IMDb-BEWERTUNG
7,8/10
66.671
IHRE BEWERTUNG
Ein Film über das Leben und den mysteriösen Tod von Vincent Van Gogh.Ein Film über das Leben und den mysteriösen Tod von Vincent Van Gogh.Ein Film über das Leben und den mysteriösen Tod von Vincent Van Gogh.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 24 Gewinne & 54 Nominierungen insgesamt
Douglas Booth
- Armand Roulin
- (Synchronisation)
Jerome Flynn
- Doctor Gachet
- (Synchronisation)
Robert Gulaczyk
- Vincent van Gogh
- (Synchronisation)
Helen McCrory
- Louise Chevalier
- (Synchronisation)
Josh Burdett
- The Zouave
- (Synchronisation)
Holly Earl
- La Mousme
- (Synchronisation)
Robin Hodges
- Lieutenant Milliet
- (Synchronisation)
Chris O'Dowd
- Postman Joseph Roulin
- (Synchronisation)
John Sessions
- Pere Tanguy
- (Synchronisation)
Eleanor Tomlinson
- Adeline Ravoux
- (Synchronisation)
Aidan Turner
- The Boatman
- (Synchronisation)
Saoirse Ronan
- Marguerite Gachet
- (Synchronisation)
Joe Stuckey
- Young Man with a Cornflower
- (Synchronisation)
James Greene
- Old Peasant
- (Synchronisation)
Martin Herdman
- Gendarme Rigaumon
- (Synchronisation)
Bill Thomas
- Doctor Mazery
- (Synchronisation)
Piotr Pamula
- Paul Gaugin
- (Synchronisation)
Cezary Lukaszewicz
- Theo van Gogh
- (Synchronisation)
Empfohlene Bewertungen
It's my first review for a movie, and I'll keep it short. The movie is heart warming, exquisitely done and, if you stay for the ending soundtrack, you will be treated to a wonderful song which summarizes the movie through music. His story is dramatic and a very good reminder of how we, as humans, don't know how to appreciate valuable people during their lifetime. This movie will enrich your life.
Most of the focus will be on its incredibly innovative visuals, the entire film is animated oil paintings. The paintings are all in Van Gogh's style are they are a beautiful backdrop that brings incredible life to the film in a way that no other style possible could.
But there is much more to Loving Vincent than the art, it is a riveting story that dives into who Vincent Van Gogh was as a man and the mystery surrounding his death. It unfolds in the same manner as "Citizen Kane" with the posthumous exploration into a person through talking to the people who knew him. It is engrossing with excellent voice work and incredibly smooth animation and movement.
But there is much more to Loving Vincent than the art, it is a riveting story that dives into who Vincent Van Gogh was as a man and the mystery surrounding his death. It unfolds in the same manner as "Citizen Kane" with the posthumous exploration into a person through talking to the people who knew him. It is engrossing with excellent voice work and incredibly smooth animation and movement.
This is one-of-a-kind movie and definitely a must for lovers of Van Gogh. I studied art, therefore I was very interested in seeing how they managed to produce new paintings using his technique. The result is visually striking. You can actually experience some of Van Gogh's paintings coming to life, which is in itself pretty amazing.
However, a movie must also have a strong script, a good story to go with the visual. The plot is about Armand Roulin, son of Joseph Roulin - two frequent subjects of Van Gogh's portraits. In fact, the whole Roulin family, inclusive of mum Augustine and her other two children were painted several times by Van Gogh, while in Arles.
Joseph was Van Gogh's postman and in the movie he entrusts Armand to deliver his last letter to brother Theo. Vincent and Theo's letters were published at the beginning of the last century, shedding light on their affectionate relationship, but not about Vincent's demise.
Therefore, Armand sets out to investigate Vincent's last days. The tone is somber and melancholic, somehow clashing with the beautiful visuals. Van Gogh comes across as an enigmatic man who could be sweet and full joy one moment and despondent the next - maybe suffering from bi-polar disorder, but we'll never know.
The plot develops a bit slowly in the end we do not know much more of what we knew at the beginning, but for sure we can retain the memory of this fantastic pictorial voyage.
However, a movie must also have a strong script, a good story to go with the visual. The plot is about Armand Roulin, son of Joseph Roulin - two frequent subjects of Van Gogh's portraits. In fact, the whole Roulin family, inclusive of mum Augustine and her other two children were painted several times by Van Gogh, while in Arles.
Joseph was Van Gogh's postman and in the movie he entrusts Armand to deliver his last letter to brother Theo. Vincent and Theo's letters were published at the beginning of the last century, shedding light on their affectionate relationship, but not about Vincent's demise.
Therefore, Armand sets out to investigate Vincent's last days. The tone is somber and melancholic, somehow clashing with the beautiful visuals. Van Gogh comes across as an enigmatic man who could be sweet and full joy one moment and despondent the next - maybe suffering from bi-polar disorder, but we'll never know.
The plot develops a bit slowly in the end we do not know much more of what we knew at the beginning, but for sure we can retain the memory of this fantastic pictorial voyage.
Cinema has always been a gloried artwork and we have much more authentic proof in astounding Loving Vincent.
An animated construction entirely brought to life by oil paintings, is quintessential proof that cinema has still barely scratched the surface of its reaches. Loving Vincent is landmark event for animation and even biographical storytelling through its majestic vision at the last days of Vincent Van Gogh.
Set a after the death of fabled painter, Armand Roulin (Douglas Booth) is possessed with a letter from Van Gogh to his brother Theo before his death, and begins the journey to deliver it. While on call, Roulin encounters all the people close to Vincent before is death gradually trying to put the pieces of what cause his sudden suicide. From this we are taken back to key moments of Van Gogh's life mesmerizingly displayed through the living oil paintings.
