political affiliation . Cast is frankly good and giving top-notch interpretations . As the Spanish Javier Bardem providing an awesome acting , he grants his character a self-righteous drive that is made poignant for her determination and sheer will . Very magnetic performance by Charlize Theron as member of an aid agency directing efforts to provide medical care in acute crises , she gives the right balance of self-righteousness which makes her performance more real , she also creates her character human , heart and determination with her role , not a stereotype . The movie contains thrilling and violent scenes like the breathtaking battle when the military revolutionaries going into the capital Monrovia in blood and fire , as well as rampage , ravage and the indiscriminate massacres carried out by the extremely violent revolutionary guerrillas . And including gory scenes , such as grisly killings in cold blood and an astonishing surgical Cesarian . Beautiful , haunting and mesmerizing cinematography by Barry Ackroyd . Perceptible , and at times rousing musical score by the prestigious composer Hans Zimmer , including some really sensitive songs in African sounds .

    The motion picture was professionally -though in complex narrative filled with flashbacks- directed by Sean Penn . Here Penn tells an African story full of death and violence and presents it with impressive truth , though being both , overlong and touching . Sean Penn tops his last directional effort with an intense drama that is moving , scary and down right forthright . This "The Last Face" (2016) will appeal to Javier Bardem and Charlize Theron fans .
    8thinkMovies

    We did this

    There have been many, many awful movies through the ages, all critiqued as such here at IMDB and by professional critics too -But none that I remember was critiqued with such vitriol and, dare I say hatred, as this one.

    But it's not this movie that is bad... what's bad is for Americans and Europeans to switch to hateful anger against anything that shows them Africa for what we, westerners, have turned it into.

    Sean Penn's The Last Face, with South African Charlize Theron and Spaniard Javier Bardem is no Lawrence of Arabia meets Ryan's Daughter on the Bridge on the River Kwai, hence the eight stars instead of ten. But it is an absolutely competently-made, perfectly convincing, realistic, well-staged, intuitively photographed, honest mirror upon which to gaze at mere snippets of what we have done in Africa -so that we may then break the mirror in denial, yelling bad direction and infantile script. No, sorry, this is a good movie, medium rare instead of well-done and, medium rare is always best when it comes to tasting the blood of something we've killed.

    I am not surprised Theron gave such a great performance, as I hear she does care about the continent she's from and the issues there. It was great hearing her speak English, for once, with her real South African accent. Bardem brought the western Mediterranean vulnerable macho to the table. Excellent choice, both, for white-western Doctors in the African savage civil wars. What did surprise me was that an American actor like Sean Penn should have such a profound understanding of what Americans don't see and would have the directorial skill to be subtle about holding our heads to look at it whether we like it or not. Do Sean a favor and keep the volume on high so you can hear what they're whispering to each other at night, just so you can jump out of your seat at the first very loud burst of machine gun fire and explosives.

    The love story did not look to me like a "movie prerequisite", unfitting to the subject matter. It felt completely natural and real, and the narration would have felt false without it: it was needed. Both doctors needed it in order to survive what they were witnessing on a daily basis for years. And it was honest. Sure, sure, the lines were not Shakespeare, but real people don't speak like poet laureates or award-winning script writers in real life.

    Oh, and the atrocities were not overdone, or "refugee porn" like someone called it: The imagery and actions were still pretty tame and movie-rating accessible compared to what's really going on in Sierra Leone and South Sudan.

    I recommend this as great movie to watch and I am wondering whether I should stop short of calling it an Important movie. Nope, I think it may well be an important one.
    9slhma-86182

    Thought Provoking

    First,let me respond to all the negative reviews of this film.Oh the self-righteousness! Oh the humanity! Yes,this movie is a love story that takes place in Africa amidst turmoil and terror,and yes-its the Africans who are the victims in this movie-not the "white saviors". It never claimed to be anything else. Before I review the actually film,I have to ask people who rated this movie negatively solely for its "white saviors of black people" premise; is it a crime for white people to go to Africa to try to help Africans and also fall in love with each other?In your outrage at believing this movie undermines the humanity of Africans, you strip the white characters of their humanity.I've fought racism all my life whenever the opportunity presented itself,and am a firm supporter of Black Lives Matter.Of course a non-black person cannot say they are anti-racism without immediately condemning themselves to scrutiny and "aha's!" from others.Skipping the am I racist rant,I just could not understand why just about everyone immediately condemned the white lovers/activists for daring to be in Africa to help refugees of war and audaciously fall in love. Should white people stay out of Africa? Yes if they are there to exploit.If they are there to help,then by all means..help.

    The film is gorgeous.Charline steals the show once again. The brutality,horror and hellishness of what Africans face is not watered down,not reduced to art.It is full in your face truth.Its funny how people who hate the white activists also seem to ignore the horrors that Africans face in their desperate self righteousness. Throw the baby out with the bathwater I guess? This stunningly beautiful film will stay with me a long time,and I already know it belongs with my other favorites of this genre...which also received poor reviews for the white savior premise....Keys to the Kingdom and The Revenant.White people who bridged the gap between cultures and ethnicities rather than be hateful,violent and racist.These types of movies really tick people off.Tough.The world needs more bridges,less hate and condemnation. The Last Face is a precious gem for that reason...if you happen to go to Africa as an activist, and you want to make a difference in the lives of Africans who have suffered(often because of the west's exploitive racist ways) ...don't feel guilty ,even if you fall in love....

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    • Wissenswertes
      The film was a passion project for Robin Wright who tried to get it made in 2004. She was the one who brought on Javier Bardem and Sean Penn in various roles. After funding fell through, Wright abandoned the project. Penn resurrected the film after he and Wright divorced, deciding to take on directing duties, and casting his then girlfriend Charlize Theron in the role Wright had wanted to play.
    • Zitate

      Moussa: Life is tough. You need someone to share it with.

    • Soundtracks
      Peace Train
      Written by Cat Stevens (as Yusuf Islam)

      Performed by Cat Stevens

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    Details

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    • Erscheinungsdatum
      • 28. Juli 2017 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Khuôn Mặt Cuối Cùng
    • Drehorte
      • Kapstadt, Südafrika
    • Produktionsfirmen
      • River Road Entertainment
      • FilmHaven Entertainment
      • Gerber Pictures
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      • 1.161.751 $
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    • Laufzeit
      2 Stunden 10 Minuten
    • Farbe
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    • Seitenverhältnis
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