Generated by 65,000 paintings by over a 100 artist, Loving Vincent is living work of art. First shot as a live action depiction then adapted into paintings, the immersive gallery of scenes is a first in new format of animation. Directors: Dorota Kobiela, and Hugh Welchman take Van Gogh's own artistry into his own biography (almost), from Citizen Kane style narrative, assessing and celebrating the life of one of the worlds if not the most famous painter. From this production becomes transporting cinema experience into the world of Van Gogh and an enchanting watch of magnificent painting and animation.
Of course what is the fundamental strength of Loving Vincent is its captivating artwork which for every moment is spectacular, and then you have the real narrative of Van Gogh's last days which on its own is an affectionate journey. Even if you don't not much about the life of Van Gogh this is an enthralling experience.
The monumental presence of the paintings is consistently exceptional with wonderful detail and creation put into it. One of the sensational efforts for the film is its sketch of the real actors, making them instantly recognisable on screen, bringing their performance into the art. Although our eyes are set on visual presence, Clint Mansell's score is also a tear-jerking atmosphere throughout the film, capturing the melancholy as well as joy of Van Gogh.
Loving Vincent is a visual sensation, proving the amazing talent that animation brings to the screen. This is by far one of the most significant films of the year and is must see experience, especially for art students.
An animated construction entirely brought to life by oil paintings, is quintessential proof that cinema has still barely scratched the surface of its reaches. Loving Vincent is landmark event for animation and even biographical storytelling through its majestic vision at the last days of Vincent Van Gogh.
Set a after the death of fabled painter, Armand Roulin (Douglas Booth) is possessed with a letter from Van Gogh to his brother Theo before his death, and begins the journey to deliver it. While on call, Roulin encounters all the people close to Vincent before is death gradually trying to put the pieces of what cause his sudden suicide. From this we are taken back to key moments of Van Gogh's life mesmerizingly displayed through the living oil paintings.
Generated by 65,000 paintings by over a 100 artist, Loving Vincent is living work of art. First shot as a live action depiction then adapted into paintings, the immersive gallery of scenes is a first in new format of animation. Directors: Dorota Kobiela, and Hugh Welchman take Van Gogh's own artistry into his own biography (almost), from Citizen Kane style narrative, assessing and celebrating the life of one of the worlds if not the most famous painter. From this production becomes transporting cinema experience into the world of Van Gogh and an enchanting watch of magnificent painting and animation.
Of course what is the fundamental strength of Loving Vincent is its captivating artwork which for every moment is spectacular, and then you have the real narrative of Van Gogh's last days which on its own is an affectionate journey. Even if you don't not much about the life of Van Gogh this is an enthralling experience.
The monumental presence of the paintings is consistently exceptional with wonderful detail and creation put into it. One of the sensational efforts for the film is its sketch of the real actors, making them instantly recognisable on screen, bringing their performance into the art. Although our eyes are set on visual presence, Clint Mansell's score is also a tear-jerking atmosphere throughout the film, capturing the melancholy as well as joy of Van Gogh.
Loving Vincent is a visual sensation, proving the amazing talent that animation brings to the screen. This is by far one of the most significant films of the year and is must see experience, especially for art students.
Every frame of this film is a painting. Think about that! They employed 100 artists to create 65,000+ frames to make this film. I loved the idea that the audience is looking through the eyes of an artist--how an artist might see. If that kind of thing interests you, you should go see this film in the theater. It is stunning.
As for the narrative? Well, now, if you know anything about the history of Van Gogh's life, you know it wasn't terribly happy. There is a lot of drinking and smoking and despair to go around. They employ a plot device involving a letter, and it works. Do not go in thinking there will be thundering revelations about the life of the artist. But it offers some quiet insights about some of the subjects of his paintings, and I really loved this.
If you are familiar with Van Gogh's works and appreciate his aesthetics, you owe it to yourself to go. A totally unique cinematic experience.
As for the narrative? Well, now, if you know anything about the history of Van Gogh's life, you know it wasn't terribly happy. There is a lot of drinking and smoking and despair to go around. They employ a plot device involving a letter, and it works. Do not go in thinking there will be thundering revelations about the life of the artist. But it offers some quiet insights about some of the subjects of his paintings, and I really loved this.
If you are familiar with Van Gogh's works and appreciate his aesthetics, you owe it to yourself to go. A totally unique cinematic experience.
Wusstest du schon
- WissenswertesEach of this movie's 65,000 frames is an oil painting on canvas, using the same technique as Vincent van Gogh, created by a team of one hundred painters.
- PatzerA fly can be seen for a frame, with it being stuck to the real life painting of the frame.
- Zitate
Vincent van Gogh: Who am I in the eyes of most people? A nobody, a non entity, an unpleasant person. Someone who has not, and never will have any position in society. In short, the lowest of the low. Well then even if that were all absolutely true, then one day I will have to show by my work what this nobody, this non entity has in his heart.
- Crazy CreditsSPOILER: In the closing credits, the tableau for Dr. Gachet discusses the difficulty that experts had in distinguishing the genuine works painted by van Gogh from those painted by Dr. Gachet in the style of van Gogh.
- VerbindungenFeatured in 75th Golden Globe Awards (2018)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Cartas de Van Gogh
- Drehorte
- Breslau, Niederschlesien, Polen(Centrum Technologii Audiowizualnych)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.735.118 $
- Eröffnungswochenende in den USA und in Kanada
- 23.180 $
- 24. Sept. 2017
- Weltweiter Bruttoertrag
- 42.187.665 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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